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The American Journal of Semiotics

Volume 1, Issue 1/2, 1981

David Lidov
Pages 141-166
DOI: 10.5840/ajs198111/26

THE ALLEGRETTO OF BEETHOVEN’S SEVENTH

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  • Jay Rahn. Music Theory Spectrum. Marchetto's Theory of Commixture and Interruptions 1987. [CrossRef]
  • Lucia Santaella. Signata. Sound and Music in the Domain of Rhematic Iconic Qualisigns 2015. [CrossRef]
  • Melissa E. Korte. Semiotica. Leonard B. Meyer: On the threshold of musical semiotics 2002. [CrossRef]
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