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Phenomenology 2005

Volume 4, Issue Part 2, 2007

Selected Essays from Northern Europe Part 2

Jürgen Trinks
Pages 765-794
DOI: 10.7761/9789738863378_13

Der symbolische Stifter Gott und das Phanomen der Liebe in Kleists „Amphitryon“

Th is analysis of Heinrich von Kleist’s comedy „Amphitryon“ develops the thesis that its comical can be seen in the correlation but insoluble difference between the phenomenality of love and the “symbolical institution” (Marc Richir) which goes along with the diff erence and connection between the symbolical institution of language-system (langue) and its phenomenological life (langage).

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