Volume 53, Issue 4, Winter 2009
Monica Vilhauer
Pages 359-364
Beyond the “Fusion Of Horizons”
Gadamer’s Notion of Understanding as “Play”
Cited by
- Aaron Samuel Zimmerman. Methodological Innovations in Research and Academic Writing 2022: 82. [CrossRef]
- Anna Reetta Suorsa. Journal of Documentation. Knowledge creation and play – a phenomenological approach 2015. [CrossRef]
- Alison Maggart. Contemporary Music Review. Rethinking Babbitt’s ‘Serious’ Music as Play 2021. [CrossRef]
- Qifan Zhang. Beijing International Review of Education. Play as Inter-Play: A Dialogue between Gadamer and Schiller 2022. [CrossRef]
- Kitty Maria Suddick, Vinette Cross, Pirjo Vuoskoski, Kathleen T. Galvin, Graham Stew. International Journal of Qualitative Methods. The Work of Hermeneutic Phenomenology 2020. [CrossRef]
- Michiel Kamp, Floris Schuiling. Gadamer, Music, and Philosophical Hermeneutics 2024: 141. [CrossRef]
- Edward H Huijbens, Karl Benediktsson. Tourist Studies. Inspiring the visitor? Landscapes and horizons of hospitality 2013. [CrossRef]
- Jack Williams. International Journal of Philosophy and Theology. Playing church: understanding ritual and religious experience resourced by Gadamer’s concept of play 2018. [CrossRef]