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Film and Philosophy

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81.	Film and Philosophy: Volume > 20 Frank Boardman An Argument (Many) Films Make view \| rights & permissions \| cited by	SHARE


82.	Film and Philosophy: Volume > 20 James Conlon The Goodness Of The ‘Holy Fool’ In Talk To Her (Hable con ella) view \| rights & permissions \| cited by	SHARE


83.	Film and Philosophy: Volume > 20 Laura T. Di Summa-Knoop “It is Like It is Always Right Now”: Richard Linklater’s Boyhood and the Fiction-Nonfiction Divide view \| rights & permissions \| cited by	SHARE


84.	Film and Philosophy: Volume > 20 Joseph Kupfer Care, Autonomy and Art: Frida and Camille Claudel view \| rights & permissions \| cited by	SHARE


85.	Film and Philosophy: Volume > 20 Jack Simmons, Leigh E. Rich Hannibal and the Horrors of Hyper-Rationality view \| rights & permissions \| cited by	SHARE


86.	Film and Philosophy: Volume > 20 Roy W. Perrett Waltz with Bashir and the Definition of Documentary view \| rights & permissions \| cited by	SHARE


87.	Film and Philosophy: Volume > 20 Dan Shaw Animated Thought: Inside Out and Philosophy of the Emotions view \| rights & permissions \| cited by	SHARE


88.	Film and Philosophy: Volume > 19 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by	SHARE


89.	Film and Philosophy: Volume > 19 Thomas Wartenberg The Imposition Objection Reconsidered: A Response to Richard Nunan view \| rights & permissions \| cited by	SHARE


90.	Film and Philosophy: Volume > 19 William Pamerleau Does the Philosophy of Film Disenfranchise the Art of Film? view \| rights & permissions \| cited by	SHARE


91.	Film and Philosophy: Volume > 19 Shawn Loht The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate view \| rights & permissions \| cited by	SHARE


92.	Film and Philosophy: Volume > 19 Lindsey Fiorelli A New Defense of Cinematic Realism view \| rights & permissions \| cited by	SHARE


93.	Film and Philosophy: Volume > 19 Dan Flory Imaginative Resistance, Racialized Disgust, and 12 Years A Slave view \| rights & permissions \| cited by	SHARE


94.	Film and Philosophy: Volume > 19 Sander Lee Blue Jasmine, A Streetcar Named Desire, and the Power of Self-Deception view \| rights & permissions \| cited by	SHARE


95.	Film and Philosophy: Volume > 19 Laura T. Di Summa-Knoop The Philosophical and Cognitive Achievement of Cult and the Ethical Puzzle of Casablanca view \| rights & permissions \| cited by	SHARE


96.	Film and Philosophy: Volume > 19 Bert Olivier Battlestar Galactica, Technological Development and Eternal Recurrence view \| rights & permissions \| cited by	SHARE


97.	Film and Philosophy: Volume > 19 Jeremy Delong Star Trek: Into Darkness—Ethical Impartiality, Partiality, and the Need for a Male/Female Synthesis view \| rights & permissions \| cited by	SHARE


98.	Film and Philosophy: Volume > 19 Christopher Grau Kantian Themes in The Elephant Man view \| rights & permissions \| cited by	SHARE


99.	Film and Philosophy: Volume > 19 Matthew Meyer Mystic River and Nietzsche’s Revaluation view \| rights & permissions \| cited by	SHARE


100.	Film and Philosophy: Volume > 18 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by	SHARE

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