Volume 13, Issue 2, 2016
Cross-Cultural Intermediality: From Performance to Digitality
Annette Thorsen Vilslev
Pages 77-82
Following Pasolini in Words, Photos, and Film, and his Perception of Cinema as Language
Discussing the intercultural reception of Pier Paolo Pasolini, this article looks into the intercultural and medial crossovers of his person and his work. It shows the historical particularities of Pasolini's work, and it traces layers of intermedial references in his movie production, describing the many-layered intercultural interplay. Lastly, it focuses on the discussions of media relations, and the remedialisation inherent in much of Pasolini's work.