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41.
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Film and Philosophy:
Volume >
11
Carole Lyn Piechota
Once More and Innumerable Times More:
Nietzsche's Eternal Return in Eternal Sunshine of the Spotless Mind
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42.
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Film and Philosophy:
Volume >
12
Daniel Shaw
Editor's Introduction
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43.
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Film and Philosophy:
Volume >
12
Bruce Russell
Replies to Carroll and Wartenberg
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44.
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Film and Philosophy:
Volume >
12
Thomas E. Wartenberg
What Else Films Can Do:
A Response to Bruce Russell
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45.
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Film and Philosophy:
Volume >
12
J. Heath Atchley
Smoke and the Practice of Philosophy
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46.
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Film and Philosophy:
Volume >
12
Bruce Russell
Film's Limits: The Sequel
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47.
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Film and Philosophy:
Volume >
12
Noël Carroll
Philosophy in the Moving Image:
Response to Bruce Russell
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48.
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Film and Philosophy:
Volume >
12
Ben Convey
Hostel: A Nightmare of the Hyperreal
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49.
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Film and Philosophy:
Volume >
12
Brian Laetz
Two Problematic Theses in Carroll's Account of Horror
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50.
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Film and Philosophy:
Volume >
12
Sean McAleer
Self-Knowledge, Self-Deception, and Retaliation:
Lessons from The Limey and The Godfather
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51.
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Film and Philosophy:
Volume >
12
William Grundy
Cinema as Sacrifice:
Borat and the Culture Industry
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52.
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Film and Philosophy:
Volume >
12
Ramsey Eric Ramsey,
Diane Gruber
Do You Have a Light?:
The Failures and Special Effects of Godard's Alphaville
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53.
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Film and Philosophy:
Volume >
12
Kayley Vernallis
Tedium, Aesthetic Form, and Moral Insight in Silverlake Life
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54.
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Film and Philosophy:
Volume >
12
Robert Yanal
Defining the Moving Image:
A Response to Noël Carroll
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55.
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Film and Philosophy:
Volume >
13
Thomas E. Wartenberg
Teaching Philosophy Through Film Aristotle's Theory of Friendship and The Third Man
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56.
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Film and Philosophy:
Volume >
13
David LaRocca
The Limits of Instruction
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57.
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Film and Philosophy:
Volume >
13
Heather Battaly,
Amy Coplan
Is Dr. House Virtuous?:
Using House to Teach the Moral and Intellectual Virtues
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58.
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Film and Philosophy:
Volume >
13
Daniel Shaw
Editor's Introduction
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59.
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Film and Philosophy:
Volume >
13
George Connell
Transposing Transgression:
Teaching Kierkegaard's Fear and Trembling through Danish Film
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60.
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Film and Philosophy:
Volume >
13
Peter Murphy
Using Gattaca to Teach Genetic Discrimination
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