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Studia Phaenomenologica

Volume 17, 2017

Phenomenology of Animality

Benjamin Delmotte
Pages 405-416
DOI: 10.5840/studphaen20171719

Pour une phénoménologie de l’évidence esthétique

If the idea of a phenomenological aesthetic evidence is far from being obvious, it may yet become necessary in the description of the aesthetic experience. For the way a work of art can imperiously impose on the viewer reveals a kind of power that may suggests that this evidence is more than just a subjective feeling. Although Husserl’s phenomenology doesn’t consider such an evidence, and although this concept may even be regarded as a contradiction—since evidence particularly characterizes the givenness of perceptive objects—we may yet find the conditions of possibility of such an aesthetic evidence in Husserl’s work.

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