Displaying: 1-20 of 37 documents

0.252 sec

1. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 11 > Issue: 1
Kyung Han You, Jiha Kim Marcuse’s Legacy and Foucault’s Challenge: A Critical Inquiry into the Relationship between Comedic Pleasure and the Popular Media
abstract | view |  rights & permissions
The primary goal of this paper is to investigate the theoretical and methodological applicability of the relevant theories of Marcuse and Foucault to analyzing the relationship between comedic pleasure and the popular media. The researchers investigate the similarities of and the differences between the respective positions of Marcuse and Foucault as they relate to power relations, subjectivity, and practice. Likewise, the methodological applicability of these theorists’ work to a discourse analysis of how media content constructs comedic pleasure is considered. Overall, the present study explored the arrangement and deployment of discourses of comedic pleasure as exploited by the power/knowledge mechanism of the media and the entertainment industry. And, through this discussion, the current study argued that three key statements constitute a discursive framework for the analysis of comedic pleasure in the popular media.
...Marcuse’s Legacy and Foucault’s Challenge: A Critical Inquiry into the ... methodological applicability of the relevant theories of Marcuse and Foucault to analyzing ... Marcuse and Foucault as they relate to power relations, subjectivity, and practice ...
2. Film and Philosophy: Volume > 7
Eugene Arva Life as Show Time: Aesthetic Images and Ideological Spectacles
..., Herbert Marcuse, Fredric Jameson, and Guy Debord - I will also ... "show time." The Beauty of the Image: Schiller and Marcuse ... never becomes conceptualized. According to Herbert Marcuse, the ...
3. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 13 > Issue: 1
Dale Jacquette Marx and Industrial Age Aesthetics of Alienation
abstract | view |  rights & permissions
Karl Marx’s socio-economic analysis of capitalism and the conditions of industrial production are meant to imply the competitive alienation of workers in at least two important senses: (1) Workers are alienated from their tools and materials because under capitalism they generally do not own, develop or cultivate the means of production or market for products themselves; and (2) Workers are alienated from one another in competitive isolation prior to the evolution of assembly-line production in the classical progression of capitalist manufacturing. The present essay develops two main aspects of the art of alienation in this characteristically Marxist aesthetic – directly influenced by Marx, as opposed to existential or atheistic among other kinds of alienation. Focus is placed on Marx’s PhD dissertation and Philosophical and Economic Manuscripts of 1844, as a reflection of the state of social life, philosophical perspectives on the human condition, in a time of mechanization, consumerism and godless materialism. The history of artistic developments offers independent confirmation of Marx’s thematization of alienation objectifying itself as a sign of the times in artistic production and aesthetic theory.
... impact on the social world. MARCUSE ON ART ... Herbert Marcuse, especially in his 1978 treatise, The Aesthetic Dimension ... , Marcuse, stepping into the fray to outline an authentic Marxist ...
4. Film and Philosophy: Volume > 23
Laura Di Summa Orcid-ID Black Mirror: The Not So Fearful Consequences of Technology
... that, as Althusser and Marcuse remarked, is capable of shaping our society ... illustrated by Marcuse and Althusser: it also highlights their limitations ... relates the major tenets of Herbert Marcuse’s One Dimensional Man ...
5. Glimpse: Volume > 17
Carl Boggs Technological Rationality and the Post-Orwellian Society
... been particularly effective, as Herbert Marcuse ... theorized by Marcuse in his classic (1964) One-Dimensional Man ... characteristic of the United States. In Marcuse’s view, technological ...
6. The American Journal of Semiotics: Volume > 8 > Issue: 3
Geoffrey R. Skoll Power and Repression
... distinguish myself from para-Marxists like Marcuse who give the notion of repression an ... mistake similar to that ofMarcuse: both of then~ confuse and equate inhibition with ... repression. In the case ofMarcuse, this confusion led hirn to propose the term "surplus ...
7. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 18 > Issue: 2
Janez Strehovec Orcid-ID Art State, Art Activism and Expanded Concept of Art
abstract | view |  rights & permissions
Contemporary post-aesthetic art implies an expanded concept of the work of art that also includes political functions. Beuys’s concept of social sculpture and Marcuse’s idea of society as a work of art can be complemented by Abreu’s project of a musical orchestra as a social ideal (the Venezuelan example of the music and education project El Sistema) and the Neue Slowenische Kunst transnational state formed from the core of art. These concepts are close to the views of Hakim Bey (Temporary Autonomous Zone), with D’Annunzio also touching upon them with his State of Fiume (1919–1920), for which he wrote the constitution and defined music as its central governing principle. Although the art state is a utopian project, art can serve a variety of emancipatory functions even in the dystopian present to intervene in and change the political. In this article, we also discuss the case of art activism in Slovenia, where culture (with many engaged artists) has become a central part of civil society oriented towards social change. Art activism contributes to an expanded concept of the political, which includes new subjects and new forms of antagonisms. Likewise, such repurposing of art emphasises its role in research.
... Marcuse’s idea of society as a work of art can be complemented by Abreu’s project of a ... sculpture and Marcuse’s idea of society as a work of art can be ... modelled on Marcuse’s concept of society as a work of art and the ...
8. Semiotics: 1986
Martha M. Houle Play at Work in Semiotic Theory
... be far from the mark. Herbert Marcuse, basing his arguments on ... , 1950). MARCUSE, Herbert. 1955. Eros and ...
9. Sign Systems Studies: Volume > 31 > Issue: 1
Maria del Mar Llera Прагматический подход к межкультурной этике: Основные черты развития коммуникации между национальными группами. Резюме
..., and Other Essays. New York: Doubleday. Marcuse, Herbert 1969 ...
10. Glimpse: Volume > 16
Joris D. Raven Phenomenological Sociology and the Experience of Time
... Herbert Marcuse refers to as the a priori of social theory, the ... . Marcuse, Herbert. One Dimensional Man. Studies in the Ideology of ...
11. Semiotics: 2014
Augusto Ponzio, Susan Petrilli A Paradoxical but Real Question for Communication Today: Signs Make Difference or Difference Makes Signs?
... universe of discourse” (Marcuse 1964). This closed universe of ... (Chicago: University of Chicago Press). MARCUSE, Herbert (1898 ...
12. The American Journal of Semiotics: Volume > 2 > Issue: 1/2
Wolfgang M. Ueding A German Supplement to the Peirce Bibliographies, 1877-1981
... für Begriffsgeschichte 4 (1959) 113-157; auf: 143. Marcuse, Ludwig ... ,42,44,97, 163. Marcuse, Ludwig: Philosophien. in: Bildungsbuch der Büchergilde, Band 11 ... , Ernst Friederich: Amerikanische Philosophen. Von den Puritanern bis zu H. Marcuse ...
13. The American Journal of Semiotics: Volume > 8 > Issue: 4
Jim Tarter Baudrillard and the Problematics of Post-New Left Media Theory
... as McLuhan, Marcuse, even C. Wright Mills-from all their different perspectives ... , Marcuse's One-Dimensional Man, and McLuhan's Global Village; and then we get the ... alternative, the basis of liberation (as did Marcuse or Adorno). Once the System had ...
14. Film and Philosophy: Volume > 7
Daniel Shaw Editor's Introduction
... these implications than Herbert Marcuse and Guy Debord, whom he discusses at ...
15. The American Journal of Semiotics: Volume > 8 > Issue: 1/2
Pauli Pylkkö Game-Theoretical Aesthetics
... sensomotoric activities, sensual experiences, and free fantasy (cf. Marcuse 1966 ... Manual of English Meter. Bloomington, Ind.: Indiana U niversity Press. MARCUSE ...
16. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 10 > Issue: 2
Aldo Marroni The Aesthetic Crisis of Society
abstract | view |  rights & permissions
The evaluation of subjectivity and the birth of aesthetics represent the presuppositions of the modern idea of civilization, intended as an endless progress ofsociety. In the contemporary world, the degeneration of subjectivity into narcissism and aesthetics into intimism has destroyed the productive relationship between individual sentiments and society, leading to the phenomenon of neo-cynical decivilization.
... intellectualism and aestheticism. For Herbert Marcuse, Schiller’s project ... of the aesthetic function” (Marcuse, 2001: 200). The meaning ...
17. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 12 > Issue: 2
Tomas Kačerauskas Creative Society: Concepts and Problems
abstract | view |  rights & permissions
The article deals with the concepts and problems of creative society. The author analyses the postmodern, post-industrial, post-rational, post-democratic, post-economic, post-capitalistic distinctiveness of creative society. According to the author, creative society has characteristics such as "outstanding-ness" (of both individual and society), creative living, and casual work relations. The paper deals with the creative aspects of entertainment and with the role of technologies in creative society. The author presents the sketches of creative ecology and creative ethics, the difficulties of empirically researching creativity and potential creative indexes as well as the problems regarding their evaluation. The research appeals to different approaches of creative society (including sociological, and philosophical) as well as methods used in different fields of the humanities (communication, media studies, narrative studies, and cultural studies). The author presents the key scholars of creative society and possible avenues of research emerging from this new subject.
..., by M. McLuhan, M. Horkheimer and T. W. Adorno, H. Marcuse ... well as H. Marcuse (1966)) criticized the negative social tendencies in ...
18. Semiotics: 1984
William Pencak Legality, Legitimacy, and the American Middle Class
... to get. Second, Lipset and Raab, (1970), Hofstadter (1962) and Marcuse (1964 ... the title of Marcuse's and Hofstadter's books) of which middle class violence ...
19. Semiotics: 2003
Susan Petrilli Signs and Difference: National Identity and War in a Semiotic Key
... roles as required by the "closed universe of discourse" (Marcuse ...
20. Semiotics: 1986
Index
...-Tung: 262 Marcuse, Herbert: 371 ...