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Volume 8, Issue 3, Fall 2004

Contemporary Issues in Aesthetics

David Cunningham
Pages 549-571

How the Sublime Became “Now”
Time, Modernity, and Aesthetics in Lyotard’s Rewriting of Kant

Cited by

  • Rachel Zuckert. Kantian Review. Presenting the Unpresentable: Jean-François Lyotard’s Kantian Art-Sublime 2021. [CrossRef]
  • Margit Ruffing. Kant Studien. Kant-Bibliographie 2004 2006. [CrossRef]
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