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61. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Nerijus Stasiulis Visual Communication in the Politico-Cultural Sphere
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The article reviews the developing studies of visuality with respect to their own focus on cultural and political fields in which visual communication unfolds. I found that that some of the academic interests related to visuality can be located within the broader or intersecting field of cultural and political studies and provide successful tools of analysing and describing the communicational interactions within local communities situated in broader contexts of mobility. Some light is shed on the visualisations of the current condition of the nation-state with respect to globalizing or Europeanising tendencies. Also, I discuss a more general impact of mobility and novel visualisations of the public and cultural sphere.
62. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Peina Zhuang Renewed Anthropocenic Body Narrative in The Anthropocene
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The participation of humanists, artists and social scientists has added much impetus to the study and story of the "anthropocene". Zhao Defa, the contemporary Chinese writer, is one of the pacesetters in this regard. His inspiration from the concept of the "anthropocene" transforms the body narrative in the novel The Anthropocene. This article argues that the changed triad of body narrative, or more specifically, the highly encoded bodily metaphors, the function of body in narrative and the relation between nature and body, succeeds in modelling a body charged with ballooning desires in the "anthropocene", which constitutes the humanity's the existential basis and the very cause of the "anthropocene", and if not hurdled, will bring fatal catastrophe to this planet.
63. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Carlo Alvaro The Incoherence of Moral Relativism
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This paper is a response to Park Seungbae’s article, “Defence of Cultural Relativism”. Some of the typical criticisms of moral relativism are the following: moral relativism is erroneously committed to the principle of tolerance, which is a universal principle; there are a number of objective moral rules; a moral relativist must admit that Hitler was right, which is absurd; a moral relativist must deny, in the face of evidence, that moral progress is possible; and, since every individual belongs to multiple cultures at once, the concept of moral relativism is vague. Park argues that such contentions do not affect moral relativism and that the moral relativist may respond that the value of tolerance, Hitler’s actions, and the concept of culture are themselves relative. In what follows, I show that Park’s adroit strategy is unsuccessful. Consequently, moral relativism is incoherent.
64. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Reena Cheruvalath Analysing the Concept of "Paradox" in the Liar Paradox Arguments
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This paper examines the concept of "paradox" in the Liar paradox. The paradox in the "Liar Paradox" arguments is created with the support of law of contradiction. Four arguments consist of different versions of the Liar paradox are analysed. The author explains the issues related to communication, beliefs and the principle of identity in the various arguments of the Liar paradox leading to inconsistencies. There are ambiguities in these arguments and if the ambiguities are removed, then there is no contradiction which constitutes the paradox. Thus, the "paradox" in the "Liar Paradox" arguments is questionable.
65. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Hazel T. Biana Philosophizing About Clutter: Marie Kondo’s The Life-Changing Magic of Tidying Up
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With its own Netflix program, Marie Kondo's The Life-Changing Magic of Tidying Up has received a huge cult following. Considering that clutter sweeps 21st century daily living, what this paper aims to do, is to unravel the philosophical foundations of Kondo's work. Considering the trendiness of the KonMari method, one wonders why and how decluttering modern homes and one's day-to-day existence inspires certain profound reflections and raises social criticisms. Through a sweeping review of Kondo's tenets, this paper tackles common philosophical themes such as joy, human existence, happiness, the environment and extension.
66. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Gede Marhaendra Wija Atmaja, Ida Ayu Arniati, Gede Yoga Kharisma Pradana Bhineka Tunggal Ika as Source Politics and Identity of Indonesian Culture in The Formation of Law
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The purpose of this study seeks to analyze the problem of Unity in Diversity as a Source of Politics and Cultural Identity of the Indonesian Nation in Legal Formation. In general, the process of establishing customary, national, regional and international law in various parts of the world no one knows even uses Bhineka Tunggal Ika as the source of legal formation. However, often the formation of law in Indonesia refers to the philosophical meaning of Unity in Diversity. The formulation of the research problem: 1) What are the markers of Unity in Diversity in Legal Formation?; 2) Why is Bhineka Tunggal Ika so important in the Formation of Law in Indonesia?; 3) Is there a contribution of Bhineka Tunggal Ika in the formation of customary law? This research was completed using qualitative methods. All data in this study are descriptive which have been collected directly or indirectly. Data acquisition is optimized through a literature study. All data were analyzed qualitatively to solve the research problem. The results showed that: 1) Unity in Diversity can be a marker of Indonesian national cultural identity in Legal Pluralism; 2) Bhineka Tunggal Ika in the formation of state law is considered relevant as a political source that is able to accommodate Customary Law and Religious Law into State Law; 3) Unity in Diversity as the identity of Indonesian Nation Culture, as well as political sources, has contributed in the spirit of the formation of Customary Law in the midst of the times.
67. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Mohd Faizal Bin Musa Shia Influence in the Axiology of Malay Culture
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Over the years, there are various research on cultural development seen from socio-historical perspective. The uniqueness of Islam in Malay region as it is diverse and open to outside influences is important to be look at; as it differs greatly from "the Islam" that have been practiced in the Middle East. Based on the discussions, the ulemas or Muslim clerics of this region and the Malays themselves have already practiced the supra-madhhab model as proposed by many contemporary scholars. Using Shia influences in the Malay culture, this paper attempt to show how sectarianism within Islam was never entertained by the Muslims in this region. In fact, Shi'ism was so embedded in Malay culture. Although being dominated by Sunnism, most of the Shia doctrines and pillars were widely accepted and embraced. The axiology of Shi'ism in Malay culture reflected in many religious texts, classical literature and cultural events. However, as sectarianism rising in this region, the Shia influence and its axiology slowly eroded and were victimized by unnecessary foreign interventions.
68. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Vilija Targamadzė, Vaida Asakavičiūtė, Vilija Grincevičiene Generation Z: Modus Vivendi (The Case of Lithuania)
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The novelty of this paper is that modus vivendi of 13-14 year old teenagers is viewed from the perspective of the new generation Z teachers. Teachers, belonging to the same generation as students, participated in the qualitative study and ex-pressed their opinions on the modus vivendi of 13-14 year old teenagers. This age range was selected specifically because it is close to the generational boundary of generation Alpha. Teachers from generation Z were purposefully selected as informants, since the researchers noticed a difference in modus vivendi of generation Z members closer to the generation Alpha and the older ones. The study is based on the methodological attitude of social constructivism. Its essence lies in perceiving that individuals construct their own personal understanding and it is not the mirror of their acquired knowledge. It is constructed on the basis of attitudes, experience, relationships between people, things and events. The aim of the study is to elucidate modus vivendi of teenagers from generation Z, as viewed by the teachers from generation Z. The paper contains the results of the conducted qualitative study and formulated conclusions.
69. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
I Wayan Mudra, Anak Agung Gede Rai Remawa, I Komang Arba Wirawan Wayang Kamasan Painting and Its Development in Bali’s Handicrafts
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The puppet arts in Bali can be found in the wayang Kamasan painting at Kamasan Village, Klungkung Regency. This painting inspired the creation and development of new handicraft in Bali. The objectives this research: 1. To find the wayang Kamasan painting in Klungkung Regency; 2. To find the development of handicraft types in Bali inspired by wayang Kamasan painting. This research used a qualitative descriptive approach, and data collection by observation, interview, and documentation. The results that wayang Kamasan painting is estimated to have existed since the reign of the ancient Bali kingdom, which was during the reign of King Dalem Waturenggong in Semarapura Klungkung. The wayang Kamasan painting character painted on a canvas with a light brown base color, stiff, two-dimensional, and the description follows the applied standards. The figures depicted taken from Ramayana and Mahabharata story. The Balinese handicrafts inspired by wayang Kamasan painting include ceramics, wovens such as sokasi/keben (basket made of woven bamboo), keris sheath, dulang (trays), bokor (bowls), guitars, beruk (coconut shell containers), and others. The authors expect in the future the wayang Kamasan painting can survive, and emerges the world's concern for its preservation.
70. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
I Wayan Adnyana The Scene of a Woman Grabbing a Horse’s Tail in Yeh Pulu Relief, and Its Connection to Panji Narrative: The Basis of Contemporary Painting Creation
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The study of the scene of a woman grabbing the tail of a horse ridden by a male figure in Yeh Pulu relief is the author's basis of concept in the creation of contemporary painting. Before the concept was discovered, a study was conducted of the scenes in the relief based on Panofsky's iconological theory and three stages of analysis, namely pre-iconography, iconography, and iconology. The attempt to connect the Panji narrative with the scene of a woman pulling a horse's tail aims to enrich the analysis of the interpretation. Both the narration and the scene revolve around a love story of two people separated by distance and time. The Panji narrative tells about a love story between Raden Galuh (Rangkesari), a princess of Daha Kingdom and Prince Panji, the crown prince of Kahuripan Kingdom, who have long been separated before they finally reunite at the end of the story. The scenes in the Yeh Pulu relief revolve around everyday heroism (which includes a love story). This connection is framed as a post-iconological interpretation, which results in three concepts of art creation: reframing, recasting, and globalizing.
71. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Eun Kyeong Yun, Hee-Yul Lee, Dong-Hwan Kim Is Halal Certification Necessary for Exporting to Islamic Countries?: Focus on OIC Countries
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Halal means permissible or lawful in Arabic and is applied to both the religious and daily life of Muslims. Islamic Law Shariah requires Muslims to consume halal products only. But with the expansion of supply chains around the world and the development of many new products, Muslim consumers have found it difficult to confirm whether food is halal or not. Also, as many foods are produced in non-Muslim countries and exported to Muslim countries, interest in halal certification in non-Muslim countries is increasing. With several Islamic countries strengthening their halal certification regulation for import in recent years, there is no accurate information on whether halal certification is necessary to export to Muslim countries or the Islamic State, and is lack of clear study of the definition of the Islamic State. Therefore, in this research, we will investigate the constitution and food import regulations of the Organization for Islamic Cooperation (OIC) member states, called the Union of Islamic States, to study the definition of Islamic State and whether halal certification is necessary for food exports.
72. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 17 > Issue: 1
Qiuqi Li The Confucian Approach to Justifying Human Rights: Beyond the Opposition between Universality and Particularity
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In the discussion whether Confucianism supports human rights, it is necessary to distinguish between the content and the form of human rights. Regarding the content of human rights, only the normative texts in Confucianism can contribute to the discussion. Even though Confucianism concedes that people are equal in nature, this equality is restricted in certain areas of normative justification. Regarding the form of human rights, the Confucian idea of graded love is against the universal nature of human rights. However, the pre-ontology of Heidegger shows us how graded love can actually be the ground of the Confucian approach to universality, which overcomes the opposition between universality and particularity within Western metaphysics. Therefore, in the Confucian approach to universality, graded love can be the motivation to universalizing of human rights. Moreover, as the Confucian approach to universality is not a principle that transcends all particularities, it helps construct an inclusive form of human rights.
73. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Chao Wang Comparative Literature, Variation Theory, and a New Construction of World Literature(s)
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In "Comparative Literature, Variation Theory, and a New Construction of World Literature(s)" Wang Chao discusses Shunqing Cao's "variation theory" as a framework in the discipline of comparative literature and its applicability for a new construction of world literature(s). Wang argues that Goethe's concept of world literature can be expanded and developed for a new construction of the idea of world literature(s). Wang's principal argument is that comparative literature in today's heterogeneity and cross-cultural variabilities can be revived with the notions of variation and its connecting aspect of world literature. Both variation theory and perspectives of the concept of "new world literature" are based in recent insights in comparative literature, on variations of literary exchange, on interpretation in cross-civilization literary circulation, translation, and production. Wang proposes that these views broaden and adjust the boundary of comparability, thus injecting much-needed vitality into comparative literature and world literature research.
74. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Peina Zhuang On Variations of Classical Chinese Literary Theory for a Framework of Global Literary History
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In "On Variations of Classical Chinese Literary Theory for a Framework of Global Literary History" Peina Zhuang discusses texts of classical Chinese literary theory as a reservoir for philosophical reflections on literary art. The aesthetics of Chinese literature originate in Confucianism and Taoism and hence represent an important background for any discussion of ancient, modern, or contemporary Chinese literature and literary history. Zhuang analyzes texts of classical Chinese literary theory within such a framework of a literary history and aims at furthering Chinese literature to become an integral part of world literatures. Further, Zhuang argues that "history" and "literary history" present a different picture of works on classical Chinese literary theory owing to the variation caused in representing their literary and aesthetic features. Zhuang also posits that the translation of Chinese literary texts to Western languages, while relevant and important, is not enough to advance Chinese literature from a peripheral status to a status of recognition hence the importance of scholarship with regard to literary history specifically.
75. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Yina Cao Cross-cultural Communication and Cultural Variation
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In "Cross-cultural Communication and Cultural Variation" Yina Cao discusses the concept of "cultural variation" (Cao Shunqing) as an extension of the discipline of comparative literature. She argues that the concept of cultural variation explains many problems in the field of cross-cultural communication while it can also provide a unique research perspective for the phenomenon of cultural integration. By summarizing and sorting out the problems which need to be solved in "cultural variation" and the core cases of cultural variation (e.g., "journey to the West"), Cao discusses the phenomenon of aphasia in the process of cultural foreignization, cultural transmission, and cultural variation and attempts to imagine a new approach in scholarship in order to explore new theoretical tools for the future of the discipline of comparative literature with the use of Cao's variation theory.
76. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Shunqing Cao, Orcid-ID Xin Chen Formations of World Literature(s) and Shaw's The Man of Destiny in Chinese and Japanese Translation
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In "Formations of World Literature(s) and Shaw's The Man of Destiny in Chinese and Japanese Translation" Shunqing Cao and Xin Chen expand Franco Moretti's dictum that "world literature is not an object, it's a problem" to elaborate that the concept of world literature(s) is in some sense a problematic one, which is itself under a process of problematization. Cao and Chen discuss how variation and heterogeneity contribute to a more in-depth understanding of formations of world literature(s). Taking the Bernar Shaw's The Man of Destiny they discuss the writer's presence in world literature from a bi-lateral perspective: Shaw's work in the English-speaking West and Shaw in Asia. For the former, Shaw stands in a specific place in recent postcolonial Irish Studies and thus raise problems for their research paradigm. For the latter, Cao and Chen present an analytical comparison between a Chinese and a Japanese translation of The Man of Destiny. Cao and Chen argue that by such a bilateral approach we may recognize the importance of heterogeneity so as to obtain further reflections on present discussions of world literature(s).
77. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Yi Li, Qian Xiaoyu The Xueheng School (学衡派), Babbitt's New Humanism, and the May Fourth Movement (五四新文学运动)
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In "The Xueheng School (学衡派), Babbitt's New Humanism, and the May Fourth Movement (五四新文学运动)" Li Yi discusses modern Chinese literary history. On the one hand, it is known that scholars have been discussing key figures of the May Fourth Movement by positioning the Xueheng School to the opposite side of the former. Hence in scholarship and criticism the location of the Xueheng School as a restoration group of feudalism resulted in understanding the School as hindering the development of modern culture. However, since the 1990s the Xueheng School inspired interest in the concept of restoring ancient Chinese thought. Some scholars even repeat the ideas of the Xueheng School and regard the efforts of Xueheng scholars as overall and profound cultural pursuits which would diminish some of the extreme ideas of the May Fourth Movement. Li argues that neither of the two views on the Xueheng School are accurate and discusses the Xueheng School's achievements in view of Irving Babbitt's idea of "New Humanism."
78. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Weidong Zhou Cultural Variation and Cultural Creation in Chinese Biographical Writing and Carnegie's Work
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In "Cultural Variation and Cultural Creation in Chinese Biographical Writing and Carnegie's Work" Weidong Zhou discusses the impact on Chinese biographical writing via biographies written in Chinese and translated from English about Andrew Carnegie's life and work. The interpretation of Carnegie's philanthropy includes Chinese traditional cultural concepts such as "righteousness," "cause and effect," and "self-cultivation" which constitute the unique understanding of "philanthropy" in modern Chinese literature. From a "moral model" to "successful person" the overall images following Carnegie can reflect the processes of acceptance of Western "individualism." Zhu argues that Carnegie's example was shaped as a "Youth Idol" in the May Fourth Movement from which the unique route of modernization in Chinese literature and culture can be traced.
79. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Miaomiao Wang Worlding World Literatures and Coetzee's Disgrace
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In "Worlding World Literatures and Coetzee's Disgrace" Miaomiao Wang explores the concept of world literature(s) as world-making activity, which gains in elliptical refraction, translation, and mode of reading. With the example of J.M. Coetzee's Disgrace, Wang illustrates cultural variations between the original English text and the Chinese translation of Disgrace through cultural filtering and literary misreading. Further, Wang analyzes images of "otherness" in Coetzee's text with regard to East Asia, especially in China, through the assimilation of the cultural rules of national literature and its literary discourse thus making it part of world literature. Wang argues that cultural variation and the images of otherness can be attributed global importance as an emerging world literary canon and its aesthetic ideology.
80. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 1
Yiping Wang Orcid-ID World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction
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In "World Literature, Industrialization, and the Two Faces of Contemporary Chinese Science Fiction" Yiping Wang discusses contemporary Chinese science fiction against the backdrop of the influence of world literature and the development of industrialization in China. Wang argues that two sides represented respectively by Liu Cixin and Han Song constitute the feature of contemporary Chinese science fiction. The side characterized by the works of Liu Cixin is the close connection with world science fiction and the positive attitude and consistency with technological innovation and industrialization in China while the other side has Han Song as its representative, whose works, with similarities to high literature of world canons and the mainstream Chinese literature, reflect on the development of technology and industrialization focusing on individuals and disasters in the shadow of modernization. These two sides join together in the illustration of the basic image of science fiction in contemporary Chinese literature. By absorbing the essence of world literature and echoing the concerns of the nation, contemporary Chinese science fiction surmounts the hierarchy of literary genres and make its way into the active center of world literature