Epoché: A Journal for the History of Philosophy

Volume 14, Issue 1, Fall 2009

Andrea Rehberg
Pages 131-142

The World and the Work of Art

One of the central notions running through Heidegger’s oeuvre, early and late, is that of ‘world.’ By examining some issues and problems surrounding Heidegger’s statements relating to ‘world’ in his essay “The Origin of the Work of Art,” both aspects of Heidegger's broader trajectory of thought, as well as the workings of the artwork essay itself are thereby illuminated. Several, partially competing senses of ‘world’ are discovered in “The Origin of the Work of Art,” and their provenance traced to specific concerns of Heidegger. In a hermeneutic strategy of immanent critique, the artwork essay is shown to harbour the resources for its own deconstruction, and to do so precisely at certain aporetic textual points centred around the concept ‘world.’