|
41.
|
Semiotics:
1980
Patrick S. Williams, Michael D. Smith, Douglas C. Chatfield
The Structure of Categories and the Consequences for Metaphor
|
|
|
|
|
42.
|
Semiotics:
1980
Leon Satterfield
The Ironic Sign
|
|
|
|
|
43.
|
Semiotics:
1980
Maryann Ayim
Theory and Practice at the Crossroads:
A Peircean Perspective on Political Signs
|
|
|
|
|
44.
|
Semiotics:
1980
Eero Tarasti
Peirce and Greimas from the Viewpoint of Musical Semiotics:
An Outline for Comparative Semiotics
|
|
|
|
|
45.
|
Semiotics:
1980
Donald Preziosi
Reckoning with the World
|
|
|
|
|
46.
|
Semiotics:
1980
Joseph Oliva
Interpretant and Interpretation
|
|
|
|
|
47.
|
Semiotics:
1980
William Widdowson
Charles Morris and Christian Norberg-Schulz:
The Social Basis of Meaning in Architecture
|
|
|
|
|
48.
|
Semiotics:
1980
Helen Peeler Clements
Symbolic Use of Weaving Designs:
A Case Study
|
|
|
|
|
49.
|
Semiotics:
1980
J. Norris Frederick
The Structure of Metaphor
|
|
|
|
|
50.
|
Semiotics:
1980
Charls Pearson
The Role of Scientific Paradigms in Empirical semiotics
|
|
|
|
|
51.
|
Semiotics:
1980
Leo Pap
Tipping Behavior as a Semiotic Process
|
|
|
|
|
52.
|
Semiotics:
1980
Peter H. Salus
What is Evidence Evidence of?
|
|
|
|
|
53.
|
Semiotics:
1980
Fernando Poyatos
Interactive Nonverbal Categories:
A Reappraisal and Elaboration
|
|
|
|
|
54.
|
Semiotics:
1980
W.E. Underwood
Symbolic Configurations and Two-Dimensional Mathematical Notation
|
|
|
|
|
55.
|
Semiotics:
1980
Tomàs Llorens
Architecture as Representation of Nature
|
|
|
|
|
56.
|
Semiotics:
1980
Roberta Kevelson
Peirce as Catalyst in Modern Legal Science:
Consequences
|
|
|
|
|
57.
|
Semiotics:
1980
Dan Hays
The Rock and Roll Concert:
A Semiotic Analysis
|
|
|
|
|
58.
|
Semiotics:
1980
Cynthia C. Rostankowski
Semiotic and Creativity
|
|
|
|
|
59.
|
Semiotics:
1980
Juan Pablo Bonta
Architectural Criticism as a Means to Identify Socially Shared Values:
The Case of the East Building of the National Gallery
|
|
|
|
|
60.
|
Semiotics:
1980
Sarah Brey Simmons
More Than Words Can Say
|
|
|
|
