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1. Semiotics: 2003
Nhu-Hoa Nguyen Le processus d'interpretation dans les bandes dessinées selon les classes de signes peircéennes
2. Semiotics: 2003
Éric Prince Signes, identite et egalite: I'exemple de No de Robert Lepage
3. Semiotics: 1990
Michel Costantini Comment naissent et vivent les symboles: épisème, blason, macaron et autres logotypes
4. Semiotics: 2012
Stéphanie Walsh Matthews Le Plaisir du Texte: Comment décoder sans dévoiler
5. Semiotics: 2012
Najat El guebli L'absence du verbal: Vers une Interprétation sémiologique large
6. Semiotics: 2012
Rawya Tousson Analyse du signe folklorique, étude sur la robe traditionnelle des régions rurales en Egypte
7. Phenomenology 2005: Volume > 4 > Issue: Part 2
Karel Novotný L’ouverture du champs phénoménal : la donation ou l’interprétation ?: Sur le problème de l’apparaitre comme tel chez Jan Patočka
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Jan Patočka made a tentative to renew phenomenology as an investigation of the appearance as such. This project should not only liberate the phenomenal field from certain « metaphysical closure » imposed on it by the construction of a transcendental subjectivity. The givenness of the sensible world with its possibilities for corporal activity is opposed also to Heidegger’s concepts of understanding and projection as another types of subjectivism. However, in the end, these kinds of « metaphysical closure » seems to be replaced by another one when Patočka looks for the ultimate foundation of the appearance in a « ground of the world ».
8. Phenomenology 2005: Volume > 3 > Issue: Part 2
Delia Popa Les marges du reel et la vie imaginaire
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The essay confronts the objective conception of reality with the phenomenological one in order to observe the implication of imagination in the constitution of our sense of the real. Though fantasy seems to be the opposite of the real perception, as Jean-Paul Sartre showed it in his book “L’imaginaire”, the paper argues, following the arguments of Maurice Merleau-Ponty, Henri Maldiney and Marc Richir – but also the ancient argument of Aristotle concerning the sensible appearance – that it participates in an active and necessary way at the subjective foundation of reality.
9. Phenomenology 2005: Volume > 3 > Issue: Part 2
Carole Talon-Hugon Dire l’ ‘être invisible du sentiment’: phénoménologie et littérature
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The fourth part of L’Essence de la manifestation is devoted to the sentiments and consitute a quite unique sort of treatise on the passions. Through the analysis of this text, I here show why, according to Michel Henry, scientific treatment of Descartes and the contemporary neurobiologists who are his heirs claim to submit the passions is necessarily mistaken ; why the traditional objectivistic discourses of ph are inevitably deficient ; and finally why Henry’s reflection on the sentiments finds at once its expression and fulfillment in literature.
10. Phenomenology 2005: Volume > 3 > Issue: Part 2
Nicoleta Szabo La genese de la visibilite et l’eff ort du corps: Konrad Fiedler, Edmund Husserl et Maurice Merleau-Ponty
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This essay proposes a phenomenological interpretation of Konrad Fiedler’s philosophy of art. He’s a Nineteenth century German philosopher who’s theory of visibility (die Sichtbarkeit) and body (der Leib) comprises, in many aspects, a phenomenological view avant la lettre. We compare Fiedler’s account of visibility with Husserl’s phenomenology of the visual representation and we argue that the artistic visibility and the activity of the body proposed by Fiedler may be considered as a phenomenological solution for the problem of artistic creation. Finally, we underline the conceptual affinity between Fiedler’s theory of the body implicated in the making of artistic works and the Merleau-Ponty’s own view of it.