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1. Semiotics: 2003
Nhu-Hoa Nguyen Le processus d'interpretation dans les bandes dessinées selon les classes de signes peircéennes
2. Semiotics: 2003
Éric Prince Signes, identite et egalite: I'exemple de No de Robert Lepage
3. Semiotics: 1990
Michel Costantini Comment naissent et vivent les symboles: épisème, blason, macaron et autres logotypes
4. Semiotics: 2012
Stéphanie Walsh Matthews Le Plaisir du Texte: Comment décoder sans dévoiler
5. Semiotics: 2012
Najat El guebli L'absence du verbal: Vers une Interprétation sémiologique large
6. Semiotics: 2012
Rawya Tousson Analyse du signe folklorique, étude sur la robe traditionnelle des régions rurales en Egypte
7. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Traian D. Stänciulescu La pensée cosmologique, entre mythos et logos: une approche herméneutique
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Mediated by a hermeneutic/semiotic reading of symbols, searching out and finding some similitudes between mythical constructions concerning the genesisof the world and scientific hypotheses can be considered fruitful from at least two viewpoints, since: (a) it allows the validation of a truth which is difficult to prove through other means, that early humans had intuitive-cognitive resources much more profound than appearances seem to allow; (b) it enables the utilization of some of the suggestions offered by the mythic language in the scientific language context. Using such correspondences, the author proposes the integrative model of a structurally named "Cluster Universe" or the functionally named "Pulsatory expansion", able to solve some major difficulties of the cosmological thinking.
8. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Ludmila Bejenaru, Vladlen Babcinetchi L'icône russe: depuis l'école novgorodénne à la "Céne" d'Alexandr Ivanov
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The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized the icon painting of the greatest painters: Andrei Rubliov, Teofan Grecul Dionisie, as well as icon painting, starting from the novgorodiana school (the 11th century) till the 20th century, when big names of icon artists appared, such as Kondrafiev, Filatov, Zubov, A. Ivanov.
9. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Simona Mitroiu L’histoire comme résultat du jeu entre la mémoire et l’oubli
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The memory and the oblivion are the two coordinates which define the cultural identity. In this context the history is the result of the interactions between these two coordinates. The paper presents the relationship between memory and oblivion, emphasizing the special role of the oblivion and also trying to diminish the categorical opposition between memory and oblivion. The history is the product of a selection process of information, a process which is intimately bound up with the dynamics of the two most important coordinates of the individual and national cultural identity.
10. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Ioan Alexandru Tofan Métaphore et réflexion chez Hégel
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My essay deals with two problems. First, I want to verify the possibility of a „non-metaphysical” perspective on Hegels writings and second, I want to answer the question „What kind of language is appropriate in order to express the speculative thought?”. I begin by discussing the Derrida’s view of Hegel as a metaphysician and then I try to give the alternative to his interpretation by analizing some pages fron Hegel’s Logic.