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Displaying: 81-100 of 294 documents

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81. Film and Philosophy: Volume > 16
Erin Kealey Who Would You Be in a Zombie Apocalypse?
82. Film and Philosophy: Volume > 16
Aaron Smuts It’s a Wonderful Life: Pottersville and the Meaning of Life
83. Film and Philosophy: Volume > 16
Gwendolyn Dolske More Than a Windshield Wiper: A Beauvoirian Analysis of Project and Other in Flash of Genius
84. Film and Philosophy: Volume > 16
William J. Devlin, Shai Biderman Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone
85. Film and Philosophy: Volume > 16
Mario Slugan Epistemology as Ethics: Skepticism in Blade Runner
86. Film and Philosophy: Volume > 16
John Marmysz Rooting for the Fascists in James Cameron’s Avatar
87. Film and Philosophy: Volume > 16
Murray Smith In and Out of Character
88. Film and Philosophy: Volume > 16
Dan Flory Response to My Critics
89. Film and Philosophy: Volume > 16
Charles W. Mills Blacker Than Noir
90. Film and Philosophy: Volume > 16
Tommy L. Lott Film Noir, Realism, and the Ghettocentric Film
91. Film and Philosophy: Volume > 17
Jay R. Elliott The Last Word on Pottersville
92. Film and Philosophy: Volume > 17
Richard Gilmore The Existential Hitchcock
93. Film and Philosophy: Volume > 17
Jordan Schummer Imagination and Film
94. Film and Philosophy: Volume > 17
Jay R. Elliott The Meaning of Life and the “Pottersville Test”: A Reply to Aaron Smuts
95. Film and Philosophy: Volume > 17
Aaron Smuts Reply to Elliott: In Defense of the Good Cause Account
96. Film and Philosophy: Volume > 17
Ian Schnee Ideology, Socratic elenchus, and Inglourious Basterds
97. Film and Philosophy: Volume > 17
Sam Shpall The Men of Talk to Her
98. Film and Philosophy: Volume > 17
Richard Nunan Gender Tourism in Feature Films: The Case of Transamerica
99. Film and Philosophy: Volume > 17
Shawn Loht Film as Heideggerian Art?: A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
100. Film and Philosophy: Volume > 17
Thorsten Botz-Bornstein “Film Thinks!” What about Dreams?: A Reading of Daniel Frampton’s Filmosophy