Displaying: 201-220 of 335 documents

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201. Film and Philosophy: Volume > 5/6
Alan Goldman Response to Carroll
202. Film and Philosophy: Volume > 5/6
Allan Casebier Response to Carroll
203. Film and Philosophy: Volume > 5/6
Noël Carroll Defending Theorizing II: The Sequel
204. Film and Philosophy: Volume > 5/6
Joseph Margolis Mechanical Reproduction and Cinematic Humanism
205. Film and Philosophy: Volume > 5/6
Dan Flory Aesthetic Cognition and Visible Intelligibility
206. Film and Philosophy: Volume > 5/6
Noël Carroll Margolis, Mechanical Reproduction and Cinematic Humanism
207. Film and Philosophy: Volume > 5/6
Thomas E. Wartenberg Orcid-ID Cinematic Humanism or Grand Theory?: A Critique of Margolis
208. Film and Philosophy: Volume > 5/6
Flo Leibowitz Why Intention Matters: On Carroll and Film Interpretation
209. Film and Philosophy: Volume > 5/6
Noël Carroll Interpreting the Moving Image: Replies to Commentators
210. Film and Philosophy: Volume > 5/6
Thomas E. Wartenberg Orcid-ID Interpreting Films Philosophically
211. Film and Philosophy: Volume > 5/6
Andrew Light Does the Audience Matter?: On Carroll and Visual Argument
212. Film and Philosophy: Volume > 7
Anat Pick "No Callous Shell": The Fate of Selfhood from Walt Whitman to Todd Haynes
213. Film and Philosophy: Volume > 7
Daniel Shaw Editor's Introduction
214. Film and Philosophy: Volume > 7
Ronald Lindsay Sensible and Desperate Knaves in The Way Of the Gun
215. Film and Philosophy: Volume > 7
Robert Clewis Heideggerean Wonder in Terence Malick's The Thin Red Line
216. Film and Philosophy: Volume > 7
Nathan Abrams 'Are You Still You?': Memory, Identity and Self-Positioning in Total Recall
217. Film and Philosophy: Volume > 7
David Brottman A Gnostic Matrix for the Masses: A Conspired Space Of Metaphysical Totality
218. Film and Philosophy: Volume > 7
Kevin Taylor Anderson Finding the Essential: A Phenomenological Look at Hal Hartley's No Such Thing
219. Film and Philosophy: Volume > 7
Eugene Arva Life as Show Time: Aesthetic Images and Ideological Spectacles
220. Film and Philosophy: Volume > 7
Jerold J. Abrams Cinema and the Aesthetics of the Dynamical Sublime: Kant, Deleuze, Heidegger and the Architecture of Film