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Phenomenology 2010

Volume 4, 2011

Selected Essays from Northern Europe

Gerard Visser
Pages 469-492

Das Ereignis der papiers collés im Werk Braques

In the history of modern art impressionism and cubism are usually opposed to each other. The work of the impressionist is held to be based on sensation, that of the cubist on form. Essentially, however, in both the same revolution takes place. The motif of the enveloppe in the work of Monet in his later life and that of an espace tactile in the cubist experiments of the young Braque provide evidence of the search for a more authentic and original image space than the perspectival. In this respect the discovery of the papiers collés in 1912 can be conceived as the turning point in a mystical night, where the traditional outlook dies, to give way to a new image space, the direction whereof is entrusted to an emptiness that has been released from the confines of perspectival space.

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