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21. Film and Philosophy: Volume > 11
Dan Shaw Editor's Introduction
22. Film and Philosophy: Volume > 11
Henry Bacon How Films Behave and Narrate
23. Film and Philosophy: Volume > 11
Thorstein Botz-Bornstein Tarkovsky and Benjamin: Image, Allegory, and Einfühlung
24. Film and Philosophy: Volume > 11
Aaron Smuts The Joke is the Thing: In The Company of Men and the Ethics of Humor
25. Film and Philosophy: Volume > 11
William Pamerleau Narrative Identity and Film Realism
26. Film and Philosophy: Volume > 11
Dan Flory Race, Empathy, and Noir In Deep Cover
27. Film and Philosophy: Volume > 11
Richard Nunan Brokeback Mountain and The Children's Hour: A Postscript to Vito Russo's Challenge
28. Film and Philosophy: Volume > 11
Avery Plaw Film as Ethical Argument: Evaluating Munich's Case Against Targeted Killing
29. Film and Philosophy: Volume > 11
Chris Venner Exploring the Nature of Evil in David Mamet's Homicide: A Lacanian Interpretation
30. Film and Philosophy: Volume > 11
Jeanette Bicknell Orientalism as Aesthetic Failure: The Sheltering Sky
31. Film and Philosophy: Volume > 11
Carole Lyn Piechota Once More and Innumerable Times More: Nietzsche's Eternal Return in Eternal Sunshine of the Spotless Mind
32. Film and Philosophy: Volume > 12
Daniel Shaw Editor's Introduction
33. Film and Philosophy: Volume > 12
Bruce Russell Replies to Carroll and Wartenberg
34. Film and Philosophy: Volume > 12
Thomas E. Wartenberg Orcid-ID What Else Films Can Do: A Response to Bruce Russell
35. Film and Philosophy: Volume > 12
J. Heath Atchley Smoke and the Practice of Philosophy
36. Film and Philosophy: Volume > 12
Bruce Russell Film's Limits: The Sequel
37. Film and Philosophy: Volume > 12
Noël Carroll Philosophy in the Moving Image: Response to Bruce Russell
38. Film and Philosophy: Volume > 12
Ben Convey Hostel: A Nightmare of the Hyperreal
39. Film and Philosophy: Volume > 12
Brian Laetz Two Problematic Theses in Carroll's Account of Horror
40. Film and Philosophy: Volume > 12
Sean McAleer Self-Knowledge, Self-Deception, and Retaliation: Lessons from The Limey and The Godfather