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201.
|
Glimpse:
Volume >
15
Satoru Hirose,
Shoji Nagataki
Mediated Minds
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202.
|
Glimpse:
Volume >
15
Alberto José Luis Carrillo Canán,
Victor Gerardo Rivas López,
May Zindel
Metaphor in Cinema Revisited
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203.
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Glimpse:
Volume >
15
Kurt Cline
A Phenomenology of 3-D Cinema
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204.
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Glimpse:
Volume >
15
Patricia King Dávalos
Human Activity and Situation:
Freedom and Commitment
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205.
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Glimpse:
Volume >
15
Luanne Frank
Vivifying Philosophy Via Visual Media:
Heidegger's Parmenides
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206.
|
Glimpse:
Volume >
15
Marc Van den Bossche
Disclosing Worlds:
Photography as a Contemporary Art
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207.
|
Glimpse:
Volume >
16
Ilias Giannopoulos
Challenging Husserl’s ‘musical’ paradigms:
on the problem of perception of extended musical structures as temporal objects
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208.
|
Glimpse:
Volume >
16
Stacey O. Irwin
Frame-Screen-Window:
Human-Media Relations
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209.
|
Glimpse:
Volume >
16
Alberto J. L. Carrillo Canán,
Luis R. Vera Chaparro,
Matias Kritz
Movement and Pictorial Space:
The Video “Beauty”
|
|
|
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210.
|
Glimpse:
Volume >
16
Kurt Cline
The Message is the Medium:
Houdini and the Unity of Concealment and Disclosure in Heidegger’s Parmenides
|
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211.
|
Glimpse:
Volume >
16
Yoni Van Den Eede
Media Use, Purpose, and Autopoiesis
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212.
|
Glimpse:
Volume >
16
Alessandra Mondin
Queering Heterosexuality Through (the) Skin
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213.
|
Glimpse:
Volume >
16
Obiageli Pauline Ohiagu,
Ntiense James Usua
Film Portrayal and the Perception of Women in Nigeria
|
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214.
|
Glimpse:
Volume >
16
Marc Van Den Bossche
Photography and the Mirror of Nature
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215.
|
Glimpse:
Volume >
16
Luanne Frank
Kleist’s Phenomenological Nightmare:
“St. Cecilia or the Power of Music” and its Holy Mary Images
|
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|
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216.
|
Glimpse:
Volume >
16
Andreas Max Ströhl
Abolishing Politics for the Sake of Politics:
Vilém Flusser between Dialectic and Phenomenology
|
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|
|
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217.
|
Glimpse:
Volume >
16
Joris D. Raven
Phenomenological Sociology and the Experience of Time
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218.
|
Glimpse:
Volume >
17
Nicola Liberati
Wearables, Borg, and a Common Living Body
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219.
|
Glimpse:
Volume >
17
José David Romero Martín
The Artist as a Split-Self:
Toward a Definition of the Individual Bodily Sphere in Contemporary Art
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220.
|
Glimpse:
Volume >
17
Raluca Mocan
On Becoming Present to the Spectators:
A Phenomenological Approach to Theatrical Performance
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