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Midwest Studies in Philosophy

Volume 34, 2010

Film and the Emotions

Noël Carroll
Pages 1-19
DOI: 10.1111/j.1475-4975.2010.00197.x

Movies, the Moral Emotions, and Sympathy

Cited by

  • Jens Kjeldgaard-Christiansen. The Journal of Popular Culture. Social Signals and Antisocial Essences: The Function of Evil Laughter in Popular Culture 2018. [CrossRef]
  • Fernando Canet. The Journal of Popular Culture. Using Cinema to Understand Character Engagement in a Television Series: The Truman Show as Case Study 2017. [CrossRef]
  • Chiao-I Tseng. Cognitive Semiotics. Contextualising screen violence: An integrative approach toward explaining of the functions of violent narrative events in audiovisual media 2018. [CrossRef]
  • Robert Sinnerbrink. Social Aesthetics and Moral Judgment 2018: 196. [CrossRef]
  • Marco Sperduti, Margherita Arcangeli, Dominique Makowski, Prany Wantzen, Tiziana Zalla, Stéphane Lemaire, Jérôme Dokic, Jérôme Pelletier, Pascale Piolino. Acta Psychologica. The paradox of fiction: Emotional response toward fiction and the modulatory role of self-relevance 2016. [CrossRef]
  • Sarah Cardwell. Critical Studies in Television: The International Journal of Television Studies. Book Review: The Antihero in American Television 2018. [CrossRef]
  • Fernando Canet, Héctor J. Pérez. Studies in Documentary Film. Character engagement as central to the filmmaker–subject relationship:En construcción(José Luis Guerin, 2001) as a case study 2016. [CrossRef]
There may be additional citations on Google Scholar.