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81.
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Glimpse:
Volume >
14
Jarmo Valkola
Landscapes of Image Culture
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82.
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Glimpse:
Volume >
16
Ilias Giannopoulos
Challenging Husserl’s ‘musical’ paradigms:
on the problem of perception of extended musical structures as temporal objects
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83.
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Glimpse:
Volume >
16
Stacey O. Irwin
Frame-Screen-Window:
Human-Media Relations
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84.
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Glimpse:
Volume >
16
Alberto J. L. Carrillo Canán, Luis R. Vera Chaparro, Matias Kritz
Movement and Pictorial Space:
The Video “Beauty”
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85.
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Glimpse:
Volume >
16
Kurt Cline
The Message is the Medium:
Houdini and the Unity of Concealment and Disclosure in Heidegger’s Parmenides
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86.
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Glimpse:
Volume >
16
Yoni Van Den Eede
Media Use, Purpose, and Autopoiesis
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87.
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Glimpse:
Volume >
16
Alessandra Mondin
Queering Heterosexuality Through (the) Skin
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88.
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Glimpse:
Volume >
16
Obiageli Pauline Ohiagu, Ntiense James Usua
Film Portrayal and the Perception of Women in Nigeria
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89.
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Glimpse:
Volume >
16
Marc Van Den Bossche
Photography and the Mirror of Nature
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90.
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Glimpse:
Volume >
16
Luanne Frank
Kleist’s Phenomenological Nightmare:
“St. Cecilia or the Power of Music” and its Holy Mary Images
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91.
|
Glimpse:
Volume >
16
Andreas Max Ströhl
Abolishing Politics for the Sake of Politics:
Vilém Flusser between Dialectic and Phenomenology
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92.
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Glimpse:
Volume >
16
Joris D. Raven
Phenomenological Sociology and the Experience of Time
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93.
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Glimpse:
Volume >
17
Nicola Liberati
Wearables, Borg, and a Common Living Body
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94.
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Glimpse:
Volume >
17
José David Romero Martín
The Artist as a Split-Self:
Toward a Definition of the Individual Bodily Sphere in Contemporary Art
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95.
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Glimpse:
Volume >
17
Raluca Mocan
On Becoming Present to the Spectators:
A Phenomenological Approach to Theatrical Performance
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96.
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Glimpse:
Volume >
17
Aki-Mauri Huhtinen
Barbed Wire, the Rhizome and Trolling:
Waging the Hybrid War
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97.
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Glimpse:
Volume >
17
Rebecca A. Hardesty
Living-into, Living-with:
A Schutzian account of the Player/Character Relationship
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98.
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Glimpse:
Volume >
17
Melentie Pandilovski
What Lies behind Modern Technology?:
The Approaches of Marshall McLuhan and Vilém Flusser
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99.
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Glimpse:
Volume >
17
Stanley C. Kranc
The Artificial Messenger:
Indirect Perception via the Instrumental Display
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100.
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Glimpse:
Volume >
17
Rachel Elliott
The Significance of Meaningless Gestures in Derrida and Husserl
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