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101. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Carmen Cozma The Modulations of Ethics in an Aesthetic Tonality, from the Perspective of Friedrich Schiller
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A challenge to scrutinize the intimate unity of the aesthetical and the ethical levels of the human beingness in Friedrich Schiller's theoretical writings makes the present essay's content. We approach a basic idea unfolding the creed of the eminent artist and philosopher in the great power of 'beauty' to activate and to enrich the value of 'humanness'. By articulating a conceptual apparatus modulated on the sensitive-rational becoming of human being, our attempt focuses on the meaningfulness of the 'moral living' through the 'art's experience', highlighting a peculiar state, designed by Schiller as "the most sublime humanity". The call for a philosophy of 'beauty' - including the moral dimension - remains a valuable learning to be disclosed, especially in times of spiritual disarray - as the present-days have many similarities with those of the end of the 18th century.
102. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Ludmila Bejenaru The Metaphysics of Music at Schopenhauer and Cioran
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Since the first degrees of musicality of mankind, the music became a sphere of investigation for naturalists (Darwin), economists (Karl Bücher), philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through their theories, the process of the beginning and settlement of this phenomenon as well as its influence on the human being.Schopenhauer will consider art, and especially music, as the only liberating form from delusion and suffering, from the omnipotence will to live. Making a strange parallelism between music and the will to live, Schopenhauer will find between these two a report of identity: “the world is an incarnation of music as well as an incarnation of Will: There is no art besides music that expresses an ideal aspect of Will, the Will itself in its purest essence”.If at Schopenhauer the music expresses the Will itself in its purest essence, at Emil Cioran “the metaphysical madness of the musical experience… weakens the will to live and the vital main springs”.Through music Emil Cioran found the way to himself, to his ego and his profound musical nature.The moments of separating of the delusions world are for the human being moments in which the entire existence feels like a melody and all of the being’s sufferings assemble and melt into “a convergence of sounds, into a musical enthusiasm and into a warm and resonant universal community”, into a “sweet and rhythmic immateriality”.
103. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Nicolae Râmbu La claca nella storia della cultura
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Apart from what this word is usually known to mean (besides the known meanings of the term), the CLAQUE was in the history of the theatre a form of manipulation of the evaluation judgements and a way of corrupting the public’s taste. Infiltrated in the theatre hall, in the middle of the „innocent” audience, the CLAQUERS applauded when their chief told them to, in order to give the impression that the play was a huge succes. They did it for the money. Taking into account this phenomenon, we can say that in the whole history of culture and, of course, on the „stage” of the world as well, the CLAQUE was always present. The CLAQUE as a cultural phenomenon is, almost each time, the price of succes.
104. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Manuela Teodora Mihoci Friedrich Schiller: ritratto e idea
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Directive of muse, as any authentic poet, Friedrich Schiller, author of an indelibly work, expressed himself in various styles: theatre, lyrical, ballad, and works of aesthetical. Thirsty of truth, exceeding rationality, he wrote for cotemporary saddles a lesson of civilization, inviting on each to enjoy from art and to live in consonance with the Geist world conscious that the aesthetical education is the road toward politics and a proper ethical corresponding with historic periods inwhich was enchain. Aesthetic expressions as "the beautiful", "the sublime", transformed into ethical expressions, not in the aim of forming of a value scale, but more to express feelings and provoke answers, forming a new consciousness.
105. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Paul Valadier SJ L'anarchie des valeurs
106. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Marius Dumitrescu Giordano Bruno and the Hermetic Experience
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In his writings on mnemonics, Bruno established a complex affinity between magic and Kabbalah on the one hand, and between Lullism and the art of memory on the other. The Nolan is no stranger to the hermetic text of the Renaissance, based on the Corpus Hermeticum and especially on the Kore Kosmu, which pursued value purification of exteriority through interiority.In The Expulsion of the Triumphant Beast, Bruno picks up on the hermetic exercise of pattern conversion, from the sense-related vices towards the reason-related virtues, operating thus a reorientation from the exterior toward the noetic interior. One recognized here the same technique Plato used in his Republic, when he amassed all the gods of Homer into one alone, the embodiment of Truth, Justice and Good.The purpose of The Expulsion dialogue is to grant a return to unity to the intellect. Thus, Bruno unveils the fact that the magical religion of the Egyptians becomes his own, seeking, by way of magical rituals, to attain divine loftiness, that condition in which things acquire their meaning and significance, making thus possible the acknowledgement of their existence.
107. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Nicolae Râmbu Le malattie assiologiche dello spirito
108. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Cristian Ungureanu Vladlen Babcinetchi: The Birth of an Artist
109. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Alexandru Boboc Heideggers Ontologie und die Neuen Anwendungen der Phänomenologie und der Hermeneutik
110. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Cristian Ungureanu Dialogue between Sphere and Cube (The secrete geometry of Byzantine icons)
111. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Jörg Zeller Dynamic sign structures in visual art
112. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Ludmila Bejenaru Berdiaev about the Faustic Fate of Culture
113. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Simona Mitroiu The oblivion – element of the cultural identity
114. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
F. Eugeni, R. Mascella, D. Pelusi Uncertainty from philosophical and mathematical point of view
115. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Paul Balahur Philosophy and Poetry
116. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Paul Balahur The Emergence of Creatology in a Cultural Perspective
117. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
David Cornberg Levis, Language and the Forking of Correctness: An Essay on Divergence and Change
118. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Ovidiu Balan Ulysses Odyssea als innere Fahrt
119. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Gloria Vergara Mujer de palabras. Las contradicciones identitarias en la visión poética de Rosario Castellanos
120. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Radu I. Petrescu Poésie et parole prophétique (sur Benjamin Fondane)