Volume 1, Issue 1/2, 1981
David Lidov
Pages 141-166
THE ALLEGRETTO OF BEETHOVEN’S SEVENTH
Cited by
- Jay Rahn. Music Theory Spectrum. Marchetto's Theory of Commixture and Interruptions 1987. [CrossRef]
- Lucia Santaella. Signata. Sound and Music in the Domain of Rhematic Iconic Qualisigns 2015. [CrossRef]
- Melissa E. Korte. Semiotica. Leonard B. Meyer: On the threshold of musical semiotics 2002. [CrossRef]