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81. Film and Philosophy: Volume > 14
Murray Skees A Synecdoche: Eternal Sunshine of the Spotless Mind and Fredric Jameson's Theory of Postmodernism
82. Film and Philosophy: Volume > 14
George M. Wilson Some Comments On Thinking On Screen: Film As Philosophy
83. Film and Philosophy: Volume > 14
Thomas E. Wartenberg Orcid-ID Response to My Critics
84. Film and Philosophy: Volume > 14
Richard Nunan Filmosophy and the Art of Philosophical Analysis of Films
85. Film and Philosophy: Volume > 15
Kevin W. Sweeney Sideways: Does Good Taste Improve Moral Character?
86. Film and Philosophy: Volume > 15
Dan Shaw Editor's Introduction
87. Film and Philosophy: Volume > 15
Wililam Hawk I, Robot
88. Film and Philosophy: Volume > 15
Leigh Rich, Jack Simmons Heidegger and House: The Twofold Task in Working Out the Question of American Medicine
89. Film and Philosophy: Volume > 15
Thomas Blakemore Objects With a Soul: The Spiritualization of Sound in the Films of Robert Bresson
90. Film and Philosophy: Volume > 15
Joseph Kupfer Orcid-ID From Despair to Care: Self-Transformation in Monster's Ball
91. Film and Philosophy: Volume > 15
John McAteer "Maybe Goodness is Just Make-Believe": Optimism, Self-Deception and Rashomon
92. Film and Philosophy: Volume > 15
Kevin Stoehr "By Cinematic Means Alone": The Russell-Wartenberg-Carroll Debate
93. Film and Philosophy: Volume > 15
Manon Kolsteren Dreaming of Becoming a Monster: Stanley Cavell's Moral Perfectionism in Twlight
94. Film and Philosophy: Volume > 15
Todd Dufresne On Film, Theory, & "Film as Philosophy": Or, Philosophy Goes 'Pop'
95. Film and Philosophy: Volume > 15
Tarja Laine Entangled Life: The Double Life of Veronique
96. Film and Philosophy: Volume > 16
Iddo Landau The Nights of Cabiria as a Camusian Existentialist Text
97. Film and Philosophy: Volume > 16
Dan Shaw Editor’s Introduction
98. Film and Philosophy: Volume > 16
Erin Kealey Who Would You Be in a Zombie Apocalypse?
99. Film and Philosophy: Volume > 16
Aaron Smuts It’s a Wonderful Life: Pottersville and the Meaning of Life
100. Film and Philosophy: Volume > 16
Gwendolyn Dolske More Than a Windshield Wiper: A Beauvoirian Analysis of Project and Other in Flash of Genius