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Film and Philosophy

Volume 4, Issue Volume IV, 1997
Volume IV

Table of Contents

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Displaying: 1-13 of 13 documents


1. Film and Philosophy: Volume > 4 > Issue: Volume IV
Raymond D. Boisvert, Jayne R. Boisvert Bread, Companionship, and the Ethics of Attentive Response: Marcel Pagnol's The Baker's Wife
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2. Film and Philosophy: Volume > 4 > Issue: Volume IV
Christopher D. Morris The Lodger's Allegory of Seeing
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3. Film and Philosophy: Volume > 4 > Issue: Volume IV
Fred Seddon Some Truths About Pulp Fiction
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4. Film and Philosophy: Volume > 4 > Issue: Volume IV
Allan Casebier A Phenomenology of Television Experience
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5. Film and Philosophy: Volume > 4 > Issue: Volume IV
Joseph Kupfer Aristotle and Egoism in Ground Hog Day
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6. Film and Philosophy: Volume > 4 > Issue: Volume IV
Joseph Kupfer Speech, Community, and Evil in Rob Roy
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7. Film and Philosophy: Volume > 4 > Issue: Volume IV
Jeffery L. Geller, Richard Vela Happiness Through Insanity: The Function of Outrageousness in Screwball Comedy
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8. Film and Philosophy: Volume > 4 > Issue: Volume IV
Brian O'Leary King Vidor's Communitarian Vision in Our Daily Bread
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9. Film and Philosophy: Volume > 4 > Issue: Volume IV
Jack Simmons The Ontology of Perception in Cinema
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10. Film and Philosophy: Volume > 4 > Issue: Volume IV
Kevin W. Sweeney Deluze on Beckett's Film
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11. Film and Philosophy: Volume > 4 > Issue: Volume IV
David Goldblatt Tourists with Typewriters: Jew and Writer in Barton Fink
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12. Film and Philosophy: Volume > 4 > Issue: Volume IV
Harvey Roy Greenberg Machine Dreams
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13. Film and Philosophy: Volume > 4 > Issue: Volume IV
Addresses of Contributors
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