Displaying: 1-20 of 541 documents

0.174 sec

1. Studia Phaenomenologica: Volume > 15
Simon Calenge Hans Lipps critique de l’idéalisme de Husserl
abstract | view |  rights & permissions
Hans Lipps’s originality lies in a tension between his hermeneutical and existential philosophy on the one hand, and his analysis of themes belonging to classical logic, on the other. To understand this tension, it must be examined at its point of origin – when Lipps discusses Husserl’s philosophy. The purpose of this text is to explain the opposition between Lipps and his first Master. Lipps’s critique of Husserl concerns transcendental idealism, the transcendental reduction, and the concept of intentionality, which appear to Lipps as an escape from the realm of facticity. Husserlian idealism is then similar to Kant’s critical philosophy. Pursuing his inquiry from the perspective of facticity, Lipps refutes Kant’s and Husserl’s transcendentalism and their focus on the realm of representation. He tries nevertheless to analyse the classic problems of phenomenology and Kantian logic from the point of view of facticity.
2. Studia Phaenomenologica: Volume > 15
Faustino Fabbianelli Bezeichnung und Kennzeichnung. Theodor Conrads Bedeutungslehre in Auseinandersetzung mit Husserl
abstract | view |  rights & permissions
This paper aims to show how Th eodor Conrad’s theory of meaning goes beyond that of Husserl. By drawing on an unedited typescript dating from the 1950s in which the Munich phenomenologist outlines the controversy between Husserl and the so-called Munich-Göttingen group, I interpret the Bezeichnung–Kennzeichung opposition that Conrad introduces in an article from 1910 as a realist position opposing Husserl’s act-phenomenological concept of meaning. This position stands in contrast not only to the phansisch or phänologisch theory of meaning in the Logical Investigations, but also to the new definition of meaning as phänomenologische Bedeutung that Husserl proposes in his 1908 lectures. Conrad advocates a Gegenstandsphänomenologie, for which the main point of a phenomenological theory of meaning is not, like for Husserl, the intentional acts of the subject but rather the qualities of the object to which the meaning refers.
3. Studia Phaenomenologica: Volume > 15
Michele Averchi The Disinterested Spectator: Geiger’s and Husserl’s Place in the Debate on the Splitting of the Ego
abstract | view |  rights & permissions
Moritz Geiger developed an original phenomenological account of the splitting of the Ego (Ichspaltung) in two papers, written in 1911 and 1913. Husserl read the 1911 paper as he was working on preliminary manuscripts to Ideas I. The first part of Husserl’s comments focused precisely on the splitting of the Ego. In this paper I will answer three questions: (1.) What is the historical-philosophical context of Geiger’s and Husserl’s discussion on the splitting of the ego? (2.) What are the phenomenological features of the splitting of the ego? (3.) What is the relevance of Geiger’s account of the splitting of the ego, for the further development of Husserl’s phenomenology? Reading Geiger was, indeed, the first occasion in which Husserl started to develop his own phenomenological account of the splitting of the ego. This will prove itself to be crucial for his mature analyses on the phenomenological reduction, as Husserl will distinguish more clearly between reflection and splitting of the ego.
4. Studia Phaenomenologica: Volume > 15
Dalius Jonkus Phenomenological Approaches to Self-Consciousness and the Unconscious (Moritz Geiger and Vasily Sesemann)
abstract | view |  rights & permissions
This paper deals with the approach to self-consciousness and the unconscious found in the work of Moritz Geiger and the little known philosopher Vasily Sesemann. The aim of this presentation is to provide an account of Sesemann’s disagreement with Geiger regarding the concept of unconsciousness as well as to introduce his phenomenological explanation of the nonobjectifying self-consciousness. The first part of this paper explores Geiger’s concept of unconsciousness. The second part is concerned with Sesemann’s conception of the non-objectifying self-consciousness and its relation to the unconscious. The last part of this paper argues that Sesemann’s concept of selfawareness is similar to the concept of self-consciousness developed by Husserl in his phenomenology.
5. Studia Phaenomenologica: Volume > 15
Alessandro Salice Actions, Values, and States of Affairs in Hildebrand and Reinach
abstract | view |  rights & permissions
The present article discusses Dietrich von Hildebrand’s theory of action as presented in his Die Idee der sittlichen Handlung (1916), and focuses on the moral relevance Hildebrand assigns to diff erent kinds of motivations. The act of will which leads to a moral action, Hildebrand claims, can be “founded” or “motivated” in different ways and, in particular, it can be motivated by an act of cognizing (Erkennen) or by an act of value-taking (Wertnehmen). The act of cognizing grasps the state of aff airs that the action strives to bring about as a deontic state of aff airs, i.e., as a state of aff airs that ought to be. By contrast, the act of value-taking is primarily directed towards the values inhering in this state of aff airs. Although both kinds of motivations are morally sound, Hildebrand argues that the latter is preferable due to its vicinity to values and to its immediacy in the way in which it grasps values. In what follows, Hildebrand’s view is reconstructed, assessed and evaluated against the background of Adolf Reinach’s theory of intentionality. More specifically, two elements of Reinach’s thought are highlighted as being central for Hildebrand’s understanding of the notion of an action. First, it is argued that Hildebrand’s idea of the act of willing as a stance (Stellungnahme) that can be founded either by an act of cognizing or by an act of presentation is developed in strict symmetry with Reinach’s view that conviction is a stance that can be founded by means of an identical mechanism. Secondly, it will be shown that Hildebrand adopts the notion of a state of affairs (Sachverhalt) from Reinach.
6. Studia Phaenomenologica: Volume > 15
Arkadiusz Chrudzimski Reinach’s Theory of Social Acts
abstract | view |  rights & permissions
Some forty years before J.L. Austin, Adolf Reinach developed a highly articulated theory of speech acts. In this paper I present Reinach’s theory, and show some similarities and differences between his approach and the nowadays standard approaches, derived from Austin and Searle. Reinach’s work contains in fact all the cornerstones of the speech act theory. Still when comparing his theory with these contemporary approaches we can find at least two important differences. The first difference concerns what Reinach called the “primitive legal powers,” and what he construed as a part of the metaphysical essence of a person. The second one is that in Reinach’s theory we find a clear distinction between conventional normativity, originating from our performative intentionality, and genuine moral normativity, based on the intrinsic values of certain states of affairs.
7. Studia Phaenomenologica: Volume > 15
Francesca De Vecchi Edith Stein’s Social Ontology of the State, the Law and Social Acts: An Eidetic Approach
abstract | view |  rights & permissions
In her Investigation Concerning the State (1925), Edith Stein takes up some of the main ideas of the social ontology presented by Adolf Reinach (1913), and develops a social ontology of the state, of the law and of social acts. I argue that Stein’s social ontology is an eidetics of the state, the law and social acts. Stein identifies the essential relations that constitute the state, the law and social acts, i.e. pinpoints the parts upon which the state, the law and social acts existentially depend as wholes. In doing so, Stein applies Husserl’s account of wholes and parts to the social domain. I also suggest that Stein outlines a regional ontology of sociality that embodies Husserl’s idea of regional ontology. I focus on the intertwining of the wholes-parts relations, which characterize Stein’s regional ontology of sociality, and argue that there are not only necessary but also possible parts within the wholes. This makes Stein’s regional ontology of the sociality a dynamic ontology.
8. Studia Phaenomenologica: Volume > 15
Joona Taipale The Anachronous Other: Empathy and Transference in Early Phenomenology and Psychoanalysis
abstract | view |  rights & permissions
This article discusses our experience of other people from both phenomenological and psychoanalytic perspectives. Drawing on Husserl and Freud, I will distinguish between different temporal modes of the other: while Husserl carefully examines the ways in which others are constituted as synchronous (present) or as asynchronous (past), Freud underlines that others may also appear in a temporally displaced, anachronous manner, whereby one’s experience of some past other dominates in the experience of the present other. Freud discusses this third kind of relationship to the other under the rubric “transference”. The main objective of this article is to argue that the Freudian concept of transference is a structural element in our experience of others, and that, in this respect, the psychoanalytic concept of transference should be seen as complementing the phenomenological account of empathy and interpersonal understanding.
9. Studia Phaenomenologica: Volume > 15
Íngrid Vendrell Ferran The Emotions in Early Phenomenology
abstract | view |  rights & permissions
This paper off ers an overview of certain key features of the accounts of emotion defended by the early phenomenologists. After briefly presenting the movement of early phenomenology and describing its historical context, I shall elaborate the main claims about the emotions defended by this group, articulating them through the following five topics: 1) the stratification of emotional life; 2) the qualitative aspect of emotional experience; 3) the foundation of the emotions in cognitive acts; 4) the intentionality of feeling and the emotions; and 5) their moral dimension. Th e paper finishes with some concluding remarks about the significance of the early phenomenological discussion of the emotions for the debate on this topic in contemporary analytical philosophy.
10. Studia Phaenomenologica: Volume > 15
Kristjan Laasik Wilhelm Schapp on Seeing Distant Things
abstract | view |  rights & permissions
In 1909, Wilhelm Schapp, a student of Edmund Husserl’s at Göttingen, defended his doctoral thesis, Beiträge zur Phänomenologie der Wahrnehmung. In this text, Schapp argues that color presents things to the sense of sight by contributing a certain order, or form, that manifests itself in the orderly, predictable variation of perspectives, in the course of experience. He also argues that we do not visually perceive certain distant things, like a house far down in the valley, due to a lack of such color order. While accepting, with qualifications, Schapp’s claim concerning the need for a color order, I will argue that we can visually perceive distant things. I will also argue that Schapp’s discussion of distant things is, nevertheless, of current interest, viz., by comparison of his views with Alva Noë’s recent arguments to the effect that we do not visually perceive distant objects.
11. Studia Phaenomenologica: Volume > 15
Mariano Crespo Moritz Geiger on the Consciousness of Feelings
abstract | view |  rights & permissions
Moritz Geiger was one of the most significant members of the early phase of the phenomenological movement. His work on the consciousness of feelings constitutes an example of careful phenomenological analysis. The central question Geiger raised is this: how are feelings given to consciousness when they are “fully lived” (vollerlebt)? As I seek to prove, the principal result of his analysis is to point out a way of being oriented towards feelings without objectifying them. Geiger’s analysis of the consciousness of feelings is a masterpiece of phenomenological precision. It is reasonable to think that it influenced the way Husserl conceived of something so decisive as emotive intentionality.
12. Studia Phaenomenologica: Volume > 15
Bernardo Ainbinder From Neo-Kantianism to Phenomenology. Emil Lask’s Revision of Transcendental Philosophy: Objectivism, Reduction, Motivation
abstract | view |  rights & permissions
Recently, Emil Lask’s work has been the object of renewed interest. As it has been noted, Lask’s work is much closer to phenomenology than that of his fellow Neo-Kantians. Many recent contributions to current discussions on this topic have compared his account of logic to Husserl’s. Less attention has been paid to Lask’s original metaphilosophical insights. In this paper, I explore Lask’s conception of transcendental philosophy to show how it led him to a phenomenological conversion. Lask found in Husserl’s Logical Investigations the possibility of grounding transcendental philosophy in purely objective terms, thus avoiding any risk of psychologism. But he also concluded that the tools found in Logical Investigations needed to be complemented by a method which would inquire back fr om the constituted to the constituting (anticipating Husserlian reduction) and a way of grounding such a methodological move in experience itself (anticipating Husserlian motivation). Lask then provided a model for reduction and motivation without bringing a transcendental ego into the picture.
13. Studia Phaenomenologica: Volume > 15
Timothy Martell Cassirer and Husserl on the Phenomenology of Perception
abstract | view |  rights & permissions
This paper creates a dialogue between Ernst Cassirer, one of the last prominent representatives of Neo-Kantian thought, and Edmund Husserl, the founder of phenomenology. In Philosophy of Symbolic Forms, Cassirer criticizes Husserl’s distinction between hylē and morphē. His criticism is based in part on the work of several figures belonging to the early phase of the phenomenological movement, including Wilhelm Schapp. By developing Cassirer’s criticism and considering the responses that Husserl could have offered, the dialogue helps to clarify the complex relationship between Cassirer’s philosophy and Husserl’s phenomenology. It also reveals some of the ways in which early phenomenology influenced other philosophical movements. But dialogue between Cassirer and Husserl is of more than historical interest. I argue that Husserl would not have had an adequate response to Cassirer’s objections. Cassirer’s criticism of Husserl thus remains relevant for present day research in phenomenology.
14. Studia Phaenomenologica: Volume > 15
Philippe Merlier Interpellation et chiasme
abstract | view |  rights & permissions
This article examines the points of similarity and the differences between the Patočkian concept of interpellation (oslovéni, questioning) and Merleau-Ponty’s concept of chiasmus. These two modes of relating-to-being through language and body, perception and space share the same character of reversibility and openness to the other. However, the “co-respondance” between the subject and the world is not approached by the two phenomenological philosophers from the same perspective. Being-questioned is the inter-psychical event specific to one’s experience of others and of the world; the chiasmatic structure is the bedrock of the ontological relationship and the intercorporeity of beings. Close, but distinct one from the other, interpellation and chiasm(us) partially reveal the common preoccupations of two philosophers whose dialogue History never allowed to occur.
15. Studia Phaenomenologica: Volume > 15
Matthew Schunke Revealing Givenness: The Problem of Non-Intuited Phenomena in Jean-Luc Marion’s Phenomenology
abstract | view |  rights & permissions
This article questions Jean-Luc Marion’s move away from intuition and shows how it risks the promise of his account of religion by returning to metaphysics and speculation. My aim is not to ask whether Marion’s phenomenology can adequately account for religious phenomena, but to ask whether Marion’s account of revelation meets his own phenomenological principle — that one must rely on the phenomenon to establish the limits of phenomenology — which he establishes to guard against metaphysics and speculation. To this end, I demonstrate how Marion drifts from his phenomenological principle when he claims that revelation is a phenomenon given without intuition. This drift leads to criticisms that he is leading phenomenology toward speculative philosophy and sneaking revelation in through the back door. I then show the detrimental consequences for both his phenomenological and theological projects and how he could better achieve the goals of both projects by maintaining the role of intuition.
16. Studia Phaenomenologica: Volume > 16
Christian Ferencz-Flatz, Orcid-ID Julian Hanich Editor’s Introduction: What is Film Phenomenology?
17. Studia Phaenomenologica: Volume > 16
Vivian Sobchack “The Active Eye” (Revisited): Toward a Phenomenology of Cinematic Movement
abstract | view |  rights & permissions
The foundational basis of the cinematic moving image is camera movement, which occurs not only in the image but also, and from the first, as the image. This essay approaches off-screen camera movement through phenomenological description of the gestalt structure of its four interrelated onscreen forms: the moving image as an intentional and composite “viewing view/viewed view”; the moving image as “qualified” by optical camera movement through subjective modes of spatiotemporal transcendence; the movement of subjects and objects in the moving image as seen by a world-directed camera; and the spatial movement of the camera, whose perspectival vision affirms its status as an embodied, if anonymous, “quasi-subject,” whose visually perceptive motility responds to its world in visibly expressive mobility. Throughout, the essay develops Maurice Merleau-Ponty’s claim that the cinema is, perhaps, the phenomenological art par excellence, given that its “technical methods” correspond to an “existential” and phenomenological “mode of thought.”
18. Studia Phaenomenologica: Volume > 16
Anna Caterina Dalmasso Le plan subjectif réversible: Sur le point de vue au cinéma à partir des écrits de Merleau-Ponty
abstract | view |  rights & permissions
When I am watching a movie, I perceive on the screen a space, which is united and lived, even if it appears as fragmented and separated from the world in which I live. But is the space of the cinematic frame equivalent or commensurable with the one I see through my own eyes? Are they opposed to each other or do they merge together? The most amazing example of the possible convergence of gaze and frame the film realizes is the phenomenon of vision showing itself in the point-of-view shot. How can I perceive what I see on the screen as the vision of another, and the film itself as someone else’s vision? How does this relationship between the visual field of the film and my own, between my body and the screen, challenge the limits between objective and subjective? Drawing on Merleau-Ponty’s reflections about cinema and visibility, I try to outline the traits of what I would call a reversible point-of-view shot.
19. Studia Phaenomenologica: Volume > 16
Hans Rainer Sepp Kamera und Leib: Film in statu nascendi
abstract | view |  rights & permissions
The central thesis of this article is that film is directing and directed kinaesthesis understood as an opening of world beyond the relation of “subjective” and “objective”. Thus the analysis does not focus on the recipients of a movie but on the origins filming finds in specific ways of experiencing, that is, in the living bodies of the persons who decide on the perspective of a take by using the camera’s body. Moved by its filmmakers, the body of the camera is directed as the product of its authors, and is directing insofar as it establishes a world by its own means. The article explains basic forms of opening world by kinaesthetic processes in general (1), and applies this investigation to the corpus of film (2). Finally, the results of these analyses will be put in concrete terms by relating them to basic film features and a few samples of movies (3).
20. Studia Phaenomenologica: Volume > 16
Pierre Rodrigo Ontologie du mouvement, peinture et cinéma chez Merleau-Ponty
abstract | view |  rights & permissions
The present paper investigates the late ontology of Maurice Merleau-Ponty, which considers being as expressive movement. The paper takes as its point of departure Merleau-Ponty’s reflections on painting, sculpture and especially cinema. Two reasons justify this choice. On the one hand, Merleau-Ponty’s reflections on film as a work of art are now starting to be better known, after they have been overshadowed by his writings on painting, sculpture or literature for a long time. This entails a considerable enrichment of our interpretation of Merleau-Ponty’s aesthetics and his ontology. On the other hand, if Merleau-Ponty’s general theory of aesthetics leads to questions concerning the sense and the ontological status of movement, it is certain that, within this theory, the analysis of the particular mode of expression of cinematic images gains an extraordinary relevance.