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81.
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Film and Philosophy:
Volume >
14
Richard Nunan
Filmosophy and the Art of Philosophical Analysis of Films
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82.
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Film and Philosophy:
Volume >
15
Kevin W. Sweeney
Sideways: Does Good Taste Improve Moral Character?
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83.
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Film and Philosophy:
Volume >
15
Dan Shaw
Editor's Introduction
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84.
|
Film and Philosophy:
Volume >
15
Wililam Hawk
I, Robot
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85.
|
Film and Philosophy:
Volume >
15
Leigh Rich, Jack Simmons
Heidegger and House:
The Twofold Task in Working Out the Question of American Medicine
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86.
|
Film and Philosophy:
Volume >
15
Thomas Blakemore
Objects With a Soul:
The Spiritualization of Sound in the Films of Robert Bresson
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87.
|
Film and Philosophy:
Volume >
15
Joseph Kupfer
From Despair to Care:
Self-Transformation in Monster's Ball
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88.
|
Film and Philosophy:
Volume >
15
John McAteer
"Maybe Goodness is Just Make-Believe":
Optimism, Self-Deception and Rashomon
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89.
|
Film and Philosophy:
Volume >
15
Kevin Stoehr
"By Cinematic Means Alone":
The Russell-Wartenberg-Carroll Debate
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90.
|
Film and Philosophy:
Volume >
15
Manon Kolsteren
Dreaming of Becoming a Monster:
Stanley Cavell's Moral Perfectionism in Twlight
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91.
|
Film and Philosophy:
Volume >
15
Todd Dufresne
On Film, Theory, & "Film as Philosophy":
Or, Philosophy Goes 'Pop'
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92.
|
Film and Philosophy:
Volume >
15
Tarja Laine
Entangled Life:
The Double Life of Veronique
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93.
|
Film and Philosophy:
Volume >
16
Iddo Landau
The Nights of Cabiria as a Camusian Existentialist Text
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94.
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Film and Philosophy:
Volume >
16
Erin Kealey
Who Would You Be in a Zombie Apocalypse?
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95.
|
Film and Philosophy:
Volume >
16
Aaron Smuts
It’s a Wonderful Life:
Pottersville and the Meaning of Life
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96.
|
Film and Philosophy:
Volume >
16
Gwendolyn Dolske
More Than a Windshield Wiper:
A Beauvoirian Analysis of Project and Other in Flash of Genius
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97.
|
Film and Philosophy:
Volume >
16
William J. Devlin, Shai Biderman
Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone
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98.
|
Film and Philosophy:
Volume >
16
Mario Slugan
Epistemology as Ethics: Skepticism in Blade Runner
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99.
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Film and Philosophy:
Volume >
16
John Marmysz
Rooting for the Fascists in James Cameron’s Avatar
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100.
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Film and Philosophy:
Volume >
16
Murray Smith
In and Out of Character
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