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Cultura International Journal of Philosophy of Culture and Axiology

Volume 3, Issue 1, 2006

Florin Voica
Pages 130-148
DOI: 10.5840/cultura20063116

Il vivere di Nietzsche come opera filosofica d’arte

This distance biographical will follow however one via little various from that in way immediate can to be meant like biography, because it will try to avoid the fall in that Nietzsche calls “error of the biographers” and that she will try not to stop itself on the personal identifying data and neither to inquire around to the psychological configuration of the author, but will more rather follow the thread of the thought expressed in its works. The written ones of Nietzsche, as we have already pointed out, are from meaning like integer, also that in aphoristic shape that represent a fragmentary thought. The living as it operates has been taken in consideration, at first, from the fact that the works rise from the work that is the living, which constitute the privileged field of the creation of the artist hour this living have been looked at to approach the phenomenon of the tragedy. The scope of the art is to transform all that is bad, the painful, terrible and incommodious things.

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