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Proceedings of the XXII World Congress of Philosophy

Volume 1, 2008

Aesthetics and Philosophy of Arts

Stephanie Over
Pages 297-300
DOI: 10.5840/wcp22200811235

Notion and Structure of Art in Hegel’s Aesthetics

This study will focus on a systematic exemplification of the notion of art and artwork based on Hegels aesthetics. It opposes two forms of skepticism which (1) question the possibility and value of a definition of art and (2) reject the category of the artwork for art is regarded as a process rather than a material thing. As such it is no longer something that can be conceived by seeing, hearing or touching the end product of that process. The criticism of these postions results in an understanding of works of art as objects or processes with a specific structure of meaning. The study developes ideas which are related to Hegel's thought, insofar as Hegel regards the artwork as an expression of the ‘idea’, and the term ‘idea’ designates a complex semantic structure.

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