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Phenomenology 2005

Volume 1, Issue Part 2, 2007

Selected Essays from Asia Part 2

Yusuke Miyazaki
Pages 535-584

The Sublime of Judgment
Kant’s Aesthetics in Deconstruction

One cannot make a judgment without following any law. Nevertheless, or for this very reason, it is essential that all judgments must be made in the absence of their law. For, in order to follow the law in a proper sense, a judgment needs the absence of law as its own constitutive moment, that is, the freedom which makes this act possible at the very moment that it relates itself to the law in the first place. Faced with this absence, therefore, one must make a judgment by inventing at the same time, as it were, (the relation to) the law which the same judgment is to follow. In “Force of Law,” Derrida (re)opened the ethico-political thinking of deconstruction by taking his departure from this aporetic structure of judgment. The aim of this essay is to recast the question of this aporetic structure of judgment by inquiring into the problematic of Kant’s Critique of Judgment, with which Derrida has not been suffi ciently concerned, and to carve out the aesthetico-political problematic of deconstruction.

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