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181. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
William C. Pamerleau Rethinking Raskolnikov: Exploring Contemporary Ethical Horizons in Woody Allen's Crimes and Misdemeanors
182. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
Ronald LeBlanc Deconstructing Dostoevsky: God, Guilt, and Morality in Woody Allen's Crimes and Misdemeanors
183. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
Robert Vigliotti Woody Allen's Ring of Gyges and the Virtue of Despair
184. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
Joseph Westfall Listening in/to Woody Allen's Crimes and Misdemeanors
185. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
William J. Krier 'Blazoned Days': Meaning Changes in the Films of Woody Allen
186. Film and Philosophy: Volume > 4 > Issue: On Woody Allen
Bruce Russell The Philosophical Limits of Film
187. Film and Philosophy: Volume > 4 > Issue: Volume IV
Fred Seddon Some Truths About Pulp Fiction
188. Film and Philosophy: Volume > 4 > Issue: Volume IV
Raymond D. Boisvert, Jayne R. Boisvert Bread, Companionship, and the Ethics of Attentive Response: Marcel Pagnol's The Baker's Wife
189. Film and Philosophy: Volume > 4 > Issue: Volume IV
Christopher D. Morris The Lodger's Allegory of Seeing
190. Film and Philosophy: Volume > 4 > Issue: Volume IV
Jeffery L. Geller, Richard Vela Happiness Through Insanity: The Function of Outrageousness in Screwball Comedy
191. Film and Philosophy: Volume > 4 > Issue: Volume IV
Joseph Kupfer Speech, Community, and Evil in Rob Roy
192. Film and Philosophy: Volume > 4 > Issue: Volume IV
Joseph Kupfer Aristotle and Egoism in Ground Hog Day
193. Film and Philosophy: Volume > 4 > Issue: Volume IV
Allan Casebier A Phenomenology of Television Experience
194. Film and Philosophy: Volume > 4 > Issue: Volume IV
Brian O'Leary King Vidor's Communitarian Vision in Our Daily Bread
195. Film and Philosophy: Volume > 4 > Issue: Volume IV
Kevin W. Sweeney Deluze on Beckett's Film
196. Film and Philosophy: Volume > 4 > Issue: Volume IV
Jack Simmons The Ontology of Perception in Cinema
197. Film and Philosophy: Volume > 4 > Issue: Volume IV
Harvey Roy Greenberg Machine Dreams
198. Film and Philosophy: Volume > 4 > Issue: Volume IV
David Goldblatt Tourists with Typewriters: Jew and Writer in Barton Fink
199. Film and Philosophy: Volume > 4 > Issue: Volume IV
Addresses of Contributors
200. Film and Philosophy: Volume > 5/6
Dan Flory Editor's Introduction