201.
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Film and Philosophy:
Volume >
5/6
Alan Goldman
Response to Carroll
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202.
|
Film and Philosophy:
Volume >
5/6
Allan Casebier
Response to Carroll
|
|
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203.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Defending Theorizing II: The Sequel
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|
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204.
|
Film and Philosophy:
Volume >
5/6
Joseph Margolis
Mechanical Reproduction and Cinematic Humanism
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205.
|
Film and Philosophy:
Volume >
5/6
Dan Flory
Aesthetic Cognition and Visible Intelligibility
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206.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Margolis, Mechanical Reproduction and Cinematic Humanism
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207.
|
Film and Philosophy:
Volume >
5/6
Thomas E. Wartenberg
Cinematic Humanism or Grand Theory?:
A Critique of Margolis
|
|
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208.
|
Film and Philosophy:
Volume >
5/6
Flo Leibowitz
Why Intention Matters:
On Carroll and Film Interpretation
|
|
|
209.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Interpreting the Moving Image:
Replies to Commentators
|
|
|
210.
|
Film and Philosophy:
Volume >
5/6
Thomas E. Wartenberg
Interpreting Films Philosophically
|
|
|
211.
|
Film and Philosophy:
Volume >
5/6
Andrew Light
Does the Audience Matter?:
On Carroll and Visual Argument
|
|
|
212.
|
Film and Philosophy:
Volume >
7
Anat Pick
"No Callous Shell":
The Fate of Selfhood from Walt Whitman to Todd Haynes
|
|
|
213.
|
Film and Philosophy:
Volume >
7
Daniel Shaw
Editor's Introduction
|
|
|
214.
|
Film and Philosophy:
Volume >
7
Ronald Lindsay
Sensible and Desperate Knaves in The Way Of the Gun
|
|
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215.
|
Film and Philosophy:
Volume >
7
Robert Clewis
Heideggerean Wonder in Terence Malick's The Thin Red Line
|
|
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216.
|
Film and Philosophy:
Volume >
7
Nathan Abrams
'Are You Still You?':
Memory, Identity and Self-Positioning in Total Recall
|
|
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217.
|
Film and Philosophy:
Volume >
7
David Brottman
A Gnostic Matrix for the Masses:
A Conspired Space Of Metaphysical Totality
|
|
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218.
|
Film and Philosophy:
Volume >
7
Kevin Taylor Anderson
Finding the Essential:
A Phenomenological Look at Hal Hartley's No Such Thing
|
|
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219.
|
Film and Philosophy:
Volume >
7
Eugene Arva
Life as Show Time:
Aesthetic Images and Ideological Spectacles
|
|
|
220.
|
Film and Philosophy:
Volume >
7
Jerold J. Abrams
Cinema and the Aesthetics of the Dynamical Sublime:
Kant, Deleuze, Heidegger and the Architecture of Film
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