21.
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Film and Philosophy:
Volume >
11
Dan Shaw
Editor's Introduction
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22.
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Film and Philosophy:
Volume >
11
Henry Bacon
How Films Behave and Narrate
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23.
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Film and Philosophy:
Volume >
11
Thorstein Botz-Bornstein
Tarkovsky and Benjamin:
Image, Allegory, and Einfühlung
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24.
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Film and Philosophy:
Volume >
11
Aaron Smuts
The Joke is the Thing:
In The Company of Men and the Ethics of Humor
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25.
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Film and Philosophy:
Volume >
11
William Pamerleau
Narrative Identity and Film Realism
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26.
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Film and Philosophy:
Volume >
11
Dan Flory
Race, Empathy, and Noir In Deep Cover
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27.
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Film and Philosophy:
Volume >
11
Richard Nunan
Brokeback Mountain and The Children's Hour:
A Postscript to Vito Russo's Challenge
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28.
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Film and Philosophy:
Volume >
11
Avery Plaw
Film as Ethical Argument:
Evaluating Munich's Case Against Targeted Killing
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29.
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Film and Philosophy:
Volume >
11
Chris Venner
Exploring the Nature of Evil in David Mamet's Homicide:
A Lacanian Interpretation
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30.
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Film and Philosophy:
Volume >
11
Jeanette Bicknell
Orientalism as Aesthetic Failure:
The Sheltering Sky
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31.
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Film and Philosophy:
Volume >
11
Carole Lyn Piechota
Once More and Innumerable Times More:
Nietzsche's Eternal Return in Eternal Sunshine of the Spotless Mind
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32.
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Film and Philosophy:
Volume >
12
Daniel Shaw
Editor's Introduction
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|
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33.
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Film and Philosophy:
Volume >
12
Bruce Russell
Replies to Carroll and Wartenberg
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34.
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Film and Philosophy:
Volume >
12
Thomas E. Wartenberg
What Else Films Can Do:
A Response to Bruce Russell
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35.
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Film and Philosophy:
Volume >
12
J. Heath Atchley
Smoke and the Practice of Philosophy
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36.
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Film and Philosophy:
Volume >
12
Bruce Russell
Film's Limits: The Sequel
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37.
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Film and Philosophy:
Volume >
12
Noël Carroll
Philosophy in the Moving Image:
Response to Bruce Russell
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38.
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Film and Philosophy:
Volume >
12
Ben Convey
Hostel: A Nightmare of the Hyperreal
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39.
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Film and Philosophy:
Volume >
12
Brian Laetz
Two Problematic Theses in Carroll's Account of Horror
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40.
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Film and Philosophy:
Volume >
12
Sean McAleer
Self-Knowledge, Self-Deception, and Retaliation:
Lessons from The Limey and The Godfather
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