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1. Film and Philosophy: Volume > 1
Tony Williams Floating "In a World of Shit" - Full Metal Jacket's Excremental Vision
2. Film and Philosophy: Volume > 1
Fred Seddon Thirty-Two Short Films About Glenn Gould
3. Film and Philosophy: Volume > 1
James W. Newcomb Hollywood Mediated Reaganism
4. Film and Philosophy: Volume > 1
Fabian Worsham Home Alone: American Dream/American Nightmare
5. Film and Philosophy: Volume > 1
Stephen Mulhall Picturing the Human (Body and Soul): A Reading of Blade Runner
6. Film and Philosophy: Volume > 1
David Owen Imagining America: Reflections on Politics and Time in Three Forms of Popular Film
7. Film and Philosophy: Volume > 10
Dan Flory Editor's Introduction
8. Film and Philosophy: Volume > 10
lls Huygens Emotion and Film Theory: Incorporating Affect
9. Film and Philosophy: Volume > 10
Amy Coplan Caring about Characters: Three Determinants of Emotional Engagement
10. Film and Philosophy: Volume > 10
Margrethe Bruun Vaage The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology
11. Film and Philosophy: Volume > 10
C. Paul Sellors A Realist Account of Fiction
12. Film and Philosophy: Volume > 10
Scott Stroud Pragmatist Aesthetics and Film: The Thin Red Line and Orientational Meliorism
13. Film and Philosophy: Volume > 10
Aaron Smuts V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance
14. Film and Philosophy: Volume > 10
Greg M. Smith Reflecting the Image: Satrean Emotions in the Writings of Andre Bazin
15. Film and Philosophy: Volume > 10
Kevin L. Stoehr The Dialectical Approach to the Art of the Moving Image: Hegel, Eisenstein and Kracauer
16. Film and Philosophy: Volume > 10
Jonathan Lahey Dronsfield The Condition of Film as Philosophy: Or, How Can a Film Ask a Question?
17. Film and Philosophy: Volume > 10
Andrew Light Objectivity and the Film of Presumptive Assertion
18. Film and Philosophy: Volume > 10
Noël Carroll The Moving Image: Form and Fact-Response to Tom Wartenberg and Andrew Light
19. Film and Philosophy: Volume > 10
Thomas Wartenberg Orcid-ID Understanding Film Form: A Critique of Carroll's Functional Account
20. Film and Philosophy: Volume > 10
"Figure 1, The continuum of empathic experiences" (insert at p.33)