In this paper, I attend to the ontological shift in Merleau-Ponty’s later writing and suggest that this conceptual turn opens the space for questions of the latent sense of the sensible foreclosed by dualist accounts and propositional theories of meaning. By attending to the Nature Lectures, I claim that there is a sens [meaning and orientation] of nature whose regulatory principle ought to be found in nature itself. This is to say that there is a normativity of nature that, albeit not exclusive of sociocultural-linguistic norms, is irreducible to them. As I argue, this normativity is a “transspatializing and transtemporalizing”: it transverses its carnal manifestations, thereby inaugurating and becoming traceable within their materialization while remaining invisible in its excess or poietic renewing. I conclude by attending to the question of the “latent sense” of nature, suggesting that this sense is not conceptual or propositional, but intuitive as in the sense of right and left, a sense that is distributed across spatio-temporal individuals and emerges via the play of yet-to-be-determined incarnate manifestations.Dans cet article, j’aborde le tournant ontologique du dernier Merleau-Ponty et je suggère qu’il implique une interrogation sur le sens latent du sensible, exclu par les approches dualistes ainsi que par les théories propositionnelles de la signification. En analysant les cours sur la Nature, je vise à montrer qu’il y a un sens [signification et direction] de la nature, dont le principe régulateur est à chercher dans la nature elle-même. Cela revient à dire qu’il y a une normativité de la nature qui, bien qu’elle n’exclue pas les normes socio-culturelles-linguistiques, ne leur est pas pour autant réductible. Une telle normativité est « trans-spatiale et trans-temporelle » : elle traverse ses manifestations charnelles, en inaugurant ainsi et en devenant traçable dans ses matérialisations, tout en demeurant invisible dans son excès et dans son renouvellement poïétique. Je termine en abordant la question du « sens latent » de la nature, en suggérant que ce sens n’est ni conceptuel ni propositionnel, mais intuitif, tout comme l’est le sens de la droite et de la gauche, c’est-à-dire un sens qui est distribué à travers les individus spatio-temporels et qui émerge dans le jeu des manifestations incarnées encore-à-déterminer.In questo articolo intendo esaminare la svolta ontologica degli ultimi scritti di Merleau-Ponty per suggerire come questa apra ad un’interrogazione sul senso latente del sensibile, che rimane escluso dagli approcci dualistici e dalle teorie proposizionali del significato. Analizzando i corsi sulla Natura, vorrei mostrare come vi sia un senso [significato e orientamento] della natura il cui principio regolatore deve essere rintracciato nella natura stessa. Ciò significa che vi è una normatività della natura che, benché non esclusiva delle norme socioculturali-linguistiche, è irriducibile ad esse. Questa normatività è “trans-spaziale e trans-temporale”: essa attraversa le sue manifestazioni carnali, inaugurando e divenendo tracciabile nelle sue materializzazioni, pur rimanendo invisibile nella sua eccedenza o rinnovamento poietico. Concludo soffermandomi sulla questione del “senso latente” della natura, suggerendo che questo senso non è concettuale o proposizionale, ma intuitivo al modo del senso della destra e della sinistra, un senso che è distribuito attraverso gli individui spazio-temporali e che emerge nel gioco delle manifestazioni incarnate ancora-da-determinare.

This interview with David Kleinberg-Levin, Professor Emeritus in the Department of Philosophy at Northwestern University, concerns his recent trilogy on the promise of happiness in literary language. Kleinberg-Levin discusses the relationship between and among philosophy, phenomenology, and literature. Among others, he addresses questions regarding literature’s ability to offer redemption, its response to suffering and justice, literary gesture, the ethics of narrative logic, and the surface of the text.

This paper investigates the role of literature and, in particular, Proust in Merleau-Ponty’s late works’ rehabilitation of the ontology of the sensible. First, I trace Proust’s role in Phenomenology of Percpetion, contrasting it with the somewhat more paradigmatic status as a model it plays in the late works. Second, I compare this with the role of the novel as partial myth in Schelling, who also played an essential role in Merleau-Ponty’s refiguration of the sensible. I briefly trace his examination of the historical or “sociological meaning” of literature through works of the fifties, beginning with his Collège de France candidacy proposal and continuing through his examination of the rationality of modern disenchantment (Entzauberung) or dépoétization in the Adventures of the Dialectic. Finally, discussing the late analysis of Proust against this backdrop, I conclude with considerations concerning the relevance of Merleau-Ponty’s overall analysis of Proust both in his thought and contemporary literary criticism and philosophy more generally.

This article examines Maurice Merleau-Ponty’s reference to Franz Kafka’s “The Metamorphosis” and “Investigations of a Dog” in his lecture on gesture and reconciliation, “Man Seen from the Outside.” Given the centrality of gesture in Kafka’s work, this essay considers the connections between the two figures and the likely influence of Kafka on Merleau-Ponty’s concept of gesture and intentionality. It compares their respective philosophies of gesture as they relate to meaning, reliability, silence, music, and intention. Finally, Kafka’s gestural motif of the springing body is suggested as a significant example of Merleau-Ponty’s “escaping intentions,” expressing a powerful will to intend toward others.

Merleau-Ponty characterizes the poetic or literary use of language as bringing forth of sense as if it is a being that is an interlocutor with its readers. Sense will be explored as interwoven with a deeper imagination that works within the temporality of institution to become more fully manifest. Throughout the essay will be seen the overlap with Claudel’s ontology as expressed in L’Art poetique and Claudel’s approach to language. Why Merleau-Ponty’s articulation of embodiment and perception must culminate in the poetic expression of the flesh ontology will be seen in: 1) how the phenomenology of sense leads to the flesh ontology as closely tied to the literary dimension of language (resonating with Claudel’s L’Art poetique), 2) that the analysis of sense leads to the vital importance of the physiognomic or vertical imagination as opening the latent depths of perception by its expression within poetic language, and also tracing the link between metaphor and the flesh ontology, and that 3) the expression of the latent sense of perception as the interplay of lateral relations as access to Being is the reversibility of the flesh, also articulated by Claudel as co-naissance, and calls for an “interrogative knowing,” a “question-savior.” The articulation of the texture of Being is an overlapping endeavor with Claudel as the poetic articulation of a stream of sense below our reflective life.