81.
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Film and Philosophy:
Volume >
16
Erin Kealey
Who Would You Be in a Zombie Apocalypse?
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82.
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Film and Philosophy:
Volume >
16
Aaron Smuts
It’s a Wonderful Life:
Pottersville and the Meaning of Life
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83.
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Film and Philosophy:
Volume >
16
Gwendolyn Dolske
More Than a Windshield Wiper:
A Beauvoirian Analysis of Project and Other in Flash of Genius
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84.
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Film and Philosophy:
Volume >
16
William J. Devlin, Shai Biderman
Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone
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85.
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Film and Philosophy:
Volume >
16
Mario Slugan
Epistemology as Ethics: Skepticism in Blade Runner
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86.
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Film and Philosophy:
Volume >
16
John Marmysz
Rooting for the Fascists in James Cameron’s Avatar
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87.
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Film and Philosophy:
Volume >
16
Murray Smith
In and Out of Character
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88.
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Film and Philosophy:
Volume >
16
Dan Flory
Response to My Critics
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89.
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Film and Philosophy:
Volume >
16
Charles W. Mills
Blacker Than Noir
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90.
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Film and Philosophy:
Volume >
16
Tommy L. Lott
Film Noir, Realism, and the Ghettocentric Film
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91.
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Film and Philosophy:
Volume >
17
Jay R. Elliott
The Last Word on Pottersville
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92.
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Film and Philosophy:
Volume >
17
Richard Gilmore
The Existential Hitchcock
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93.
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Film and Philosophy:
Volume >
17
Jordan Schummer
Imagination and Film
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94.
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Film and Philosophy:
Volume >
17
Jay R. Elliott
The Meaning of Life and the “Pottersville Test”:
A Reply to Aaron Smuts
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95.
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Film and Philosophy:
Volume >
17
Aaron Smuts
Reply to Elliott: In Defense of the Good Cause Account
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96.
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Film and Philosophy:
Volume >
17
Ian Schnee
Ideology, Socratic elenchus, and Inglourious Basterds
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97.
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Film and Philosophy:
Volume >
17
Sam Shpall
The Men of Talk to Her
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98.
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Film and Philosophy:
Volume >
17
Richard Nunan
Gender Tourism in Feature Films: The Case of Transamerica
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99.
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Film and Philosophy:
Volume >
17
Shawn Loht
Film as Heideggerian Art?:
A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
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100.
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Film and Philosophy:
Volume >
17
Thorsten Botz-Bornstein
“Film Thinks!” What about Dreams?:
A Reading of Daniel Frampton’s Filmosophy
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