Volume 95, Issue 4, October 2012
Music
Stephen Davies
Pages 535-555
On Defining Music
Cited by
- Emmanuel Adeniyi. Contemporary Music Review. Nigerian Afrobeats and Religious Stereotypes: Pushing the Boundaries of a Music Genre Beyond the Locus of Libertinism 2020. [CrossRef]
- Adrian Currie, Anton Killin. European Journal for Philosophy of Science. Musical pluralism and the science of music 2016. [CrossRef]
- Dale Ware, John Habron. Gastrointestinal Nursing. The efficacy of music as a non-pharmacological intervention in the endoscopy setting: a literature review 2020. [CrossRef]
- Alex South. Journal of Interdisciplinary Voice Studies. Composing with cetaceans: Countering human exceptionalism through a practical zoömusicology 2022. [CrossRef]
- Daniela Castro de Jong, Georgia Pike, Susan West, Harley Valerius, Anne Kay, Stephanie Ellis. Journal of Occupational Science. Shared music, shared occupation: Embedding music as a socio-altruistic collective- and co-occupation in occupational therapy education 2021. [CrossRef]
- Julian Dodd. Australasian Journal of Philosophy. What 4′33″ Is 2018. [CrossRef]
- Anton Killin. Topoi. Music Pluralism, Music Realism, and Music Archaeology 2021. [CrossRef]
- Wesley D. Cray, Carl Matheson. Australasian Journal of Philosophy. A Return to Musical Idealism 2017. [CrossRef]
- Vítor Guerreiro. Disputatio. Is There an Aesthetics of Political Song? 2021. [CrossRef]
- Douglas C. Wadle. Ergo an Open Access Journal of Philosophy. Organized Sound, Sounds Heard, and Silence 2023. [CrossRef]
- Hollis Taylor. Contemporary Music Review. How Musical is Australia? A Maverick’s Contemporary Sound Portrait of the Fifth Continent 2018. [CrossRef]
- John Dyck. The Palgrave Handbook of the Philosophy of Film and Motion Pictures 2019: 801. [CrossRef]
- William M. Hawley. The European Legacy. Metal Music and the Aesthetics of Representation 2023. [CrossRef]