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1. Reflective Analysis: Year > 2011
Lester Embree Experiencing
2. Reflective Analysis: Year > 2011
Lester Embree Accounting
3. Reflective Analysis: Year > 2011
Lester Embree Examining + Closing Remarks
4. Reflective Analysis: Year > 2011
Lester Embree Analyzing
5. Reflective Analysis: Year > 2011
Lester Embree Reflecting
6. Reflective Analysis: Year > 2011
Lester Embree Preface for Instructors + Introduction
7. Reflective Analysis: Year > 2011
Lester Embree Willing, Valuing, Believing
8. Reflective Analysis: Year > 2011
Lester Embree Observing
9. Environment, Space, Place: Volume > 1 > Issue: 1
Randy Laist “The Style of What is to Come”: Representations of the World Trade Center in the Novels of Don DeLillo
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Since the very week of September 11, 2001, commentators have remarked on the apparent clairvoyance evidenced in the novelsof the American writer Don DeLillo. DeLillo’s novels have always represented the Twin Towers as gargantuan symbols of latent catastrophe. The towers have been significant to DeLillo as a particularly gargantuan representation of the manner in which modern mass-consciousness expresses itself in the form of material technologies. Throughout his career, DeLillo has described the World Trade Center not only as a physical structure, but as a kind of schematic of the future of the culture that created it. In the lines and angles of the towers, DeLillo seems to discern the “lines of intentionality” inherent in the culture of advanced technology itself, and traces them out to the conclusions toward which they seem to lead. In this paper, I will examine the manner in which DeLillo has “read” the World Trade Center as an architectural confession of a distinctly American wish to negate the human scale, to make the world over as an artificial environment, and to look forward to the surpassing of bodily and social existence. In four novels written before 9/11, DeLillo crafts an image of the World Trade Center as a sculptural representation of America’s own will to self-destruction and in his most recent novel, Falling Man, DeLillo illustrates the kind of existence that lies on the other side of this self-destruction.
10. Environment, Space, Place: Volume > 1 > Issue: 1
Emiliano Trizio Built-Spaces for World-Making
abstract | view |  rights & permissions
The aim of this article is to contribute to the understanding of the relations existing between, on the one hand, some specific types of built-spaces and, on the other, the manner in which man belonging to a given culture defines a particular way of conceiving andinhabiting the world. The interdependence between the forms of the construction of the human environment and the intellectual and practical articulation of social life has been the object of numerous researches. The focus of this analysis will be, more specifically, on built-spaces that play a decisive role in the shaping of both the forms or orientation of collective life and the underlying worldviews, built-spaces that, in virtue of this two-fold function, deserve to be called world-making. The approach will be diachronical and comparative. I will first reconstruct, on the basis of phenomenology-inspired reading of Mircea Eliade’s works, the representative as well as orientative function of sacred built-space within certain religious traditions and its relations with a specific conception of theworld in general and of the earth-sky relation in particular. Subsequently, I will show that the overthrow of these cosmological and metaphysical beliefs during the scientific revolution, has deprived sacred space of its original meaning, while rendering at once possible and necessary a completely new type of built-space, the laboratory, which exerts, in an utterly different way, a world-making function. In this way, this article develops yet another comparison between the religious conception of the relation between man and the world, and the conception issued by the modern scientific and technological development.