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Displaying: 1-50 of 392 documents


1. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Mathias Grote Die „Kräfte des Organischen" Transformationen des Naturbildes in C.F. Kielmeyers Karlsschulrede
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The so-called .Karlsschulrede. (1793) of the German naturalist Carl Friedrich Kielmeyer can be considered as a keystone to the understanding of"Naturphilosophie" both in German idealism (Schelling) and the romantic period.Kielmeyer's work considers life as the result of specific forces in the organic realm and thereby searches to explain the harmony of organic existence anddevelopment. Taking into account Kant.s outlines for a lifescience in the "Kritik der Urteilskraft" (1790), Kielmeyer's notion of teleological processes in nature is sketched. The historical and epistemological relevance of this "vital-materialistic" (Lenoir) theory of life can be characterized by three major transformations in the understanding of nature in the "Karlsschulrede": First, the development of a holistic, organological view on the world, second, the emphasis on phenomena of life as historical processes and third the analogy between organism and mind. These issues found the strong influence of Kielmeyer's text on philosophy and science in the early 19th-century.
2. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Christian Möckel Krisis der Wissenschaftlichen Kultur? Edmund Husserls Forderung nach „Besinnung"
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Phenomenological philosophizing is practiced out of a sense of responsibility for contemporary culture, which is experienced as existing in a profoundcrisis. The first part of this contribution contains a systematization of the theory of crisis, a theory developed in many of Husserl's works: the description of the main phenomena of the consciousness of crisis, the explanation of crisis with regard to its causes, and the demands raised in order to overcome the crisis of scientific culture (»reflection«). Husserl's teachings on crisis are placed into close relation with his idea of science and science's Greek origin, an origin from which, according to Husserl, modern science has tragically distanced itself. It is argued, however, that Husserl was not at all a philosopher of decline or decay. The second part of this contribution represents an attempt to provide a critical and complex answer to the question as to the modern relevance and usefulness of Husserl's theory of crisis.
3. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
David Freeman Shakespeare and Philosophy
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4. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Nancy Mardas The Cipher as the Unity of Signifier and Signified
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5. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Traian D. Stänciulescu La pensée cosmologique, entre mythos et logos: une approche herméneutique
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Mediated by a hermeneutic/semiotic reading of symbols, searching out and finding some similitudes between mythical constructions concerning the genesisof the world and scientific hypotheses can be considered fruitful from at least two viewpoints, since: (a) it allows the validation of a truth which is difficult to prove through other means, that early humans had intuitive-cognitive resources much more profound than appearances seem to allow; (b) it enables the utilization of some of the suggestions offered by the mythic language in the scientific language context. Using such correspondences, the author proposes the integrative model of a structurally named "Cluster Universe" or the functionally named "Pulsatory expansion", able to solve some major difficulties of the cosmological thinking.
6. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Alexandru Gelan Classification and the problem of nature values in Nicolai Hartmann writings
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7. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Carmen Cozma A Pathway towards Music Art: the Meloethics. - Some Connections with the Phenomenology of Life -
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8. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Ludmila Bejenaru, Vladlen Babcinetchi L'icône russe: depuis l'école novgorodénne à la "Céne" d'Alexandr Ivanov
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The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized the icon painting of the greatest painters: Andrei Rubliov, Teofan Grecul Dionisie, as well as icon painting, starting from the novgorodiana school (the 11th century) till the 20th century, when big names of icon artists appared, such as Kondrafiev, Filatov, Zubov, A. Ivanov.
9. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Daniel Garber Religio Philosophi
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10. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Manuela Mihoci Esperienza religiosa e verita
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Being experienced (Erfahrung) means living. Around these two concepts: experience and living, I created this paper, as an approach to a pretty sensitive field of study, the religious one.The place of truth here can be read between the lines, but this issue stays open and needs more profound study. There is still a question: what is thepriority in studying religious experience: living as an inner and outer manifestation of a person, the analysis of a psychological report between the human being and the divine, the sacred, a research of a belief's truth or all these taken together.It is obvious that Truth stays in itself and its basis is in itself, and the report with the human is found through the act of living.
11. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Tim Lankester International Aid Experience, prospects and the moral case
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12. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Ana-Maria Pascal International AID From the Moral Case, to Everyday Life Experiences
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13. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Till Kinzel Johann Georg Hamann - ein Sokrates des 18. Jahrhunderts
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Johann Georg Hamann, a contemporary of Kant and Herder, was an important German philosopher of the 18th century, whose significance, however, is not sufficiently recognized today. His cryptic and short writings full of allusions and deep scholarship do not make him an easily accessible writer. He was a sharp critic of sophistry maskerading as philosophy, thus taking over the role of Socrates for his time, connecting a defense of Christian beliefs with a radical re-interpretation of enlightenment, thereby trying to enlighten enlightenment about itself. Hamann's concept of reason as language is an important contribution to the understanding of human nature as such, stressing the concreteness and historicality of human reason. Contrary to earlier interpretations, though, Hamann is no irrationalist, but a thinker who ridicules the absurdities of enlightenment rationalism and proved to be an important source of inspiration for writers like Sören Kierkegaard and Ernst Jünger.
14. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Cristina Gelan Adolph Hitler or an ideology delirium
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books reviews
15. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Carmen Cozma The Philosophy of Eminescu by Tudor Ghideanu
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16. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Manuela Mihoci Introduzione al cristianesimo : lezioni sul Credo apostolico by Joseph Ratzinger
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17. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 2 > Issue: 2
Authors Index
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18. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Gloria Vergara Presencia de Schiller en la poesía mexicana
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To speak of the influence of German poetry in Mexican Literature is a paradoxical question. On one hand, some critics affirm that Goethe and Schiller had a decisive influence over the Mexican romantic authors, while others as Enrique Anderson Imbert (History of Hispano-American Literature), only underline the indirect influence over them. In this essay, an analysis is made regarding the possible influence of Friedrich von Schiller and its aesthetics ideas as a poet and playwright, in Mexican poetry. This essay further studies Manuel M. Flores and Manuel José Othón, both recognized poets which work shows an appreciation of Schiller.
19. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Carmen Cozma The Modulations of Ethics in an Aesthetic Tonality, from the Perspective of Friedrich Schiller
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A challenge to scrutinize the intimate unity of the aesthetical and the ethical levels of the human beingness in Friedrich Schiller's theoretical writings makes the present essay's content. We approach a basic idea unfolding the creed of the eminent artist and philosopher in the great power of 'beauty' to activate and to enrich the value of 'humanness'. By articulating a conceptual apparatus modulated on the sensitive-rational becoming of human being, our attempt focuses on the meaningfulness of the 'moral living' through the 'art's experience', highlighting a peculiar state, designed by Schiller as "the most sublime humanity". The call for a philosophy of 'beauty' - including the moral dimension - remains a valuable learning to be disclosed, especially in times of spiritual disarray - as the present-days have many similarities with those of the end of the 18th century.
20. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Ioan Alexandru Tofan Métaphore et réflexion chez Hégel
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My essay deals with two problems. First, I want to verify the possibility of a „non-metaphysical” perspective on Hegels writings and second, I want to answer the question „What kind of language is appropriate in order to express the speculative thought?”. I begin by discussing the Derrida’s view of Hegel as a metaphysician and then I try to give the alternative to his interpretation by analizing some pages fron Hegel’s Logic.
21. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Ludmila Bejenaru The Metaphysics of Music at Schopenhauer and Cioran
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Since the first degrees of musicality of mankind, the music became a sphere of investigation for naturalists (Darwin), economists (Karl Bücher), philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through their theories, the process of the beginning and settlement of this phenomenon as well as its influence on the human being.Schopenhauer will consider art, and especially music, as the only liberating form from delusion and suffering, from the omnipotence will to live. Making a strange parallelism between music and the will to live, Schopenhauer will find between these two a report of identity: “the world is an incarnation of music as well as an incarnation of Will: There is no art besides music that expresses an ideal aspect of Will, the Will itself in its purest essence”.If at Schopenhauer the music expresses the Will itself in its purest essence, at Emil Cioran “the metaphysical madness of the musical experience… weakens the will to live and the vital main springs”.Through music Emil Cioran found the way to himself, to his ego and his profound musical nature.The moments of separating of the delusions world are for the human being moments in which the entire existence feels like a melody and all of the being’s sufferings assemble and melt into “a convergence of sounds, into a musical enthusiasm and into a warm and resonant universal community”, into a “sweet and rhythmic immateriality”.
22. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Manuela Teodora Mihoci Friedrich Schiller: ritratto e idea
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Directive of muse, as any authentic poet, Friedrich Schiller, author of an indelibly work, expressed himself in various styles: theatre, lyrical, ballad, and works of aesthetical. Thirsty of truth, exceeding rationality, he wrote for cotemporary saddles a lesson of civilization, inviting on each to enjoy from art and to live in consonance with the Geist world conscious that the aesthetical education is the road toward politics and a proper ethical corresponding with historic periods inwhich was enchain. Aesthetic expressions as "the beautiful", "the sublime", transformed into ethical expressions, not in the aim of forming of a value scale, but more to express feelings and provoke answers, forming a new consciousness.
23. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Simona Mitroiu L’histoire comme résultat du jeu entre la mémoire et l’oubli
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The memory and the oblivion are the two coordinates which define the cultural identity. In this context the history is the result of the interactions between these two coordinates. The paper presents the relationship between memory and oblivion, emphasizing the special role of the oblivion and also trying to diminish the categorical opposition between memory and oblivion. The history is the product of a selection process of information, a process which is intimately bound up with the dynamics of the two most important coordinates of the individual and national cultural identity.
24. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Cristina Gelan J. C. Friedrich von Schiller. Aesthetics and Politics
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To arrive at a practical solution in the political problem, one must take the road of aesthetics because, in Schiller’s opinion, it is only through beauty that we arrive at freedom. This can only be demonstrated if we first know the principles by which reason is guided in political legislation; for, although in its aesthetic state human action is truly free and it is free to the highest degree from any constrictions, it is not, nevertheless, beyond laws. Reason and the illumination of the mind, Friedrich Schiller believes, are not enough to make the truth triumph and heal the political: an education of feeling is necessary. The education of feeling represents the most stringent necessity as it becomes both a means to render efficient the improvement of ideas and judgments in practical life, and a cause generating this improvement. For, any amelioration in the sphere of the political must have in view the ennoblement of the character, and the instrument most at hand to this aim is the art of the beautiful.Beauty is the common object of the two impulses or instincts (reason and experience) and is best expressed through the concept of play; it is only play that renders man complete and develops his double nature. Making the beautiful a mere play does not involve a degradation of beauty; restricting the beautiful, which is regarded as an element of culture, to mere play is not in contradiction with the dignity of beauty, but we must look at the idea of play as it was expressed by Johan Huizinga also, and see man as the homo ludens providing the art of life.
25. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Paul Valadier SJ L'anarchie des valeurs
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26. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Luigi Luchini Lo scisma greco del 1054, la caduta di Costantinopoli nel 1453, l'arte bizantina e la sua influenza in Italia
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The Byzantine art can also be called the Christian art of East, between 4th century in which arose and 14th century in which the sunset began. In the 6th century the true grandiose of the arts was created by the Byzantine. This art maintained these classic traditions for various centuries and the renaissance of 10th and 14th centuries has had above all the persistence and the awakening of the ancient spirit. In the second half of the 13th century, we assist to the decline of the Empire of East, the advance of the invasion of Muslims and the separation from the Byzantine influence.The western culture is based on the reason of divine origin. The art, beyond the allegorical meaning, becomes technically constructive. The artist today difficultly succeeds to make a face human, an expression of the man-God. We are in full industrial age, from which we achieve egoism. Over the dogmatic contrasts between the two churches, the union is felt in spirit, and also in the spirit of art. The historical schism does not have the total force to separate; the re-unification of the Christian world is an aspiration of all the Europeans today.
27. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Nicolae Râmbu La claca nella storia della cultura
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Apart from what this word is usually known to mean (besides the known meanings of the term), the CLAQUE was in the history of the theatre a form of manipulation of the evaluation judgements and a way of corrupting the public’s taste. Infiltrated in the theatre hall, in the middle of the „innocent” audience, the CLAQUERS applauded when their chief told them to, in order to give the impression that the play was a huge succes. They did it for the money. Taking into account this phenomenon, we can say that in the whole history of culture and, of course, on the „stage” of the world as well, the CLAQUE was always present. The CLAQUE as a cultural phenomenon is, almost each time, the price of succes.
28. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Florin Voica Il vivere di Nietzsche come opera filosofica d’arte
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This distance biographical will follow however one via little various from that in way immediate can to be meant like biography, because it will try to avoidthe fall in that Nietzsche calls “error of the biographers” and that she will try not to stop itself on the personal identifying data and neither to inquire around to the psychological configuration of the author, but will more rather follow the thread of the thought expressed in its works. The written ones of Nietzsche, as we have already pointed out, are from meaning like integer, also that in aphoristic shape that represent a fragmentary thought.The living as it operates has been taken in consideration, at first, from the fact that the works rise from the work that is the living, which constitute the privileged field of the creation of the artist hour this living have been looked at to approach the phenomenon of the tragedy. The scope of the art is to transform all that is bad, the painful, terrible and incommodious things.
29. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
David Cornberg Simplicity and Complexity in Sign Formation
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This essay uses semiotics and complexity theory to examine processes of sign formation. Simplicity and complexity, construed as differences in configuration of elements, are then applied to sign formation. Sign formation is understood as the effort of one entity to gain the attention of another entity. Examples such as signs of wild animals also show that the signifying functions of signs always happen in time. Simplification of commercial signs can be interpreted as the use of lowest common denominators in human transactions. Analysis of interaction between large numbers of humans and behaviour shows simplification of sign formation and illuminates social-cultural and political processes including the dynamics of violence.
30. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Traian D. Stănciulescu La génèse du langage, entre nature et culture: une approche sémiotique
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The paper propose an assemble of (un)conventional explanatory hypotheses regarding insufficiently known aspects of the genesis and evolution of the human language. The causes and mechanisms that justify the hypothesis of an original linguistic nucleus generating ethnic dialects later on have been studied here. These aspects, regarded from the interdisciplinary perspective of such sciences as semiotics and linguistics, neurology and biophotonics, psychosociology, logic and philosophy, are sustaining that the human language (word) history presupposes: an “iconicity phase” (naturalist theory), permitting an essentially motivated communication, and an “arbitrary phase” (conventionalist theory). The “Babel language” myth, for which the “power of the word” means an archetype of reference, has been selected as a symbolic frame in order to describe the stages through which the human language passes on its way from Nature (“language of living“) to Culture (“language of spiritual meanings“).
31. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 1
Marius Dumitrescu Giordano Bruno and the Hermetic Experience
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In his writings on mnemonics, Bruno established a complex affinity between magic and Kabbalah on the one hand, and between Lullism and the art of memory on the other. The Nolan is no stranger to the hermetic text of the Renaissance, based on the Corpus Hermeticum and especially on the Kore Kosmu, which pursued value purification of exteriority through interiority.In The Expulsion of the Triumphant Beast, Bruno picks up on the hermetic exercise of pattern conversion, from the sense-related vices towards the reason-related virtues, operating thus a reorientation from the exterior toward the noetic interior. One recognized here the same technique Plato used in his Republic, when he amassed all the gods of Homer into one alone, the embodiment of Truth, Justice and Good.The purpose of The Expulsion dialogue is to grant a return to unity to the intellect. Thus, Bruno unveils the fact that the magical religion of the Egyptians becomes his own, seeking, by way of magical rituals, to attain divine loftiness, that condition in which things acquire their meaning and significance, making thus possible the acknowledgement of their existence.
32. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Alexandru Boboc Heideggers Ontologie und die Neuen Anwendungen der Phänomenologie und der Hermeneutik
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33. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
F. Eugeni, R. Mascella, D. Pelusi Uncertainty from philosophical and mathematical point of view
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34. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Paul Balahur The Emergence of Creatology in a Cultural Perspective
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35. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Jörg Zeller Dynamic sign structures in visual art
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36. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Ludmila Bejenaru Berdiaev about the Faustic Fate of Culture
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37. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Nicolae Râmbu Le malattie assiologiche dello spirito
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38. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
David Cornberg Levis, Language and the Forking of Correctness: An Essay on Divergence and Change
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39. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Cristian Ungureanu Dialogue between Sphere and Cube (The secrete geometry of Byzantine icons)
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40. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Simona Mitroiu The oblivion – element of the cultural identity
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41. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Ovidiu Balan Ulysses Odyssea als innere Fahrt
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42. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Paul Balahur Philosophy and Poetry
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43. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 3 > Issue: 2
Cristian Ungureanu Vladlen Babcinetchi: The Birth of an Artist
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44. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Anna-Teresa Tymieniecka Truth − The Ontopoietic Vortex of Life
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45. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Jörg Zeller Dynamic Sign Structures in Visual Art
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46. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Manuela T. Mihoci Del linguaggio e dell’arte
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47. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
David Cornberg Levis, Language and the Forking of Correctness: An Essay on Divergence and Change
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48. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Eero Tarasti An Essay on Appearance: Or: The present structure and existential digressions of the subject
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49. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Doina Grigoraş Sur la vertu dans le dialogue Ménon
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50. Cultura International Journal of Philosophy of Culture and Axiology: Volume > 4 > Issue: 1
Héctor Wittwer Einige Schwierigkeiten in Kants Lehre von der Unsterblichkeit der Seele
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