This well-organized collection invites us to engage Poteat’s post-critical understanding of personhood. The essays on philosophical anthropology call us to responsible personhood as they focus on various topics, including Poteat’s teaching, the meaning of post-critical and how and when we should think critically, and the importance of place. The three essays engaging theology share a theme of our grounding through our embodiment in a relational, incarnational world. The final two essays, the last by Poteat, focus on Cézanne’s paintings as a thick material and mental enactive mindbodily process, in which the paintings “think themselves” in Cézanne and in the viewer.