41.
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Studia Phaenomenologica:
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22
Eun‑Hye Choo
L’autrui dans la sphère la plus originaire:
Merleau-Ponty et la théorie husserlienne de l’instinct
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This paper examines the influence that Husserl’s drive/instinct theory has on Merleau‑Ponty’s late philosophy. Husserl’s interest in the passive realm of life develops into a study of a more profound level which even precedes the emergence of subjectivity. We analyze how it leads Merleau‑Ponty, in his philosophy of flesh, to furnish an ontological explanation regarding the problem of the relationship with others. In this regard, we investigate firstly Husserl’s theory of originary affection and its limits, before scrutinizing the notion of empathy; thereby we show how Merleau‑Ponty develops the Husserlian intentional relation into a carnal relation based on the idea that others and I belong to the same world. This will reveal that the relationship with the others always lies in the most profound level of our experience, because we share the ontological affinity, namely, the flesh.
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42.
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Studia Phaenomenologica:
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22
Dominic Nnaemeka Ekweariri
Leiblichkeit comme ouverture au monde chez Marc Richir
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In phenomenology, Leiblichkeit articulates the idea of subjectivity and the relationship to the world;Leib attests the phenomenological experience of subjects otherwise captured by the term Leiber. Husserl and Merleau‑Ponty have sought to understand this relationship to the world and to characterize this phenomenological experience. Thus, they thematized a form of relationship to the world which is not only intentional but also, and each in his own way, passive and based on image (bildlich). On his part, Marc Richir sought to overcome this idea by bringing an “active, non‑specular mimesis from within” into play. Proposing an examination of these approaches, I defend the idea that in order to be able to think of the openness to the world—which is made possible by corporeality—it is of great necessity here to articulate the dimension ofsense.
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43.
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Studia Phaenomenologica:
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3 >
Issue: 1/2
Jocelyn Benoist
Quelques remarques sur la doctrine brentanienne de l’évidence
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Studia Phaenomenologica:
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3 >
Issue: 1/2
Bruce Bégout
Percevoir et Juger:
Le rôle de la croyance originelle (urdoxa) dans la théorie du jugement de Husserl
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45.
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Studia Phaenomenologica:
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3 >
Issue: 1/2
Claudio Majolino
Le différend logique: jugement et énoncé:
Eléments pour une reconstruction du débat entre Husserl et Marty
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46.
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Studia Phaenomenologica:
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3 >
Issue: 1/2
Victor Popescu
Espace et mouvement chez Stumpf et Husserl:
Une Approche Méréologique
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47.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Pascal Dupond
Nature et Logos:
d’une pensée de la fondation (Fundierung) à une pensée de l’entrelacs (Ineinander)
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48.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Malika Temmar
Effets de présence et ostension:
Une approche discursive
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49.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Alain Beaulieu
La réforme du concept phénoménologique de «monde» par Gilles Deleuze
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50.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Éliane Escoubas
Merleau-Ponty et l’esthétique
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51.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Renaud Barbaras
Le problème du chiasme
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52.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Emmanuel de Saint Aubert
Le mystère de la chair:
Merleau-Ponty et Gabriel Marcel
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53.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Adina Bozga,
Ion Copoeru
Introduction
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54.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Etienne Bimbenet
«Voir c’est toujours voir plus qu’on ne voit»:
Merleau-Ponty et la texture onirique du sensible
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55.
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Studia Phaenomenologica:
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3 >
Issue: 3/4
Pierre Rodrigo
Ni le corps ni l’esprit:
La chair de Husserl à Merleau-Ponty
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56.
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Studia Phaenomenologica:
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3 >
Issue: Special
François Fédier
L’irréprochable
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57.
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Studia Phaenomenologica:
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3 >
Issue: Special
Françoise Dastur
La poésie comme origine (Hölderlin et Heidegger)
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58.
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Studia Phaenomenologica:
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3 >
Issue: Special
François Vezin
Art, mondialisation, primitivisme
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59.
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Studia Phaenomenologica:
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3 >
Issue: Special
Eliane Escoubas
Walter Biemel et les oeuvres de peinture:
la «révolution copernicienne» de Picasso
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60.
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Studia Phaenomenologica:
Volume >
4 >
Issue: 1/2
Pascal Chabot
L’idéalité enchaînée:
Husserl et la question des « mondes possibles »
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The aim of this paper is to show how the concept of “possible world”, that Husserl inherits from his study of logics, is capital for the understanding of his phenomenology. This concept is a fine tool that provides him a possibility to articulate the question of the physical and the cultural dimensions of some objects. A cultural object as a book or a painting has in fact two dimensions: a “material” one and a “spiritual” one. The author examines which are the relationships between those two dimensions. This question leads him to an interrogation on the genesis of the ideality of the cultural world. Is there not a contradiction between the ideality of the meaning and his historical genesis? In order to provide an answer to this question, the author suggests that one may use the notion of a “linked ideality”, i.e. ideal but linked up to the earth.
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