Volume 16, 2016
Film and Phenomenology
Christian Ferencz-Flatz
, Julian Hanich
Pages 11-61
Editor’s Introduction: What is Film Phenomenology?
Cited by
- Julian Hanich. Handbuch Filmanalyse 2020: 351. [CrossRef]
- David Evan Richard. Adaptation. Film Phenomenology and Adaptation: The “Fleshly Dialogue” of Jane Campion’s In the Cut 2018. [CrossRef]
- Jenni Lauwrens. de arte. Multisensory Narratives of Home and Belonging: Investigating Virtual Representations of Physical Places in Towards Telepathy (2017) and Home Museum (2020) 2022. [CrossRef]
- Zsolt Gyenge. Interfaces. Bodies and Screens: Aspects for a Phenomenology of Moving Image Installations 2022. [CrossRef]
- Robert Sinnerbrink. Film-Philosophy. Introduction: Heidegger and the Phenomenology of Film 2024. [CrossRef]
- Bettina Henzler. New Review of Film and Television Studies. Child spectators: towards a phenomenological perspective on the imaginary transformations of reality 2023. [CrossRef]
- Robert Sinnerbrink. Projections. Guest Editor's Introduction 2019. [CrossRef]
- Shawn Loht. Film-Philosophy. Response to Critical Views of Phenomenology of Film 2024. [CrossRef]
- Eden Kinkaid. GeoHumanities. (en)Vision(ing) Otherwise: Queering Visuality and Space in Lefebvre’sProduction 2018. [CrossRef]
- Shawn Loht. The Palgrave Handbook of the Philosophy of Film and Motion Pictures 2019: 285. [CrossRef]
- Alexandru Bejinariu. Dialogue. Gestures in Slow Motion: On Making Use of Video Art in Phenomenology 2024. [CrossRef]
- Roger C. Aden. Critical Studies in Media Communication. Making the past present:Bisbee ‘17and mediated haunting 2021. [CrossRef]
- I. Božović-Jelisavc̆ić. Moscow University Physics Bulletin. Higgs Physics with Future Linear Colliders 2022. [CrossRef]
- Chiara Quaranta. Film-Philosophy. In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World 2024. [CrossRef]
- Julian Hanich. Projections. How Many Emotions Does Film Studies Need? 2021. [CrossRef]
- Julian Hanich. Handbuch Filmtheorie 2018: 1. [CrossRef]