Search narrowed by:

Narrow search

By category:

By publication type:

By language:

By journals:

By document type:

Displaying: 101-110 of 1671 documents

0.066 sec

101. Semiotics: 1986
Marcel Cornis-Pop "A Matter of Telling Stories": Plots and Counter-Plots in Recent Literary Interpretation
102. Semiotics: 1986
Robert de Beaugrande Programmability versus Creativity: Artificial Intelligence and Literary Theory
103. Semiotics: 1986
Gilles Thérien The Other in the Field: A Semiotic Approach to the Phenomenon of "Drifting"
104. Semiotics: 1986
Vittoria Borso-Borgarello Metaphor and Myth in Contemporary Theory: Evidence from the Contemporary Novel
105. Semiotics: 1986
Laurel J. Brinton Iconic Word Order Patterns in Chaucerian Prose
106. Semiotics: 1986
Floyd Merrell Peirce, and Bohm's Quantum Universe
107. Semiotics: 1986
Hanna Buczynska-Garewicz Ingarden on Meaning and Interpretation
108. Semiotics: 2007
Reid Perkins-Buzo Real Film: Realist Film Theory, Semiotics and the Documentary Film
abstract | view |  rights & permissions
Recent work by Ian Aitken and others has sought to re-establish a "Realist approach" to the documentary film in reaction to the postmodernist, pragmatist approach popular in the 1970s and 80s. The Saussurian/Lacanian orientation o f the semiotics that played a large role in the older film theory is rejected and replaced by an analytic theory of representation based on the work of Mary Hesse, Hilary Putnam and W.V.O. Quine. Although this may seem a setback vis-a-vis semiotics, it actually opens up Realist Film Theory to an application o f the doctrine of signs more closely aligned to traditional realism, that of Pierce and Poinsot. This presentation outlines how Realist Film Theory can be enriched and developed by such an application. In particular, Aitken's model for the processing of the truth-value communicated through a documentary film can be strengthened in this manner. We will look at a short filmic example to illustrate the resulting development of the theory, manifesting how the documentary film is anchored in both reliablyrepresenting reality and creatively organizing and construing it.
109. Semiotics: 2007
Judy Kay King Self-portrait in the Pharaoh's Mirror: A Reflection of Ancient Egyptian Knowledge in Teilhard de Chardin's Evolutionary Biophysics
110. Semiotics: 2007
J. Raymond Zimmer Category-Based Diagrams of Jungian Archetypal Psychology