81.
|
Renascence:
Volume >
17 >
Issue: 3
John Pick
The First Score
|
|
|
82.
|
Renascence:
Volume >
17 >
Issue: 3
John Pick
Sitwell Study
|
|
|
83.
|
Renascence:
Volume >
17 >
Issue: 4
John Pick
Christ in the Modern Novel
|
|
|
84.
|
Renascence:
Volume >
18 >
Issue: 1
Victor M. Hamm
Hateful Contraries: Studies in Literature and Criticism. By W. K. Wimsatt
|
|
|
85.
|
Renascence:
Volume >
18 >
Issue: 1
John Pick
Victorian Portraits: Hopkins and Pater, By David Anthony Downes
|
|
|
86.
|
Renascence:
Volume >
18 >
Issue: 2
Victor M. Hamm
Heroic Characterization
|
|
|
87.
|
Renascence:
Volume >
18 >
Issue: 3
Sister M. Thérèse
The Way of Chuang Tzu
|
|
|
88.
|
Renascence:
Volume >
18 >
Issue: 3
Sister M. Thérèse
John L'Heureux
|
|
|
89.
|
Renascence:
Volume >
18 >
Issue: 3
David A. Downes
Studies in Structure
|
|
|
90.
|
Renascence:
Volume >
3 >
Issue: 2
Leo Maynard Bellerose
Pourquoi Péguy fonda les "Cahiers." By Marcel Péguy
|
|
|
91.
|
Renascence:
Volume >
3 >
Issue: 2
Riley Hughes
Many-Colored Fleece, Edited by Sister Mariella Gable, O.S.B.
|
|
|
92.
|
Renascence:
Volume >
3 >
Issue: 2
Charles A. Brady
Dymer. By C. S. Lewis
|
|
|
93.
|
Renascence:
Volume >
3 >
Issue: 2
Francois Xavier Tricaud
From Baudelaire to Surrealism. By Marcel Raymond
|
|
|
94.
|
Renascence:
Volume >
3 >
Issue: 2
John B. Meyer
Correspondance: Francis Jammes et André Gide (1893-1938)
|
|
|
95.
|
Renascence:
Volume >
3 >
Issue: 2
Allys Dwyer Vergara
The Story of the Abbey Theatre. By Peter Kavanagh
|
|
|
96.
|
Renascence:
Volume >
3 >
Issue: 2
Josef Schwarz
Amei. Eine Kindheit. By Ruth Schaumann
|
|
|
97.
|
Renascence:
Volume >
3 >
Issue: 2
Carl Merschel
Art-Making from Mexico to China. By Jean Chariot
|
|
|
98.
|
Renascence:
Volume >
3 >
Issue: 2
Herbert Marshall McLuhan
Poetry and Opinion. By Archibald MacLeish
|
|
|
99.
|
Renascence:
Volume >
3 >
Issue: 2
Guy Desgranges
Commentaire à l'Art Poetique de Paul Claudel. By Pierre Angers
|
|
|
100.
|
Renascence:
Volume >
3 >
Issue: 2
John L. Bonn, S.J.
Dialogue with an Angel. By Sister Mary Jeremy, O.P.
|
|
|