Studia Phaenomenologica

Volume 16, 2016

Film and Phenomenology

Christian Ferencz-FlatzOrcid-ID, Julian Hanich
Pages 11-61

Editor’s Introduction: What is Film Phenomenology?

Cited by

  • Julian Hanich. Handbuch Filmanalyse 2020: 351. [CrossRef]
  • Robert Sinnerbrink. Projections. Guest Editor's Introduction 2019. [CrossRef]
  • Eden Kinkaid. GeoHumanities. (en)Vision(ing) Otherwise: Queering Visuality and Space in Lefebvre’sProduction 2018. [CrossRef]
  • Shawn Loht. The Palgrave Handbook of the Philosophy of Film and Motion Pictures 2019: 285. [CrossRef]
  • David Evan Richard. Adaptation. Film Phenomenology and Adaptation: The “Fleshly Dialogue” of Jane Campion’s In the Cut 2018. [CrossRef]
  • Roger C. Aden. Critical Studies in Media Communication. Making the past present: Bisbee ‘17 and mediated haunting 2021. [CrossRef]
  • I. Božović-Jelisavc̆ić. Moscow University Physics Bulletin. Higgs Physics with Future Linear Colliders 2022. [CrossRef]
  • Julian Hanich. Projections. How Many Emotions Does Film Studies Need? 2021. [CrossRef]
  • Julian Hanich. Handbuch Filmtheorie 2018: 1. [CrossRef]
There may be additional citations on Google Scholar.