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Midwest Studies in Philosophy

Volume 34, 2010

Film and the Emotions

Margrethe Bruun Vaage
Pages 158-179
DOI: 10.1111/j.1475-4975.2010.00200.x

Fiction Film and the Varieties of Empathic Engagement

Cited by

  • Anne Gjelsvik. Journal of Aesthetics & Culture. Outsiders and bystanders in Erik Skjoldbjærg’s The Pyromaniac (2016) 2018. [CrossRef]
  • Thomas Schick. Handbuch Filmtheorie 2018: 1. [CrossRef]
  • Robert Blanchet. Topoi. Empathy as the Opposite of Egocentrism: Why the Simulation Theory and the Direct Perception Theory of Empathy Fail 2020. [CrossRef]
  • Carolyn McKay, Murray Lee. Crime, Media, Culture: An International Journal. Body-worn images: Point-of-view and the new aesthetics of policing 2020. [CrossRef]
  • Susanne Schmetkamp. Review of Philosophy and Psychology. Understanding A.I. — Can and Should we Empathize with Robots? 2020. [CrossRef]
  • Fernando Canet, Héctor J. Pérez. Studies in Documentary Film. Character engagement as central to the filmmaker–subject relationship:En construcción(José Luis Guerin, 2001) as a case study 2016. [CrossRef]
  • Aleida Assmann, Ines Detmers. Empathy and its Limits 2016: 1. [CrossRef]
  • Christer Bakke Andresen. Journal of Scandinavian Cinema. Thelma: Empathic engagement and the Norwegian horror cinema 2019. [CrossRef]
  • Marij A. Hillen, Liesbeth M. van Vliet, Hanneke C.J.M. de Haes, Ellen M.A. Smets. Patient Education and Counseling. Developing and administering scripted video vignettes for experimental research of patient–provider communication 2013. [CrossRef]
  • Torben Grodal, Mette Kramer. Recherches sémiotiques. Empathy, Film, and the Brain 2014. [CrossRef]
  • Daniel Jerónimo Tobón. The Palgrave Handbook of the Philosophy of Film and Motion Pictures 2019: 865. [CrossRef]
  • Víctor Aertsen. Doxa Comunicación. Revista interdisciplinar de estudios de comunicación y ciencias sociales. La simpatía hacia los personajes de ficción: un examen de los factores implicados desde la psicología social y la teoría fílmica cognitiva 2017. [CrossRef]
  • Miriam Ronca. Sociétés. L’émotion et la technique dans une dimension performative 2017. [CrossRef]
There may be additional citations on Google Scholar.