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Cultura International Journal of Philosophy of Culture and Axiology

Volume 2, Issue 2, 2005

Ludmila Bejenaru, Vladlen Babcinetchi
Pages 91-100
DOI: 10.5840/cultura2005228

L'icône russe
depuis l'école novgorodénne à la "Céne" d'Alexandr Ivanov

The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized the icon painting of the greatest painters: Andrei Rubliov, Teofan Grecul Dionisie, as well as icon painting, starting from the novgorodiana school (the 11th century) till the 20th century, when big names of icon artists appared, such as Kondrafiev, Filatov, Zubov, A. Ivanov.