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51. Environment, Space, Place: Volume > 2 > Issue: 1
Wolfgang W. Fuchs Remote Control
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This article investigates three technological developments that are related to spatial determinations and that influence behavior in both the public and the private spheres of life. Examined are the changing relative size of movie screens and their venues, the seeming conflicting dynamic of entertainment and communication screens in the private sphere both increasing and decreasing in size, and the influence of action-at-a-distance technology.
52. Environment, Space, Place: Volume > 2 > Issue: 1
Tracey Nicholls Crossing into Lawlessness: Thoughts on Airplane Travel and State Power
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This article examines the post-9/11 policing of points of entry and transfer at US airports and the ways these points become “forbidden places” to those deemed undesirable, in order to expose the ambiguity of forbiddenness with respect to place. It uses Michel Foucault’s theory of biopolitics to argue that the War on Terror has created a class of expendable non-persons whose legal identities (citizenships) are not acknowledged and Giorgio Agamben’s analysis of “the camp” as a metaphor for the spaces in airports that are neither entirely inside nor outside a national jurisdiction. This discussion takes place, in part, through the case study of suspected terrorist Maher Arar, arguing that his case shows the displacement of our sense of prohibition, away from spaces and onto persons.
53. Environment, Space, Place: Volume > 2 > Issue: 2
Phillip Roberts The Wall: Control and Space in the Byker Redevelopment
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This article is concerned with the political implications of Ralph Erskine’s redevelopment of the Byker estate in Newcastle Upon Tyne in the United Kingdom. In it I attempt to provide a theoretical analysis of the architectures and environmental planning procedures operating in Byker, using the work of Gilles Deleuze and Felix Guattari to consider the impact of the re-development on the spaces within Newcastle and upon the bodies of the residents of the area. Ralph Erskine hadbeen concerned with using the redevelopment to improve the quality of life on the estate and to introduce a positive political relation to the spaces and buildings on the development, however, as this paper will show, the upheavals in the social organisation of city life in Britain at large have negated the positive effects of his redevelopment philosophy and led to the reterritorialisation of a regressive and isolating politics of social organisation across the city spaces of Newcastle Upon Tyne.
54. Environment, Space, Place: Volume > 2 > Issue: 2
Roger Paden The Technological Production of a Space for Art and Environmental Aesthetics
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This paper argues against evolutionary accounts of aesthetics by defending the idea that our fundamental aesthetic categories have undergone great changes in the last two millennia, in particular, during an “artistic revolution” that lasted from 1680 to 1830. This revolution was made possible by the development of a number of technologies of art that created a separate cultural space for this new invention. The attempt to extend this revolution to include the aesthetic appreciation of the natural environment is aided by a new set of technologies that help make an aesthetic object out of natural environments. This even morerecent development is further evidence against an evolutionary explanation of art.
55. Environment, Space, Place: Volume > 2 > Issue: 2
Robert Rosenberger The Spatial Experience of Telephone Use
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Ideas developed within the philosophical tradition of phenomenology can be used to describe the experience of talking on the phone. In particular, I build on a contemporary brand of phenomenology called “postphenomenology,” a school of thought which specializes in the analysis of the relationships that form between users and technologies. Three central concepts are reviewed and developed: transparency, sedimentation, and what I call “field composition.” These concepts can be used for the description of the way that the content of a telephone conversation can come to stand forward and capture a user’s overall field of awareness. I suggest that this account of the experience of the telephone can be useful for analyzing issues in scientific research and public policy regarding the topic of using the phone while driving.
56. Environment, Space, Place: Volume > 2 > Issue: 2
Troy R. E. Paddock Bridges: Technology and the Social
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Central to Martin Heidegger’s critique of modern technology is the transformation of “things” into “objects.” This article will apply some of the insights gained by Actor-Network-Theory to the several bridges in Budapest, with a special focus on the Széchenyi Chain Bridge, in order to argue that modern technology and the creations of that technology can also be “things” in the Heideggerian sense of the term. The result is a view of bridges that is firmly grounded in the physical and geographic impact that bridges can have on space and place. The use of ANT also reveals that Heidegger and one of his main critics, Bruno Latour, arenot as far apart in their thought as the latter might contend.
57. Environment, Space, Place: Volume > 2 > Issue: 2
Charlie Hailey Treillage’d Space: Tuning Person and Place in the Porches of Alison and Peter Smithson
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Late in their architectural career, Alison and Peter Smithson designed an eighty-square-foot, indoor-outdoor space for a man and his cat. The Smithsons described this modest space in methodological and phenomenal terms, noting that the addition to Axel Bruchhäuser’s Hexenhaus could be read “as an exemplar of a method by which a small physical change—a layering-over of air adhered to an existing fabric—can bring about a delicate tuning of persons with place.” The Hexenhaus’ tuning elements—second skin, tree screen, and double-acting mesh—create a “treillage’d space” that supplants mediation, reframes attunement, and elicits an active weaving of person, place, and phenomena. This paper seeks to understand what the architects meant by “tuning” and in the process to outline operations for spatial weaving.
58. Environment, Space, Place: Volume > 3 > Issue: 1
Panizza Almark Safe Spectatorship? Photography, Space, Terrorism and the London Bombings
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Drawing upon the notion of the uncanny, this article examines my documentary photography concerning the ‘everyday’ indeterminate and potentially ominous spaces around the London transport system following the bombing incidents on the 7th July, 2005. The photographs consist of reframing images found which draw attention to the lingering reminders of terrorism within the cityscape. This paper examines also how issues of representation, race, suspects, victims, protest,defiance and accusations can be evoked in the ficto-critical use of urban documentary photography.
59. Environment, Space, Place: Volume > 3 > Issue: 1
Malgorzata A. Dereniowska The Cycle of Lived-Space: From Knowing-Making Toward Designing-Building
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The article examines the reduction of architecture to the dimension of utility which results in placelessness. The modern redefinition of science as “knowing-making” is essential to this reduction, although it has fundamental and forgotten importance. Drawing upon Martin Heidegger’s and George Grant’s critique of technology, and the ideas of Alberto Pérez-Gómez and Charles-Francois Viel, the significance of the complex relations between theory and practice in architecture will be explored in the context of Kimberly Dovey’s notion of the cycle of lived-space. A re-definition of modern “knowing-making” reveals a semioticlevel which contains new possibilities for meaningful and environmentally attuned architecture within the technological framework. I suggest “designing-building” as an alternative, understood as a process of poetic recreation of meaningful spaces.
60. Environment, Space, Place: Volume > 3 > Issue: 1
Nader El-Bizri Being at Home Among Things: Heidegger’s Reflections on Dwelling
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This article examines Heidegger’s account of dwelling while placing it in the broad context of a wide array of his lectures and the constellation of his collected writings. The focus on this question is primarily ontological in character, in spite of the spatial significance of the phenomenon of dwelling, and the bearings it has on a variety of disciplines that interrogate its essence, be it in architectural humanities and design or in geography, which probe the various elements of its architectonic and topological underpinnings. The investigation of Heidegger’s reflections on dwelling will be connected in this line of inquiry with his consideration of what he refers to as “the gathering of the fourfold,” namely as “earth, sky, mortals and divinities,” and the manner they are admitted and installed into “things,” all to be set against the background of his meditations on the origins of the work of art, and on the unfolding of the essence of modern technology as en-framing.