21.
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Mediaevalia:
Volume >
17
John D. Niles
Maldon and Mythopoesis
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22.
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Mediaevalia:
Volume >
17
Elizabeth Ashman Rowe
Historical Invasions / Historiographical Interventions:
Snorri Sturluson and the Battle of Stamford Bridge
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23.
|
Mediaevalia:
Volume >
17
Richard P. Horvath
History, Narrative, and the Ideological Mode of the Peterborough Chronicle
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24.
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Mediaevalia:
Volume >
17
Gemot Wieland
Anglo-Saxon Culture In Bavaria 739-850
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25.
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Mediaevalia:
Volume >
17
Karen A. Winstead
Lydgate's Lives of Saints Edmund and Alban:
Martyrdom and Prudent Pollicie
|
|
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26.
|
Mediaevalia:
Volume >
17
Glending Olson
The Misreadings of the Beryn Prologue
|
|
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27.
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Mediaevalia:
Volume >
17
Craig R. Davis
Biblical Typology in Malory's Morte D'Arthur
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28.
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Mediaevalia:
Volume >
18
Martin Stevens, Milla Riggio
Preface
|
|
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29.
|
Mediaevalia:
Volume >
18
Kathleen Ashley
Contemporary Theories of Popular Culture and Medieval Performances
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|
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30.
|
Mediaevalia:
Volume >
18
Martin Stevens
Herod as Carnival King in The Medieval Biblical Drama
|
|
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31.
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Mediaevalia:
Volume >
18
Gary Harrington
The Dialogism of the Digby Mystery Play
|
|
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32.
|
Mediaevalia:
Volume >
18
Frederick B. Jonassen
The Morality Play and the World Upside Down
|
|
|
33.
|
Mediaevalia:
Volume >
18
Lawrence M. Clopper
Communitas: The Play of Saints in Late Medieval and Tudor England
|
|
|
34.
|
Mediaevalia:
Volume >
18
Pamela Sheingorn
Medieval Drama Studies and the New Art History
|
|
|
35.
|
Mediaevalia:
Volume >
18
Louise O. Vasvari
Joseph on the Margin:
The Mérode Tryptic and Medieval Spectacle
|
|
|
36.
|
Mediaevalia:
Volume >
18
Nancy Freeman Regalado
Staging of the Roman De Renart:
Medieval Theater and the Diffusion of Political Concerns into Popular Culture
|
|
|
37.
|
Mediaevalia:
Volume >
18
Mimi Still Dixon
"Thys Body of Mary":
"Femynyte " and "Inward Mythe" in the Digby Mary Magdalene
|
|
|
38.
|
Mediaevalia:
Volume >
18
Richard K. Emmerson
The Morality Character as Sign:
A Semiotic Approach to the Castle of Perseverance
|
|
|
39.
|
Mediaevalia:
Volume >
18
Theresa Coletti
"Ther Be But Women":
Gender Conflict and Gender Identity in the Middle English Innocents Plays
|
|
|
40.
|
Mediaevalia:
Volume >
18
Joseph M. Ricke
Parody, Performance, and the "Ultimate" Meaning of Noah's Shrew
|
|
|