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Res Philosophica

Volume 91, Issue 3, July 2014

Terence Cuneo
Pages 411-429
DOI: 10.11612/resphil.2014.91.3.9

The Significance of Liturgical Singing

This is an essay on two topics—singing and liturgy—that lie well outside the standard repertoire of topics that form the subject matter of contemporary philosophy of religion, let alone Anglo-American philosophy more generally. Nonetheless, I maintain that thinking through the topic of liturgical singing can bear philosophical fruit. My discussion takes as its starting point the striking fact that the liturgies of Eastern Christianity are almost entirely sung. I explore the question why this would be especially fitting. The answer I offer draws upon recent work in philosophy of literature, collective action, and musical cognition, arguing that what I call the secondary form of the liturgy and its content mesh in such a way that, when an assembly sings the content of the liturgical script, it thereby instantiates important dimensions of its content.

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