Dialogue, as a philosophical form, enables the exploration of the conditions, limits, and consequences of understanding arguments. Two philosophers who undertook to write dialogues—Plato and Heidegger—feature moments in philosophical conversation in which understanding, on its own, fails to convince an interlocutor of an argument. In this article, I examine the philosophical stakes of the collisions which unfold in Plato’s Gorgias, between Socrates and Callicles, and in Heidegger’s “Triadic Conversation,” between the Guide and the Scientist. Plato’s Socrates is ostensibly unsuccessful in persuading Callicles to adopt his position while Heidegger’s Guide is able to support the Scientist in learning a new way of thinking. I argue that it is Heidegger’s attention to feeling as a philosophically significant phenomenon which can overcome trans-rational resistance which may persist even after truth has been determined.

This paper argues that Cassirer’s development of ‘the critique of reason into a critique of culture’ was prompted by two motives that ultimately seem to collide. On the one hand, Cassirer attempts to overcome the Kantian dichotomy between the faculties of sensibility and the understanding. To this end, he turns to the schemata of the Critique of Judgment. On the other hand, Cassirer expands the scope of transcendental philosophy to include cultural domains such as myth, language, and the human sciences. His desire to maintain both the differences between these domains and the unity of reason however leads to a new dualism between the material modalities of the symbols and their ideal, recurring, forms. Yet, by adopting both a constitutive and a regulative conception of objectivity, Cassirer renders this duality legitimate, and his motives for a philosophy of culture on a Kantian foundation compatible.

This paper will set out in plain language the basic ontology of “Deleuze’s Spinoza”; it will then critically examine whether such a Spinoza has, or indeed could have, ever truly existed. In this, it will be shown that Deleuze’s reading of Spinoza involves the imposition of three interlocking, formal principles. These are (1) Necessitarianism, (2) Immanence, and (3) Univocity. The uncovering of Deleuze’s use of these three principles, how they relate to one another, and what they jointly imply in terms of ontology, will occupy Part 1 of this paper. The critique of these principles from a Spinozist perspective, i.e. that their use by Deleuze is incompatible with Spinoza’s own metaphysics, will occupy Part 2 of this paper.

Among the most controversial aspects of Aristotle’s philosophy is his endorsement of slavery. Natural slaves are excluded from political citizenship on ontological grounds and are thus constitutively unable to achieve the good life, identified with the collective cultivation of logos in the polis. Aristotle explicitly acknowledges their humanity, yet frequently emphasizes their proximity to animals. It is the latter that makes them purportedly unfit for the polis. I propose to use Agamben’s theory of the anthropological machine to make sense of this enigmatic exclusion and suggest a new conception of the good life and community detached from political rule. Aristotle’s distinction between humans and animals condemns slaves to bare life, but also reveals an opportunity for an inoperative form-of-life.

This paper examines Hannah Arendt’s contribution to a conception of political life that remains vigilant of the foreignness that confronts us in our efforts to inhabit a shared world. To this end, I interpret Arendt’s less appreciated discourse on caritas, or love of the neighbor in Love and Saint Augustine, as a critical appropriation of Heidegger’s notion of care. In turning to caritas, I maintain that Arendt captures, perhaps more fully than Heidegger, the foreignness that care is destined to confront in its native desire to belong to something outside of itself. This, I argue, leads Arendt to insist that the responsibility to care is not foremost a matter of individual existence, but rather of politics, grasped precisely as an openness to the foreign in communal life.

Dance is intimately connected to both Kierkegaard’s personal life and his life in writing, as exemplified in his famous nightly attendance at the dance-filled theater, and his invitation to the readers of “A First and Last Explanation” to (in his words) “dance with” his pseudonyms. The present article’s acceptance of that dance invitation proceeds as follows: the first section surveys the limited secondary literature on dance in Kierkegaard, focusing on the work of M. Ferreira and Edward Mooney. The second section explores the hidden dancing dimensions of Kierkegaard’s “leap” and “shadow-dance” (Schattenspiel). And the third section reinterprets the pseudonymous works richest in dance, Repetition and Postscript, concluding that the religious for him is the lighthearted dance of a comic actor through the everyday theater of the world.

In his 1802 article for the Critical Journal of Philosophy, “Relationship of Skepticism to Philosophy,” Hegel attempts to articulate a form of skepticism that is “at one with every true philosophy.” Focusing on the priority that Hegel gives to ancient skepticism over its modern counterpart, Michael Forster and other commentators suggest that it is Pyrrhonism that Hegel views as one with philosophy. Since Hegel calls attention to the persistence of dogmatism even in the work of Sextus Empiricus, however, I argue that it is only a sublated form of Pyrrhonism, what in the Phenomenology of Spirit he calls “self-completing skepticism,” that Hegel takes to be part of genuine philosophical cognition. In this way, I hope to show that the insight that motivates Hegel’s engagement with skepticism in the 1802 essay comes to inform the philosophical itinerary of the Phenomenology of Spirit.

This paper explores the moments of overlap between Augustine’s pedagogical approach in De magistro and feminist theories of care. I argue that Augustine not only offers a useful model for those who wish to reclaim the centrality of students within education. He also encourages us to critique the narrative that women are more ‘naturally’ suited for caring relationships. I conclude by outlining the benefits of such critique. What do we gain when we allow a diversity of gendered experiences to inform the practice of care in the classroom?

In this paper I will argue that the distinction between biological life and political life as found in Hannah Arendt’s reading of Aristotle and later repeated and elaborated by Giorgio Agamben under the headings of (“bare life”) and (“qualified life”), is in fact a fertile point of entry to , and the only viable option in order the grasp what constitutes the political as such for Aristotle. By hashing out the conceptual steps necessary for the establishment of what can be called a “political community” , I seek to illuminate how the distinction upon which much of Arendt’s and Agamben’s works rests, does indeed play a vital role in the work of Aristotle. By clarifying the nature of a “political community” according to Aristotle, this paper thus seeks to make a proper assessment of the thought of both Arendt and Agamben possible.

Scholars have thoroughly discussed the visual aspects of Foucault’s archaeological and genealogical methods, as well as his own emphasis on how sight functions and what contexts and conditions shape how we see and what we can see. Yet while some of the images and visual devices he uses are frequently discussed, like Las Meninas and the panopticon, his diagrams in The Order of Things have received little attention. Why does Foucault diagram historical ways of thinking? What are we supposed to see and understand through these diagrams? To examine the role of the diagram in Foucault’s archaeological method, this paper provides a close reading of how the classical quadrilateral visualizes the structure, function, content, principles, and underlying assumptions of language and thought. In analyzing the diagram as a way for visualizing history, this paper demonstrates how Foucault enacts a new visual language that emphasizes the contingency of thought.

A surprising feature of Aristotle’s thought is the fact that he does not offer a single, extended account of truth. He makes passing references to the meaning of truth in various texts, and his comments at times seem hard to reconcile. A preponderance of these comments occur in the Metaphysics, where he seems to adopt two quite different models for thinking about truth: truth is on the one hand a kind of touching or contact, and on the other a matter of joining or dividing subjects and predicates correctly. This paper proposes a reading that reconciles these two models with one another, one that assigns to each model its appropriate place in what Aristotle thinks of as the process of inquiry, a process exemplified by the text of the Metaphysics itself.

To engage with the fragments of Parmenides requires a dutiful apprenticeship. The work of translation/resequencing are of equal weight in an interpretative commentary that carry one towards the possible world pictured by the Eleatic master. As far as the translation and resequencing, presented here in its entirety, I have held fast to Eco’s recommendation for translations, that “goodwill . . . prods us to negotiate the best solution for every line. Among the synonyms for "faithfulness," the word "exactitude" does not exist. Instead there is loyalty, devotion, allegiance, piety.” The “Notes to Translator’s Introduction,” and more so, the “Notes to the Fragments,” are a condensed version of a few frames of references, both cultural and theoretical, that stand in, for the present, as signposts. A fuller elaboration of the resequencing decisions, and philosophical aspects of my position, will take the form of an accompanying piece, and Part II, to this article.

Hermeneutics approaches the meaning of life quite uniquely: it grasps the intrinsic intelligibility of life by employing a universal concept of meaning, applicable to all phenomena. While other conceptions identify the meaning of life with values or scopes, hermeneutics starts from a grass-roots work on the meanings that are embedded at every level of reality. In this paper, I analyze this approach, especially focusing on Husserl, Heidegger, and Gadamer. First, I outline Husserl’s philosophy of meaning as developed in response to the crisis of meaning. Second, I discuss Heidegger’s concept of meaning and his understanding of life as self-movement. Third, I analyze Gadamer’s concept of common sense (viewed as the grasp of the totality of life) and his idea of hermeneutic mediation that conveys the meaning of life itself.

Despite Emmanuel Levinas’s famous denigration of art in “Reality and Its Shadow” as an egregious evasion of ethical responsibility, discussions of poetic art in his later writings court the ethical rhetoric that lies at the heart of his philosophy. Refuting claims that a more mature Levinas simply changed his attitude towards art, this article argues the existence of a poetic art that equates to a Jewish understanding of Temimut, or holiness, and describes the written word as a “holy aesthetic” born of ethical artistic intentions. Through these claims, this article seeks to add an interdisciplinary dimension to existing Levinas scholarship on ethical aesthetics, which has yet to consider how Levinas’s later discussions of art emerge from Talmudic thought.

Drawing on Heidegger’s essay “The Origin on the Work of Art,” I argue that works of art reveal human experience to be simultaneously finite and ecstatic and that art is part of the way our experience unfolds. Secondly, I argue that the dynamic of experience that art enables and in which it is implicated is precisely what historical experience is; this historical character of our experience is also always intersubjective and relational. Next, I turn to “Why Poets?” to analyse Heidegger’s critique of Rilke’s work in terms of the idea that works of art are involved in our self-constitution as historical and relational beings. Reading these two essays together, finally, allows me to conclude by characterising the demands of a distinctly modern experience of interpretation and by identifying the need to question what it means to be a “we” as the defining question of modernity.

In this essay, I argue for a revival of Adorno and Horkheimer’s critical philosophy of history on account of the fact that their construction articulates both the necessity of various aspects of our current socio-political conditions given the past tendencies of rationality and domination, and the contingency of the present miseries by problematizing the continuous historical narratives that justify a certain version of the present. After demonstrating that the accomplishment of critical philosophy of history has to be located in the dialectic of the necessary as well as the contingent elements of historical developments, I turn to the Dialectic of Enlightenment as a particular constellation that exemplifies this accomplishment. I show that in this book we find a critical philosophy of history that narrates a story that both makes fascism the necessary corollary and conclusion of instrumental rationality and shows its contingent entanglement with domination. In this way, the initial question of how reason and rationality can lead to domination is now transformed into one that asks how we can we reinterpret and re-animate them such that they are no longer complicit with domination.

This article investigates the relation between freedom, the public use of reason, and sensus communis, as discussed throughout Kant’s political writings and critical works. Kant’s discussion of the public use of reason, as put forth in "What Is Enlightenment?" is closely tied to his views on autonomy, most notably in the political sphere. However, Kant’s distinction between the public and private uses of reason relies upon sensus communis as discussed in the Critique of Judgment. The communicability achieved by sensus communis has a relevance not restricted only to Kant’s explicitly political writings; sensus communis is also what we might call “transcendentally significant.” In this article, I argue that the public use of reason—a use of reason achieved by sensus communis—is vital for reason itself to follow its own normative demands. I conclude that sensus communis itself grounds reason’s use for its own critique.

Aristotle famously asserted that the mind is identical with its object in an act of cognition. This “identity doctrine” has caused much confusion and controversy, with many seeking to avoid a literal interpretation in favor of one that suggests that “identity” refers to a formal isomorphism between the mind and its object. However, in this paper I suggest that Aristotle’s identity doctrine is not an epistemological claim about an isomorphism between a representation of an object and the object itself, but is a phenomenological claim about the character of human cognition and intelligible being. Drawing on texts from Edmund Husserl and Aristotle, I offer a phenomenological interpretation of Aristotle’s identity doctrine. I ultimately argue that, for Aristotle, mind and being are essentially unified, for intelligible being is partially constitutive of the mind.

Focusing on the section ‘Absolute Freedom and Terror’ of the Phenomenology of Spirit, this article argues that the method Hegel employs in this work does not capture the full significance of the French Revolution. I claim that Hegel’s method is reformist rather than revolutionary: Hegel deliberately restricts his analyses to transformations that occur within the element of thought and presents the changes that occur within this element as logically ensuing from one another. This approach, I argue, is at odds with the very concept of a revolution. Seen in this way, efforts to frame Hegel’s philosophy as revolutionary are misguided.

Kant’s geographical theory, which was informed by contemporary travel reports, diaries, and journals, developed before his so-called “critical turn.” There are several reasons to study Kant’s lectures and material on geography. The geography provided Kant with terms, concepts, and metaphors which he employed in order to present or elucidate the critical philosophy. Some of the germs of what would become Kant’s critical philosophy can already be detected in the geography course. Finally, Kant’s geography is also one (though not the only) source of some of the empirical claims in his philosophical works, including the Critique of the Power of Judgment. To give an example of this, I examine his account of the sublime.

Spinoza’s limited words on the subject of art has led many to claim that his philosophy is incompatible and even hostile to a theory of art. Such a critique begins by confusing modern aesthetic standards with Spinoza’s actual words on art and its objects. Beginning with this confusion, this paper will argue that Spinoza’s philosophy naturalises the work of art and conceives of things such as paintings and temples through his theory of complex bodies. Turning to the two places that Spinoza discuss art—IIIP2Schol and IVP45Schol—this paper will argue that Spinoza understood works of art to be particularly complex and hence powerful extended bodies with a use value relative to the striving of the human individual. Accordingly it will be argued that because Spinoza conceived works of art to be external bodies–artistic bodies–, we should therefore begin to study art and its objects through Spinoza’s relational theory of the individual.

The aim of this essay is to investigate the stylistic idiosyncrasies of Part V of Spinoza’s Ethics by focusing on the experience of the reader encountering this text: what is missed in most accounts, I argue, is the rhetorical effect of Spinoza’s language on a reader approaching the end of the book. The reader experiences hermeneutic anxiety upon encountering a God who loves, rejoices and glories in a relatively traditional manner after the iconoclastic dismantling of the traditional attributes of God in Parts I to IV. I suggest that such anxiety is intentionally provoked, for it engenders a reflective attitude towards the text and its choice of language, and such reflection on language is a means of ‘rhetorical therapy’ that makes the communication of adequate ideas possible. The essay examines, first, the peculiar rhetorical devices at play in Part V, and, secondly, whether there are good philosophical reasons for such peculiarity. I then use such an analysis to think further about Spinoza’s attitude to language in general, concluding that thinking through the implications of the linguistic signs as affect allows one to posit the existence of a rhetorical therapy in Spinoza’s thinking.

This article examines the extent to which two of Meister Eckhart’s Latin writings fall prey to Heidegger’s charge of ontotheology. It argues that the intellectualist, ‘meontological’ approach to God in Eckhart’s First Parisian Question and the analogical, ontological approach in his Opus tripartitum are not as different as may initially appear. Not only do both rest on Eckhart’s peculiar doctrine of analogy; both serve to dismantle the ontotheological architecture. Indeed, rather than an intellectualist alternative to ontotheology, Eckhart’s First Parisian Question presents a meticulously crafted dialectic designed to explode rational distinctions. Rather than a traditional account of God as the highest being, Eckhart’s Opus tripartitum obliterates hierarchies with its appeal to treat all being as God. Still, although both approaches contribute to an appreciation of Eckhart’s principal concern—the basic unity of the ground of the soul and the Godhead in releasement—neither suffices for unfolding its deepest implications. An ontotheological residue remains.

The belief that Aristotle opposes potency (dunamis) to actuality (energeia or entelecheia) has gone untested. This essay defines and distinguishes forms of the Opposition Hypothesis—the Actualization, Privation, and Modal—examining the texts and arguments adduced to support them. Using Aristotle’s own account of opposition, the texts appear instead to show that potency and actuality are compatible, while arguments for their opposition produce intractable problems. Notably, Aristotle’s refutation of the Megarian Identity Hypothesis applies with equal or greater force to the Opposition Hypothesis. For Aristotle, then, potency and actuality are compatible.

The essay studies Aristotle’s critique of Parmenides (Physics 1.3) in the light of the Heideggerian account of Platonic-Aristotelian metaphysics as an approach to being (Sein) in terms of beings (das Seiende). Aristotle’s critique focuses on the presuppositions of the Parmenidean thesis of the unity of being. It is argued that a close study of the presuppositions of Aristotle’s own critique reveals an important difference between the Aristotelian metaphysical framework and the Parmenidean “protometaphysical” approach. The Parmenides fragments indicate being as such in the sense of the pure, undifferentiated “is there” (τὸ ἐόν)—as the intelligible accessibility of meaningful reality to thinking, prior to its articulation into determinate beings. For Aristotle, by contrast, “being itself” (αὐτὸ τὸ ὄν) has no other plausible meaning than “being-something-determinate as such” (τὸ ὅπερ ὄν τι), which itself remains equivocal. In this sense, Aristotle can indeed be said to conceive being in terms of beings, as the being-ness of determinate beings.

At 252e1 to 253c9 in Plato’s Sophist, the Eleatic Visitor explains why philosophy is a science. Like the art of grammar, philosophical knowledge corresponds to a generic structure of discrete kinds and is acquired by systematic analysis of how these kinds intermingle. In the literature, the Visitor’s science is either understood as an expression of a mature and authentic platonic metaphysics, or as a sophisticated illusion staged to illustrate the seductive lure of sophistic deception. By showing how the Visitor’s account of the science of philosophy is just as comprehensive, phantasmatic and self-concealing as the art of sophistry identified at the dialogue’s outset, this paper argues in favor of the latter view.

In this paper, I begin with an account of the initial distinction between likenesses and appearances, a distinction which may resemble the difference between sophists and philosophers. That distinction first arises immediately after the puzzling appearance of the noble sophist, who seems to occupy an odd space in between sophist and philosopher. In the second section, I look more closely at the noble sophist, and on what that figure might tell us about images and the use of images. I also attempt to use the insights provided by the noble sophist in an investigation of the kind of images that Plato the author produces. This raises the question of the general notion of image as it appears in the Sophist, and especially of the dual nature of all images, which in turn invites reflection on certain features of the examination of being and non-being late in the dialogue. Finally, I return to the deception inherent in images, and I argue that this dialogue does not present the possibility of completely honest images. Nevertheless, I hope to show that some uses of deceptions and images are better than others.

In this paper, the author argues that the revelatory form Parmenides gives his poem poses considerable problems for the account of being contained therein. The poem moves through a series of problems, each building on the last: the problem of particularity, the cause of human wandering that the goddess would have us ascend beyond (B1); the problem of speech, whose heterogeneity evinces its tie to experience’s particularity (B2-B7); the problem of justice, which motivates man’s ascent from his “insecure” place in being, only ultimately to undermine it (B8.1-49); and finally the question of the good, the necessary consequence of man’s place in being as being out-of-place in being (B8.50-B19). What emerges is a Socratic reading of Parmenides’s poem, a view that Plato appears to have shared by using Parmenides and his Eleatic stranger to frame the bulk of Socrates’s philosophic activity.

This presentation is something of a performative response to the thrust and promise of Dennis Schmidt’s work, especially Between Word and Image. I take my orientation from remarks like these: “Any reply to history and to our times needs to be drawn from the deepest center of who we are. To be sure, the crises and struggles of our times require immediate and direct action, but they also require something that is able to change us. . . . The experience summoned by the work of art has the potential to be precisely such an ethopoetic event” (Dennis Schmidt). I have included discussion of some of my own work; the practice of making art has led me to new questions about when art happens, about the event of art. Rilke wrote “you must change your life.” This means a break with the dominance of representation, calculation and Machenschaft A renewal of dwelling is involved, and art can help make this happen. With Denny this is the ethical promise of art. We take up both questions Denny sets aside in Between Word and Image—that of Nature and the Hegel/Adorno question of the possibility/efficacy of art today. My wager is that earth art offers new ways forward in thinking both about ethical life (and beauty!) and the possibility of art. Earth art has distinctive ways of recalibrating our understanding of and engagement with space and time, which at least feed into what we mean by dwelling, our bearing in the world. Through this recalibration is opened up a mutation, a transformation, in the way we think of questions of control with respect to Nature.

This paper attempts to define Dennis J. Schmidt’s distinctive contribution to philosophy and to contemporary hermeneutics in particular under the heading of an ethical hermeneutics. The idea of an ethical hermeneutics is considered in relation to four aspects: 1) the element of practice as the constitutive element of ethical hermeneutics; 2) the force of practice: finitude; 3) the idiom as the place of finitude; 4) ethical hermeneutics and the domain of the common. The fourth aspect constitutes the critical engagement with the idea of an ethical hermeneutics, arguing that the notion of the common, which is underdeveloped in Schmidt’s writings, serves as a practical “concept” that takes the place of the theoretical concept in an ethical hermeneutics.

This paper explores a dimension of the contemporary western understanding of nature as it has been shaped by the thought of Hegel. Emblematic of a tradition that struggles to think nature on its own terms but which, more often than not, formulates it as the ground upon which human progress is built, Hegel’s philosophy sacrifices nature to spiritual progress. Orienting this study through Dennis J. Schmidt’s work on death and sacrifice in the dialectic, I trace Hegel’s formulation of the natural to show how the denigration of nature plays into a larger pattern evident in the western tradition, one that that positions the natural as somehow “outside” the political and spiritual, thereby subjecting it to mischaracterization and misuse. I conclude with a call for a post-sacrificial understanding of the natural world in an effort to help challenge the destructive force inherited by this tradition.

Of the many elements within Schmidt’s work that warrant discussion the attempt to differentiate the ethical from the conceptual is one of the most significant. That it is in part grounded in a reading of Kant makes it even more important. The aim of this essay is to question the way this differentiation is established and then justified. Part of the argument is to show the limits within Schmidt’s way of addressing what is central to any philosophical anthropology namely a concern with the being of being human.

In this essay, the author argues that Dennis Schmidt’s considerations of ethical life, when taken together, comprise a prescient and distinctive response to Heidegger’s call to pursue an ‘original ethics.’ In this, Schmidt disavows discourses within the discipline of ethics that seek to establish an ethical theory or position, arguing instead that the demands of ethical life require us to focus on the incalculable singularity of the factical situations in which we find ourselves. The author suggests that Schmidt’s contributions to such an original ethical turns on Schmidt’s claims that the context of ethical life is fraught because bound up with radical finitude—though, for that very reason, also tender because marked by the need to care for one another in our vulnerability and fragileness.

This essay explores Dennis Schmidt’s notion of an “original ethics,” asking how language, freedom and history are at work in this original ethics. The essay first examines Schmidt’s claim that philosophy has traditionally understood ethical and political life as rooted in a subject ruled entirely by what he calls “the law of the common.” The essay specifically looks at how Plato and Hobbes embrace the law of the common, expelling thereby the law of the idiom from their respective ethical and political thought. The essay then turns to an examination of Schmidt’s “original ethics” which he claims offers a way out from the law of the common and the logic of Machenschaft that animates this law. In conclusion, the essay expresses a concern on whether Schmidt can move as seamlessly as he seems to claim from an original ethics to political being in common, asking of the role of judgment in Schmidt’s original ethics.

This essay is a response to Dennis Schmidt’s call for a reanimating of the philosophical imagination and for the inception of an original ethics. In this connection it undertakes an extended examination of the various meanings that the word ἦèïò has in a number of ancient texts. Passages are cited at length (and in translations as close as possible to the Greek) from Homer’s Odyssey, Hesiod’s Works and Days, a fragment by Empedocles, a tragic drama by Aeschylus, Xenophon’s Symposium, and Plato’s Republic, Symposium, Phaedrus, and Laws. Each passage is discussed in detail with specific focus on the meaning that the passage accords to ἦèïò.

This essay traces an astonishing shift in Denny Schmidt’s work, from his emphasis on tragedy and death in 2005’s Lyrical and Ethical Subjects, to an emphasis on the comic possibilities of life in Between Word and Image (2012). Simply put, his earlier book pivots most decisively on language and, as he writes, the ways that language “bears witness to finitude” (2). Between Word and Image, on the other hand, pivots decisively on the image and reveals for us the possibility that “painting is at its heart the presentation of the movement of life” (96). The essay ends with some questions about the specifically political upshot of Schmidt’s work on the relations among aesthetic experience and “life.”

In this essay, I attempt to explore Dennis Schmidt’s pervasive claim throughout his work of a deep affinity between aesthetic experience and ethical life. In a discussion of what Schmidt calls the intensification of life, the essay shows how for Schmidt birth and death are moments that have a peculiar capacity to reveal what he calls the idiom of the ethical. At the end of the essay, I turn to Schmidt’s discussion of Greek tragedy as an exemplary site for his unique sense of original ethics.

Dennis Schmidt is developing a way of thinking that has at its core his understanding of "idiom," especially in what he calls "original ethics" and "idiomatic truth." This paper engages that understanding, distinguishes linguistic idioms and "event idioms," shows the transformative effects in both his thought and his life that his focus on idioms has had and is having in the present direction of his constructive philosophy, and further shows that this direction has the potential to change considerably major aspects of contemporary continental philosophy.

In this paper, we offer an overview of Aristotle’s account for his belief that honeybees reproduce without copulation. Following this, we draw the three following implications: First, that Aristotle’s position on this question is quite unconventional, and undercuts many traditional and “Aristotelian” hierarchies; secondly, that the method that requires him to hold this unconventional position is largely dialectical; and finally, that the lineage behind this method is Socratic. In this sense, Aristotle’s biological work may be seen as taking up where young Socrates left off according to his autobiographical remark in Plato’s Phaedo 95E-99E.

This paper explores Sean Kirkland’s thesis that relation is the fundamental concept in Aristotelian political philosophy. While substance is prior to relation in Aristotle’s metaphysics, Kirkland argues that since the human exists only in the context of a city which is defined by the essential diversity of views on the human good, relation precedes substantial unity in politics. I argue that the priority of the substantial unity of the city should not be seen to threaten the importance of political relations. Already in his theoretical ontology, Aristotle sees relation as absolutely essential and integral to the identity and existence of any mortal individual. Because of the essentially dynamic and relational activity of any mortal substance, the city as political substance must include and preserve deep diversity and difference within itself. The priority of the substantial over the relational, which makes possible the constitutive power of relations in the life of substances, is as operative in politics as it is in metaphysics.

In this paper, I begin with the most basic tenet in Aristotelian metaphysics, namely that ousia or ‘substance’ is ontologically prior to the nine other categories of being, including the pros ti, the condition of being literally ‘toward something’ or what is sometimes called 'relation' or ‘relationality.’ Aristotle repeats this frequently throughout his works and it is, I take it, manifest. However, in the Politics, so I argue here, Aristotle’s dialectical study of common appearances leads him to describe ‘human being’ in a way that runs contrary to this. That is, insofar as the human being is the zoon politikon or ‘political animal,’ it seems to be constituted as the being it is precisely by way of its relatedness to other human beings in the polis. I then try to determine the moment of ‘birth’ for this essentially relational being, and find that it may not be the emergence of the human from the womb, but rather, at least according to this interpretation of the Politics, the moment when we enter into the logos together with others in posing, discussing, debating, and re-posing the abidingly open question of the human Good.

According to Aristotle’s reply to what I call the divine wish aporia (NE VIII.7 1159a5–12), perfect friendship entails wishing many great goods for one’s friend, but precludes wishing that one’s friend become a god—“the greatest of goods”—for the realization of this wish would destroy the friendship. Counter both to this reply and to the slim body of existing commentary, which appeals to the external criterion of equalizable reciprocation, I demonstrate how the perspective internal to the virtuous activity of perfect friendship affords properly Aristotelian grounds for retaining the divine wish as its constitutive limit. While the practicable scope of perfect friendship remains circumscribed within human limits, its characteristic wishing at once reaches beyond the human—and the friendship.

This paper explores a type of poetry, music, and theater that is said to be responsible for the birth of participatory democracy. While Aristotle and Nietzsche briefly mention a similar genealogy of democracy in their work, Book III of Plato’s Laws archives a remarkable history of how participatory democracy emerged in Athens’s theater. After connecting Plato's account to a participatory style of music and poetry that is associated initially with the term polyphonia, I consider a line of philosophical commentary on this type of music from Plato to Rousseau to Derrida. For these philosophers, I claim, polyphonia disrupts the political hierarchy of those with and those with bare voices and encourages equal participation. If the phenomenon of polyphonia is indeed behind Plato’s historical account of democracy in the Laws, then it may tell us how democracy was first performed in the theater and how it was initially critiqued by philosophers.

Quietly nestled in Catullus’s early love poems, there are two grammatical ambiguities that, although provoking heated grammatical discussion in the commentary tradition, have been completely overlooked by more literary and theoretical writers. In these brief moments, the distinction between man and women, lover and loved, vir and irrumatus, becomes problematized, to say the least. Moving through and unpacking the form of Roman masculinity that is so prevalent in Catullus’s poetry, this paper looks to ultimately understand the place of these ambiguities in our collection of Catullus’ work. In so doing, it explores and uncovers a fundamental engagement with the gender-political situation in Rome, and ultimately attempts to show how Catullus not only bests his male counterparts through his poetry, but also deconstructs the very idea of what it is to be a vir in the first place.

Aristotle is often thought of as one of the fathers of essentialism in Western philosophy. Aristotle’s argument for the essence of human beings is, however, much more flexible than this prejudice might suggest. In the passage about the “human function” at Nichomachean Ethics 1.7, Aristotle gives an account of the particular “function” (or “achievement,” ergon) of human beings that does not ask very much of the modern reader—only that she be prepared to analyze human beings as a logical category according to certain rules. While this may trouble the naturalistic reductionist or the post-humanist thinker, it is not clear that Aristotle’s request is unreasonable, especially given what the function argument goes on to offer. It places normative thinking in the constellation of type-property-activity, a narrowing of the search for the human good, but not an overly constrictive one. The second, substantive stage of the argument gives a more narrow interpretation of what the unique property and its corresponding activity are in the case of humans—but even here Aristotle’s apparently “thick” conclusions about the ultimate human good ultimately leave more room for a pluralistic disagreement about ends than might be expected.

This interpretation directed at certain passages in Plato’s Theaetetus explicates the close relation that the dialogue establishes between memory, thought, and speech. It shows that all of these means contribute to the soul’s capacity to stretch beyond mere perceptions. The interpretation also shows that comedic elements play a major role in the dialogue, most notably, in the well-known passage that purportedly explains knowledge and memory by means of the image of birds flying about in an aviary. Through close examination of the relevant passages, the interpretation shows that the Theaetetus is not aporetic but rather achieves a positive advance that prepares the way for the Sophist.

The Clitophon has posed a riddle to its readers: Why does Socrates not respond to the criticisms levelled against him? A careful reading of the dialogue shows that Clitophon’s criticism of Socrates already contains its own rebuttal. It is not, as many have suggested, certain beliefs of Clitophon’s that make a Socratic response impossible. Rather, Socrates’s silence is itself the response, intended to force Clitophon to turn back to what has already been said. It is Clitophon’ lack of self-knowledge, or better his self-oblivion, his failure to see his own soul as implicated in the logos, that propels him always to seek out what’s next in the logos without any reflection on what has already been said.

“Late” Platonic dialogues are usually characterized as proposing a “scientific” understanding of philosophy, where “neutrality” is seen favorably, and being concerned with the honor of things and/or their utility for humans is considered an attitude that should be overcome through dialectical training. One dialogue that speaks strongly in favor of this reading is the Sophist, in which the stance of neutrality is explicitly endorsed in 227b-c. This paper will propose a reading of the Sophist showing that this common view of late Plato is misleading. It will argue for three things. First, 227b-c, when contextually understood, actually shows the limitation of being neutral. Second, that limitation compels the interlocutors in the rest of the conversation to pursue a non-neutral way of philosophizing about the sophist, contrary to the advice put forward in 227b-c. Finally, the non-neutral definition of the sophist that concludes the dialogue does not signal Plato’s preference for a non-neutral conception of philosophical knowledge either. A careful consideration of the dramatic ending suggests that he has reservations about it no less than he does about a neutral conception. The fact that both these conceptions had limitations perhaps explains why Plato, even in his late years, did not turn to the treatise format but remained within the dialogue: only in this form is it possible to retain both in philosophical logos.

Can the Euthydemus illuminate the philosophical significance of sophistry? In answering this question, I ask why the most direct and sustained confrontations between Socrates and the two brothers should all center on time and the soul. The Euthydemus, I argue, is a not primarily a polemic against eristic manipulation of language, but a diagnosis of the soul’s ambiguous unity. It shows that sophistic speech emerges from the soul’s way of relating to its own temporal character and to logos. Stated differently, a central theme of this dialogue is one which, we are repeatedly told, the Greeks had not yet thematized--the nature of interiority.

This paper examines parataxis and ring composition in Anaxagoras Fragment B4a, arguing that this ostensibly prose philosopher employs these poetic techniques to capture his thought. Comparing the fragment with Homeric similes and his description of Achilles’s Shield from Ililad XVIII reveals an immanent poetics within the Anaxagorean text. Lying between two instances of "πολλά τε καὶ παντοῖα" (many things of all kinds) most of fragment constitutes a single sentence. Such ring composition advises that no part of the paratactic clause should be read independently from any other. This supports reading the discussion of "seeds" (σπέρματα) and "compacted" (συμπαγῆναι) human beings in B4a as yielding a conception of infinitely proliferating microcosmic worlds each undergoing its own separation within a single cosmos.

The goddess’s speech in Parmenides’s fragments is framed by the opinions of mortals in at least two ways. First, the journey of the proem starts in the world described by mortals’ opinions, and the second part of the goddess’s speech explores those opinions. Second, throughout her speech, the goddess invokes features of the world according to mortals’ opinions—negation, coming-to-be, destruction—even when she is arguing for a road of inquiry that excludes those features. Further, we study the fragments by means of the definitions and claims regarding what-is that we use to function and communicate in our mortal lives. This paper proposes to approach the fragments with an awareness of this framing. A result is that the logical conclusion of accepting mortals’ opinions is that mortals’ opinions are flawed; and that result is based on flawed opinions. The goddess’s account thus presents something like a Liar Paradox.

In this work I defend, not the content, but, rather, the logical coherence of Descartes’s system by insisting on the ontological priority of substance over attributes in spite of the fact that Descartes seems, on occasion, to suggest otherwise. This, in turn, however, allows us to better grasp the nature of Descartes’ Augustinian conception of the soul, and what it might resemble should it be granted God’s concurrence, and, thus, eternal life. At the same time, I demonstrate, by means of his Thomistic inheritance, the philosophically sound reasons why Descartes leaves these issues somewhat opaque. Finally, these reflections lead us to Nietzsche, and by contrasting the latter’s thoughts on science and freedom to those of Descartes we are led to what, for Nietzsche, would be the ultimate desideratum of such Cartesian longings for the ‘tranquility’ and ‘happiness’ of life-everlasting: a ‘will to nothingness.’

In this article I address Schiller’s first response in his Kallias Briefe or Concerning the Beautiful, Letters to Gottfried Körner to Kant’s analysis of the beautiful in the first part of the Critique of Judgment. My main intention in the paper is to investigate Schiller’s emphasis on the notion of resistance (Widerstand) in his reading of Kant’s concept of beauty, and to ask how does this relate to Schiller’s own approach to aesthetics as an ethico-political realm. I am particularly interested in the turn, in Schiller’s case, from Kant’s critique of aesthetics to the idea of aesthetics as critique.

Rudolf Steiner’s work contains many different claims about human freedom spread out in over three hundred books. A basic challenge for the research on Steiner is to create an overview of his idea of freedom, but also to consider potential conflicting claims. One of the main tensions in Steiner’s work is the one between his early philosophical and later anthroposophical accounts of freedom. The former focuses on individual freedom while the latter puts the emphasis on the greater whole in which the human being exists. Hegel’s idea of freedom can be used to create a comprehensive and coherent understanding of Steiner’s different perspectives on freedom. In particular, using Hegel’s notion of being-with-oneself in otherness, the freedom that the individual can experience within the whole can be seen as an immanent development of the individual itself.

According to Immanuel Kant, the objective validity of obligation is given as a fact of reason, which forces itself upon us and which requires no deduction of the kind that he had provided for the categories in the Critique of Pure Reason. This fact grounds a moral philosophy that treats obligation as a good that trumps all others and that presents the moral subject as radically responsible, singled out by an imperatival address. Based on conceptions of indifference and facticity that Charles Scott has articulated in his recent work, I argue that these broadly Kantian commitments are mistaken. More specifically, I argue that the fact of obligation is given along with a dimension of indifference that disrupts the hierarchical relation between moral and non-moral goods and that renders questionable the unconditional character of responsibility.

Al-Farabi understands politically useful images to be good imitations of essences, and also effective means of persuasion for geographically and historically situated communities. Such images, moreover, are what constitute the virtuous religions of virtuous cities. At play in al-Farabi’s account of images is thus a relationship between image, religion, truth, and history, and one that brings with it certain implications for how we understand the nature of the human being. We are creatures of truth, of the grasping of essences, and hence of universals, and yet we are differently persuaded by images depending upon our geography and our history. And since historically diverse images can imitate the same universal essences, many different religions can nevertheless be “true,” and hence can function in such a way as to orient geographically and historically specific people toward happiness. Al-Farabi’s account of images is thus at the heart of his political theory of religion, and provides the basis for his affirmation of religious pluralism in relation to the virtuous city. The following essay considers the relationship between images and religious pluralism in al-Farabi’s political writings, and shows as well that it implies a correlating theory of the human being.

Drawing on the texts of Martin Heidegger, at times interpreted against the grain, I tackle the relation between ecology and economy in our era of rampant economism. I begin by outlining the ecological and economic variations on ethics and politics, with the view to the logos and nomos of dwelling (oikos). Thereafter, I consider the rise of a worldless, homeless world from the undue emphasis placed on nomos, which is but the active (actively gathering) dimension of logos. This lopsidedness, I argue, coincides with and is reinforced by the deterioration of ontological rank to valuation and, ultimately, to numeric orderability. Further, I focus on the excesses of a purely economist comportment that, emboldened by the inflation of nomos, devastates “economy” itself from within by converting the elemental fold for dwelling first into a manageable territory and finally into an empire. I conclude with the thesis that things, sharply contrasted to objects, maintain the possibility of an ecological existence, recalling us to the lost dwelling.

This paper demonstrates that an ethical justification for political resistance can be found in Spinoza’s writings. It establishes that important elements of his ethical analysis of politics entail an ethical imperative to actively resist any attempt on the part of the sovereign to abolish or unduly curtail freedom of thought and expression. It shows that, under such circumstances, active resistance will be in accord with reason: (1) the less it is motivated by any species of hatred; and (2) the more it serves to empower people. Since freedom of thought and expression necessarily involves the freedom to engage in the philosophical critique of prejudices, and the latter can itself function as a form of political resistance, the ethical imperative to preserve libertas philosophandi amounts to an enjoinder to preserve a form of perpetual resistance within the normal functioning of the rationally-ordered state.

Spinoza studies have paid little attention to the concept of justice for centuries. However, he refers to it quite often in different contexts, especially in his mature texts. More specifically, he defines it as synonymous with suum cuique tribuere, even though he fails to provide a reasonable account of how this traditional legal expression fits into his philosophical system. This article shows that there is a relevant philosophical dimension in Spinoza’s treatment of the suum cuique that emerges out of his notion of equality. The main section identifies the connection between Spinoza’s references on justice as suum cuique and the different conceptions of equality that are inherent in his system (an ontological, a metaphysical, a productive (ethical), a legal, and a political equality). The conclusion tries to answer the question of whether such an understanding of the suum cuique as equality constitutes a theory of justice or not.

This paper considers how Plato can account for the fact that pain features prominently in the intellectual pleasures of philosophers, given that in his view pleasures mixed with pain are ontologically deficient and inferior to ‘pure,’ painless pleasures. After ruling out the view that Plato does not believe intellectual pleasures are actually painful, I argue that he provides a coherent and overlooked account of pleasure in the Phaedrus, where purity does not factor into the philosopher’s judgment of pleasures at all; what matters instead is the extent to which a given pleasure fosters the philosophical life. I show that to argue, as James Warren has recently done, that Plato thinks intellectual pleasures are not per se painful is less successful than the Phaedrus account at explaining philosophers’ lived experiences of pleasure, which often involve pain.

Interpreters of Theaetetus are prone to endorse the view that a god gave Socrates maieutic skill. This paper challenges that view. It provides a different account of the skill’s origins, and reconstructs a genealogy of Socratic philosophy that begins and has its end in human experience. Three distinct origins coordinate to bring forth a radically new conception of philosophy in the image of female midwifery: the state of wonder (1. efficient origin), the exercise of producing, examining and disavowing beliefs in the gradual cultivation of human nature’s lack of skill (2. material origin), and Socrates’ understanding of god’s assistance as an endorsement of his mental infertility and the benefit of a particular form of dialectical training (3. formal origin). The paper concludes by arguing that Socrates transforms philosophy into a pursuit of wisdom that has its telos in becoming like a woman.

Plato’s Charmides suggests that there are really four notions that are deeply connected with one another, and in order to understand sôphrosunê we need to get a proper hold on them and their relation: these four notions are Knowledge of Ignorance, Self-Knowledge, Knowledge of the Good, and Knowledge of the Whole. My aim is to explore these four notions in two stages. First, I will try to explain Socrates’s notion of knowledge of ignorance, so that the nature and coherence of this Socratic idea will come into focus, and shed some light on its connection to self-knowledge and knowledge of the good. Second, I will turn to explain what I call the origin (archê) or even “truth” of Socrates’s conception of sôphrosunê by examining the idea of the physician of the soul in Plato’s Charmides and Plato’s use of the dialogue form, and thereby make a connection to knowledge of the whole. I will show that seeing sôphrosunê as “whole-mindedness,” connects to Socrates’s description of our in-between state as human beings, and that the study of this “in-between-ness,” is the supremely insightful glimpse into Socrates and his philosophical activity (perhaps the very definition of it).

This essay attempts to further the Heideggerian reading of the transcendental imagination in Kant's Critique of Pure Reason, by substantiating Heidegger’s contested claims, that (1.) the imagination is identical to “original time,” (2.) the imagination generates secondary, successive time, and (3.) therefore categories of the understanding are formal abstractions from a more primordial temporal horizon. I argue that Heidegger’s reading of Kant remains completely tenable based on A 142-143, by first examining Heidegger's thesis, and then defending it by analyzing the above-mentioned section. Finally, I comment on the implications of the Heideggerian reading, in terms of both the role of the transcendental imagination in the Kantian system, as well as the implications of Heidegger’s overall deconstruction of reason itself.

This essay draws on texts previously untranslated into English, and in particular Heidegger’s brilliant 1943 lecture course on Heraclitus, to show how Heidegger understood kosmos as an early Greek name for Being itself (Sein selbst). The contemporary scholarship has altogether missed the significant role that this Greek Ur-word plays in his later thinking. The “gleaming,” “adorning” kosmos—which the later Heidegger understood to be “world” (Welt) in the fullest and richest sense—is not in the first place any kind of transcendental-phenomenological “projection” of the human being; rather, it is the resplendence of the “ever-living” Being-unfolding-way itself from out of which both the gods and human beings come to pass and pass away. The independence of kosmos/Being itself in relation to the human being is highlighted. An Ode by Pindar and a painting by Andrew Wyeth are also considered.

In this article I analyze the themes of temporality and alterity as they were developed over the first three of Descartes’s Meditations. I discuss the temporality of the evil deceiver, as well as the implicit theory of time and time-consciousness in the Second Meditation. I show that this theory of time is purely subjective, continuous, pre-numerical, and independent of local motion and the body, thus making it independent of Aristotle’s theory of time. I then explain God’s continuous creation of time and the discontinuous theory of time Descartes develops in the Third Meditation. Moreover, I show that there is an ontological and temporal priority of the Other over the self, and that temporal self-consciousness is necessarily also consciousness of God, his continuous creation of time, time itself, and other finite substances.

Although Nietzsche scholars have paid close attention to his aphoristic and rhetorical style, few have focused on his practice of writing prefaces. In this paper, I engage in a close reading of Nietzsche’s prefaces and identify five themes present in his earlier and later prefaces: (1) he speaks directly to his readers, (2) he stresses the necessity of slow and careful reading, (3) he encourages readers to trust themselves, (4) he refers to himself as a herald, and (5) he uses combative and polemical language to describe his work. Given these themes, I conclude that Nietzsche’s preface writing project constitutes a practice of self-care as described by Foucault in “Technologies of the Self” and “The Ethics of the Concern for Self as a Practice of Freedom.”

Throughout his career, Immanuel Kant objects that Leibniz and Wolff make the distinction between sensible and intellectual cognition into a “merely logical” distinction. Although it is not clear that anyone in the Leibnizian-Wolffian tradition actually holds this view, Kant’s objection helps to define the “real” distinction between sensible and intellectual cognition that he defends in his inaugural dissertation in 1770. Kant raises the same objection against Leibniz and Wolff in the Critique of Pure Reason, but replaces the “real” distinction he defends in his inaugural dissertation with a new “transcendental” distinction between intuitions and concepts. This paper examines Kant’s objection to Leibniz and Wolff and the different alternatives he proposes, in order to highlight an important element in the development of his critical philosophy.

This paper formulates Schopenhauer’s account of the development of the individual, with emphasis on the drive towards discerning truth about the essence of the world, be it through philosophy, religion, or the natural sciences, and the concomitant search for consolation in the face of the pessimistic truths about human existence. In this regard, the paper analyses the often largely ignored passages ‘On Man’s Need for Metaphysics’ and ‘On the Different Periods of Life,’ in order to reflect upon how he views the cognitive and therapeutic needs that all individuals feel throughout their lives, and how these can evolve through the different stages of life, from childhood, through maturity, to old age. Such an account can help fill out our understanding not only of various parts of Schopenhauer’s system, but also of the wider therapeutic aims of his philosophy.

This essay discusses Immanuel Kant’s project of perpetual peace. Kant runs into several difficulties in this undertaking, a series of “political antinomies” such as the opposing goals of nature or providence and of individuals, and the competing models of a federation of states or a world state to enforce perpetual peace. I argue that cosmopolitan right is Kant’s answer to the inconsistencies of his political philosophy and of his philosophy of history. Cosmopolitanism brings the individual back into historical development by merging the political rights each person enjoys within a state with the relentless progress of the human race as a whole. Further, it provides a transition from a federation of states to a global political system of rights. I contend that cosmopolitanism can be regarded as the political supplement to the categorical imperative that applies universally to all rational beings.

Spinoza recognizes that in a democracy, ideals of freedom and equality shape our thoughts about ourselves as human beings. This paper examines Spinoza’s concept of equality in the Theological-Political Treatise, and considers its complexi­ties and ambiguities in light of his theories of freedom and democracy there and in the Ethics. Because Spinoza takes human beings to have unequal power, he does not believe we are naturally or intrinsically equal. Nor does he think equality is good in itself. Equality is good to the extent that it promotes human flourishing. The kind of equality Spinoza endorses is economic equality, which encourages human beings to become more powerful, virtuous, and free. I demonstrate this with reference to Spinoza’s discussion of the state of nature, democracy, and the Hebrew state in the Theological-Political Treatise and his remarks on charity, economic exchange, and their associated affects in the Ethics.

Marcus Aurelius’s Meditations constitutes an important source and subject for Michel Foucault’s 1981 lectures at the Collège de France, translated into English as Hermeneutics of the Subject. One recurring theme in these lectures is the deployment by Hellenistic/Roman philosophers such as Aurelius of the practice and figure of dance. Inspired by this discussion, the present essay offers a close reading of dance in the Meditations, followed by a survey of the secondary literature on this subject. Overall, I will attempt to show that, despite Aurelius’s self-consciously critical comportment toward dance, dance nevertheless performs a critical function in the construction of what I will term his “political ethics.” This political ethics, I will argue, is composed of an ethics of patient tolerance funded by the generosity that flows from the micro-political power generated by cultivating the god (or daemon) that Aurelius identifies within each of us.

This paper argues that Socrates’s baffling digression on Spartan philosophy, just before he interprets Simonides’s ode, gives a key to the whole of Plato’s Protagoras. It undermines simple distinctions between competition and cooperation in philosophy, and thus in the discussions throughout the dialogue. It also prepares for Socrates’s interpretation of Simonides’s ode as a questionable critique of Pittacus’s sage wisdom “Hard it is to be good.” This critique stands as a figure for the dialogue’s contrast between Protagoras’s and Socrates’s pedagogical methods. Protagoras advances an emulative view of education against Socrates’s self-knowledge model. The paper concludes with some thoughts on Protagoras’s claim that talking about poetry is as much about virtue as the earlier back-and-forth exchange about virtue’s unity and teachability.

At Discorsi II.20, Machiavelli defines auxiliary arms as those, “whom a prince or a republic send captained and already paid for, for your aid.” My contention is that Machiavelli’s treatment of auxiliary arms is much more nuanced than it may seem at first glance. Throughout his works, Machiavelli articulates this type of force from the standpoint of the prince but also, surprisingly, from the standpoint of the people. In their princely employment, auxiliary arms act instrumentally as means for the projection of power. However, analyzed from the standpoint of the people, auxiliary force exposes the projects of the state to the radically aleatory. Acknowledging the aspectival function played by the definition of auxiliaries in Machiavelli’s texts offers a new vantage point for re-reading Machiavelli on the nature of authority, power and the conflict of the umori.

The article examines the role of the Last Judgment in Giorgio Agamben’s philosophy. It argues that the central ontological structure of Agamben’s early thought is that of the perpetually occurring origin. The figure of the perpetual final judgment captures precisely this ontological structure. In order to explicate this figure, the article examines Agamben’s relation to the Heideggerian project of the “destruction of judgment” in two steps. First, it examines the way Agamben turns the methodology of “destruction” into the project of “decreation.” Second, it examines the Agambenian critique of judgment in terms of the perpetually occurring Last Judgment. The essay concludes with a brief examination of the Homo Sacer project and argues that “bare life” should be understood as life lived under this perpetual final judgment.

This essay examines the concept of criticism in the early works of Walter Benjamin. Critique is for Benjamin an attitude toward objectivity that treats it as a medium of reflection, and embodies a politics of ‘sobriety.’ This critical posture provides the early Benjamin with an original method of critiquing capitalism as a form of religion. Capitalist religion is characterized by the proliferation of ‘debt’ that robs the subject of the capacity for critical experience. Art critique and the critique of capitalism are two valences of the concept of critique: positive (or immanent) critique, and negative (or redemptive) critique.

Is Heidegger’s theory of the era of technology a sufficent hermeneutics of contemporary globalization? It remains invaluable because it understands technology in terms of transcendence, and transcencence in terms of being-in-the-world. But should it nevertheless be revised in the context of contemporary social and technological environment? This article shows firstly how Heidegger’s general idea of being-in-the-world is specified in his theory of technology, and how technology reduces man and nature into “natural resources” and being into elemental techno-nature. Secondly, the article presents two types of critique to Heidegger’s idea: on the one hand, Ihde, Latour and Stiegler question Heidegger’s understanding of technology as a total system; on the other hand, Foucault and Eldred question Heidegger’s understanding of technology independently of social and economical structures. The article suggests that re-interpreted through these critiques, the theory of technology gives a good basis for an ontology of contemporary “uprooted” existence.

I argue in this paper that some of the most basic commitments of Kantian ethics can be understood as grounded in the dynamic of sense that Maurice Merleau-Ponty describes in his Phenomenology of Perception. Specifically, I argue that Merleau-Ponty’s account supports the importance of universalizability as a test for the moral permissibility of particular acts as well as the idea that the binding character of the moral law is given as something like a fact of reason. But I also argue that Merleau-Ponty’s account of reversibility suggests an important dimension of moral experience that is given in the experience of contact and that is underthematized in moral philosophies like Kant’s that emphasize the role of universalizability.

This paper is an elaboration of Paul de Man’s critique, in “Heidegger’s Exegeses of Hölderlin,” of Martin Heidegger’s commentary on Friedrich Hölderlin’s poem, “As when on a holiday…” I show that de Man’s critique can be expanded into a critique of a type of testimony that Heidegger ascribes to Hölderlin’s poem. Heidegger ascribes to Hölderlin’s poem what I call “infinite testimony,” but, thereby, suppresses in the poem another type of testimony—what I call “finite testimony. This suppression is most in evidence in Heidegger’s interpretation of Hölderlin’s reference to the myth of Semele, as well as in Heidegger’s excision, in the version of the poem that he printed in the commentary, of the concluding lines of the poem. Additionally, I discuss the political implications of Heidegger’s suppression of the finite testimony depicted in “As when on a holiday . . .”

Arthur Schopenhauer’s philosophy proved more palpable to artists of the nineteenth century than to philosophers as such (with the exception of Nietzsche, Freud and Wittgenstein). Ironically, Schopenhauer’s aesthetical theory is particularly paradoxical on a variety of fronts. One troubling paradox is how Schopenhauer subscribes both to the elitist nature of the genius artist and a naturalist metaphysics. How can a singular being have radically distinct abilities if s/he cannot principally differ from the rest of existence? I address this paradox in this essay and provide a solution by focusing on a certain evolution in Schopenhauer’s philosophical development.

In this essay, I will explore the much neglected relationship between Heidegger and Spinoza—and thus of Heidegger and the modern sense of freedom. The free man, for Spinoza, is one who has not only cultivated the stronger active emotion of acquiescence to the univocal chorus of necessity, but has also learned to disengage external factors which are coincident with such passive emotions—to organise an ‘order of encounters’ as Deleuze describes in his Expressionism. Heidegger, on the contrary, who undertakes a meditation upon ‘Spinozism’ in the context of his 1936 lecture course, Schelling’s Treatise on Freedom, would seem to take issue with Spinoza in his own contention that the one who faces his or her ownmost possibility of death without evasion, is the one who is most free—or, who will have found him or herself in a moment that discloses the necessity of one’s own singular freedom. It will be in the context of this divergence between substance and event that I will argue that Spinoza’s notion of freedom as it consists in the acquiescence to substance is a falsification of human existence for the sake of a hedonistic escapism.