|
41.
|
Semiotics:
1980
Jarrett Brock
Peirce’s Anticipation of Game Theoretic Logic and Semantics
|
|
|
|
|
42.
|
Semiotics:
1980
Robert Cantrick
The Reference Relation in Music
|
|
|
|
|
43.
|
Semiotics:
1980
Barry Russell
The Appearance of Appearance:
Architecture, Communication and Value Systems
|
|
|
|
|
44.
|
Semiotics:
1980
Erika Freiberger-Sheikholeslami
Forgotten Pioneers of Soviet Semiotics
|
|
|
|
|
45.
|
Semiotics:
1980
Bruce E.R. Thompson
The Application of the Peircean Semiotic to Logic
|
|
|
|
|
46.
|
Semiotics:
1980
Charls Pearson
The Mark VI:
A New Eidometer Design Concept
|
|
|
|
|
47.
|
Semiotics:
1980
Brooke Williams
Toward a Semiotic Beyond Feminism
|
|
|
|
|
48.
|
Semiotics:
1980
Joseph A. Magno
Towards a Transcultural Semiotic
|
|
|
|
|
49.
|
Semiotics:
1980
Paul Y. Lin
Semiotic Perspectives on Chinese:
A Picturesque Language
|
|
|
|
|
50.
|
Semiotics:
1980
Michael Herzfeld
Disemia
|
|
|
|
|
51.
|
Semiotics:
1980
Joan Yess Kahn
Modes of Medical Instruction:
A Semiotic Comparison of Textbooks of Medicine and Popular Home Medical Books
|
|
|
|
|
52.
|
Semiotics:
1980
Andrej Kodjak
The Semiosis of the Sequence of Signs in a Narrative
|
|
|
|
|
53.
|
Semiotics:
1980
James Jakób Liszka
Peirce and Jakobson:
Towards a Structuralist Reconstruction of Peirce
|
|
|
|
|
54.
|
Semiotics:
1980
Paul B. Dominick
On Discovering the Semiotic Organization of the Lexicon:
State of Health as a Multifaceted Domain
|
|
|
|
|
55.
|
Semiotics:
1980
Sarah O'Dowd
Comparative Adjestives in Terms of Peirce’s Phenomenological Categories
|
|
|
|
|
56.
|
Semiotics:
1980
Jean-Claude Choul
SI MUOVE, MA NON TROPO:
An Inquiry into the Non-metaphorical Status of Idioms and Phrases
|
|
|
|
|
57.
|
Semiotics:
1980
Irene Hashimoto
One Artist’s Neurosis on Signing
|
|
|
|
|
58.
|
Semiotics:
1980
Vittorio Felaco
Notes on Text and Performance in the Theatre of Dario Fo
|
|
|
|
|
59.
|
Semiotics:
1980
John Deely
Antecedents to Peirce’s Notion of Iconic Signs
|
|
|
|
|
60.
|
Semiotics:
1980
Lorraine Wynne
The Poetic Function of the Stage Audience and Embedded Performance in Drama
|
|
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|
