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81.
|
Film and Philosophy:
Volume >
9
Nathan Andersen
Is Film the Alien Other to Philosophy?:
Philosophy as Film in Mulhall's On Film
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82.
|
Film and Philosophy:
Volume >
9
Julian Baggini
Alien Ways of Thinking
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83.
|
Film and Philosophy:
Volume >
9
Jonathan Hiers
A Common Ground Between Science and Religion:
A Comparison of Contact and The Varieties of Religious Experience
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84.
|
Film and Philosophy:
Volume >
9
Stephen Mulhall
Ways of Thinking:
A Response to Andersen and Baggini
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85.
|
Film and Philosophy:
Volume >
9
Laura Werner
The Dilemma of Artificial Love:
The Ethics of Love and Recognition in A..I.-Artificial Intelligence
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86.
|
Film and Philosophy:
Volume >
9
Alfred Drake
Burgess, Kubrick, and the Enlightenment Narrative of Progress
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87.
|
Film and Philosophy:
Volume >
9
Dan Shaw
Editor's Introduction
|
|
|
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88.
|
Film and Philosophy:
Volume >
9
Dan Shaw
Kubrick Contra Nihilism:
A Clockwork Orange
|
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89.
|
Film and Philosophy:
Volume >
9
Iddo Landau
The Dialectic of Authenticity and Inauthenticity in Jesus of Montreal
|
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90.
|
Film and Philosophy:
Volume >
9
Temenuga Trifonova
Mind and Body Snatchers:
The Evolution of the Sci-Fi Film Genre
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91.
|
Film and Philosophy:
Volume >
9
Natalia Skradol
Peter Greenaway and Walter Benjamin:
Visual Quoting, Hieroglyphic Montage and The Arcades Project
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92.
|
Film and Philosophy:
Volume >
10
Dan Flory
Editor's Introduction
|
|
|
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93.
|
Film and Philosophy:
Volume >
10
lls Huygens
Emotion and Film Theory:
Incorporating Affect
|
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94.
|
Film and Philosophy:
Volume >
10
Amy Coplan
Caring about Characters:
Three Determinants of Emotional Engagement
|
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95.
|
Film and Philosophy:
Volume >
10
Margrethe Bruun Vaage
The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology
|
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96.
|
Film and Philosophy:
Volume >
10
C. Paul Sellors
A Realist Account of Fiction
|
|
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97.
|
Film and Philosophy:
Volume >
10
Scott Stroud
Pragmatist Aesthetics and Film:
The Thin Red Line and Orientational Meliorism
|
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98.
|
Film and Philosophy:
Volume >
10
Aaron Smuts
V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance
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99.
|
Film and Philosophy:
Volume >
10
Greg M. Smith
Reflecting the Image:
Satrean Emotions in the Writings of Andre Bazin
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100.
|
Film and Philosophy:
Volume >
10
Kevin L. Stoehr
The Dialectical Approach to the Art of the Moving Image:
Hegel, Eisenstein and Kracauer
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