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11. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 5 > Issue: 1
Radu I. Petrescu Le baromètre de Flaubert ou Littérature et Réalité
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”The Barometer of Flaubert or Literature and Reality”. Discussing the relationship between literature and reality, this study focuses on the analysis of the“reality effect” (effet de réel) which is applied to the narrative technique in Gogol’s novel Dead Souls by revisiting it through a Nabokovian perspective.
12. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 5 > Issue: 1
Kazimierz Mrówka Le Concept de Logos chez Héraclite. L’Analyse Du Fragment B1
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“The concept of Logos at Heraclitus. The analyze of B1 fragment”. “Logos” is the most important word in the Heraclitus’ philosophy. One can tell, that Heraclitusis the philosopher of logos. The way of interpretation of this notion influences the comprehention of all work of the Greek thinker.The word appears eleven times in the following fragments : B 1, B 2, B 31, B 39, B 45, B 50, B 72, B 87, B 108, B 115 [numeration of Diels-Kranz]. Logos contains several notions, and it can not be reduced to one, as for exemple reason, speach, fire or god. The analyse of B1, where the logos apperas for the first time, shows the complexity of this term.
13. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 5 > Issue: 2
Aida Farhat Le Statut Personnel: Exemple : Le Serment du Dos (zihâr)
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In this article, I will try to explain the meaning of the word zihâr, translated as oath of the back, trying only to situate it in its context and to bring an elucidation of the subject`s origin. The zihâr is a type of repudiation used by a husband against his wife in the times of gâhiliyya (the ante-Islamic period), by using a solemn divorce formula which consists in saying: "let (her) be from now on as the back of my mother". Therefore, backing up on this formula, I want to try to clarify this concept.
14. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 5 > Issue: 2
Kazimierz Mrówka Les Routes de Nuit et de Jour. L'analyse du fragment B1 du Poème de Parménide
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In my article I analyze one fragment (B1) of the poem On Nature of Parmenides, which introduces the entire work. I describe the journey of the young man,from darkness to light, as a mystic way to the Truth (Aletheia), the way of gnosis.
15. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 6 > Issue: 1
Marly Bulcão Réflexion ou dialogique: chemins pour la constitution d'une éthique
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Reflections or Dialogicals: Ways for Making up an Ethics. This purpose of this article is to analyze the relationship between reason and ethics in the thoughts ofLéon Brunschvicg and Gaston Bachelard. It will demonstrate that although the positions of these two authors have points in common as far as the development of their philosophical trajectories, there are also profound divergences in regards to their ethical conceptions. In affirming the passage from intellectual reason to moral consciousness, the ethical humanism of Brunschvicg takes as foundation a monological conception of reason. In showing that the constitution of ethical principles is modeled after the dialogical nature of the scientific city, Bachelard opts for a conception of reason and ethics that passes thorough a reflection on the path taken by man, a path filled with contradictions, but that it is nonetheless as true as the one established by Brunschvicg.
16. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 6 > Issue: 2
Stefan Bratosin, Mihaela-Alexandra Tudor Ionescu Apports des sciences de la culture dans la recherche en communication des organisations
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Contributions of science of culture to the research in organizational communication field. The present paper aims to discuss the conditions of likelihood ofinserting a methodological option in the field of organisational communication, an option that rose from the project of Ernst Cassirer to formulate a general theory of symbolic forms. In fact, it is about stating a theoretical and methodological frame capable of answering a concrete need, phenomenological in nature, to study the communication structure of organisations not as a given fact, not as a finite and given construction, but as an ensemble of spiritual manifestations which build and enforce the human being. Access to the methodological contributions of symbolic form philosophy in the research of organisational communication is suggested by Cassirer himself through the thesis according to which the goal of his studies on symbolic forms will be truly attained only if its problematic will be reengaged and debated by each disciplinary field in turn. In this context, the thoretical frame suggested here delimits an approach which takes as its starting concept the immediate alternative of the concept of society, in other words the concept of culture, whose content is inextricably linked with the fundamental forms and propensities of the spirit. The main task of such a research frame is to approach the original source of human action, the cultural products - the words of the language, the images of the myth, of art, the intellectual symbols of knowledge, etc. From this point of view, the ground of organisational communication can be delimited and clarified to the extent in which it is regarded from the perspective of its subject, meaning in what regards the thinking in act of this communication. It is about a key mutation brought about by the methodology of the symbolic form philosophy, the mutation from object towards subject. In order to understand the organisational communication one must start from its subject, following the hypothesis that there is organisational communication in what regards the human being to the extent in which there is organisational communication in humans, since individual himself became, at a certain point, organisational communication. Therefore, the trasfer of methodological contribution herein proposed is based not on the capacity to approach organisational communication in its entirety, but on that of the subject as animal symbolicum and as inhabitant of a community which permanently insitutes a world within which he communicates, to which he refers and which he changes. The research in organisational communication participates, from this point of view, to the field of science of culture.
17. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 7 > Issue: 1
Alexander Baumgarten „Πλὴν τῆς γῆς". Le sens du toucher et l'unité thématique de traité De l'âme d'Aristote
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In this paper I shall debate the thesis according to which in the Aristotelian treatise On Soul the sense of touch works as a kind of knot for the knowledge faculties and, implicitly, as a unity for the entire treatise: it has a primitive function in the feeding process, it also represents a starting point for both the faculty of motion and knowledge, then relates itself symmetrical to the sense of vision through the typology of the intermediaries and to the intellect through the criterion of nonbeing, and finally reveals to the receiver a kind of truth that has no more the false as an alternative. On the other hand, the intellect recovers in its own faculty the sense of touch by recreating its functions in the connection between intellect and the indivisible intelligibles. Given these relations, the sense of touch represents the main connection of the treatise's large themes from the question of motion to that of knowledge and it is also literally (certain aristotelian remarksover the theme of earth being taken into consideration here) related to the living body.
18. Dilthey-Jahrbuch für Philosophie und Geschichte der Geisteswissenschaften: Volume > 7
Sylvie Mesure La Philosophie critique de l'histoire. Essai sur une theorie allemande de l'histoire
19. Dilthey-Jahrbuch für Philosophie und Geschichte der Geisteswissenschaften: Volume > 8
Sylvie Mesure Le philosophe et le naturaliste: Sur une antinomie diltheyenne
20. Dialogue and Universalism: Volume > 17 > Issue: 5/6
Résolution Finale de l’Assamblée Constutive de La SOCIÉTÉ EUROPÉENNE DE CULTURE